℗ 2020 Delphian Records
Released | May 22, 2020 |
Duration | 1h 03m 29s |
Record Label | Delphian Records |
Catalogue No. | DCD34232 |
Genre | Classical (Choral) |
Sleeper's Prayer: Choral Music from North America
Choir of Merton College, Oxford, Benjamin Nicholas
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Senex puerum portabat
Nico Muhly; Choir of Merton College, Oxford; Benjamin Nicholas |
7:18 | |||
1.2
|
again (after ecclesiastes)
David Lang; Choir of Merton College, Oxford; Benjamin Nicholas |
4:22 | |||
1.3
|
Rev’d Mustard His Installation Prelude
Nico Muhly; Choir of Merton College, Oxford; Benjamin Nicholas |
3:05 | |||
1.4
|
if I sing (after psalm 101)
David Lang; Choir of Merton College, Oxford; Benjamin Nicholas |
3:46 | |||
1.5
|
A Hymn on the Nativity
Nico Muhly; Choir of Merton College, Oxford; Benjamin Nicholas |
4:29 | |||
1.6
|
Take care (Hudson Preludes, No. 1)
Nico Muhly; Choir of Merton College, Oxford; Benjamin Nicholas |
4:47 | |||
1.7
|
I will sing and raise a psalm
Libby Larsen; Choir of Merton College, Oxford; Benjamin Nicholas |
5:06 | |||
1.8
|
A Song of Ephrem the Syrian
Nico Muhly; Choir of Merton College, Oxford; Benjamin Nicholas |
5:25 | |||
1.9
|
sleeper’s prayer
David Lang; Choir of Merton College, Oxford; Benjamin Nicholas |
7:20 | |||
Satyagraha, Act III
|
|||||
1.10
|
Conclusion
Philip Glass; Choir of Merton College, Oxford; Benjamin Nicholas |
7:43 | |||
1.11
|
Cedit, hyems
Abbie Betinis; Choir of Merton College, Oxford; Benjamin Nicholas |
3:20 | |||
1.12
|
Deep river
Abbie Betinis; Choir of Merton College, Oxford; Benjamin Nicholas |
3:20 | |||
1.13
|
The Road Home
Stephen Paulus; Choir of Merton College, Oxford; Benjamin Nicholas |
3:28 |
In barely a decade of existence, Merton College’s new choral foundation has ambitiously redefined the choral landscape of the great university city of Oxford through its twin commitment to excellence & innovation.
Now, focusing entirely on American music of the late twentieth and early twenty-first centuries, this latest in a series of thematically conceived recordings begins as a striking ‘double portrait’ of two composers who have written or arranged works especially for the choir.
David Lang’s austere choral postminimalism, informed by a background of Jewish liturgy and thought, provides a striking foil to Nico Muhly’s more richly referential approach; Muhly fell in love with the Anglican tradition as a young chorister in Rhode Island.
Two solo organ works by Muhly, and a transcription from his mentor Philip Glass’s opera "Satyagraha", widen the expressive gamut still further – from whimsical allusiveness to meditative calm – and are set in context alongside the more stylistically eclectic yet no less powerfully communicative sound-worlds of Libby Larsen and Abbie Betinis. Two final choral items draw on pre-existing traditions of the spiritual and the Baptist hymnal in moving demonstration of the New World’s ability to honour its past while gazing Firmly ahead.
44.1 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.54 -17.32 to -0.54 | -26.28 -33.65 to -19.60 | -22.74 -31.10 to -15.00 | 12 9 to 15 | |
1 | Senex puerum portabat | -0.58 | -22.54 | -18.6 | 13 |
2 | again (after ecclesiastes) | -12.46 | -31.99 | -28.5 | 11 |
3 | Rev’d Mustard His Installation Prelude | -17.32 | -33.65 | -31.1 | 9 |
4 | if I sing (after psalm 101) | -3.12 | -23.17 | -19.5 | 12 |
5 | A Hymn on the Nativity | -4.87 | -27.34 | -24.4 | 14 |
6 | Take care (Hudson Preludes, No. 1) | -14.99 | -31.43 | -29.5 | 9 |
7 | I will sing and raise a psalm | -1.35 | -23.53 | -20.5 | 14 |
8 | A Song of Ephrem the Syrian | -0.56 | -21.52 | -17.6 | 13 |
9 | sleeper’s prayer | -6.36 | -30.76 | -27.9 | 15 |
10 | Conclusion | -5.73 | -25.58 | -23.1 | 11 |
11 | Cedit, hyems | -0.54 | -19.60 | -15.0 | 11 |
12 | Deep river | -1.38 | -25.43 | -19.1 | 14 |
13 | The Road Home | -2.74 | -25.15 | -20.8 | 12 |