℗ 2018 Delphian Records
Released | October 19, 2018 |
Duration | 52m 00s |
Record Label | Delphian Records |
Catalogue No. | DCD34205 |
Genre | Classical (Choral) |
Pater Peccavi: Music of Lamentation from Renaissance Portugal
The Marian Consort, Rory McCleery
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Lamentations for Maundy Thursday
Manuel Cardoso; The Marian Consort; Rory McCleery |
5:48 | |||
1.2
|
De profundis
Estêvão Lopes Morago; The Marian Consort; Rory McCleery |
1:41 | |||
Missa Veni Domine
|
|||||
1.3
|
Kyrie
Duarte Lobo; The Marian Consort; Rory McCleery |
3:39 | |||
1.4
|
Commissa mea
Estêvão Lopes Morago; The Marian Consort; Rory McCleery |
3:40 | |||
1.5
|
Gloria
Duarte Lobo; The Marian Consort; Rory McCleery |
3:55 | |||
1.6
|
Circumdederunt me
Aires Fernandez; The Marian Consort; Rory McCleery |
2:42 | |||
1.7
|
Pater peccavi
Duarte Lobo; The Marian Consort; Rory McCleery |
1:53 | |||
1.8
|
Credo
Duarte Lobo; The Marian Consort; Rory McCleery |
7:26 | |||
1.9
|
Heu Domine
Estevão de Brito; The Marian Consort; Rory McCleery |
3:43 | |||
1.10
|
Versa est in luctum
Estêvão Lopes Morago; The Marian Consort; Rory McCleery |
2:30 | |||
1.11
|
Sanctus & Benedictus
Duarte Lobo; The Marian Consort; Rory McCleery |
3:38 | |||
1.12
|
Emendemus in melius
Estêvão Lopes Morago; The Marian Consort; Rory McCleery |
1:42 | |||
1.13
|
Agnus Dei
Duarte Lobo; The Marian Consort; Rory McCleery |
1:37 | |||
1.14
|
Oculi mei semper ad Dominum
Estêvão Lopes Morago; The Marian Consort; Rory McCleery |
2:10 | |||
1.15
|
Commissa mea pavesco
Filipe de Magalhães; The Marian Consort; Rory McCleery |
3:22 | |||
1.16
|
Audivi vocem
Duarte Lobo; The Marian Consort; Rory McCleery |
2:34 |
Biblical texts of lamentation were embraced by composers of the late Renaissance for their artistic and expressive potential. But in Portugal – a kingdom without a king, its people governed by a foreign power – such settings gave life, as well, to a rich expression of covert political commentary.
Rory McCleery’s ongoing interest in this field of polyphony bears fruit for the first time in a ground-breaking programme. Many of these Portuguese composers are known, if at all, for a very few pieces. Once again, McCleery and his Consort make a clarion call for music that it deserves, and with their advocacy should now receive far wider recognition.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.08 -5.68 to -0.40 | -21.70 -26.94 to -18.19 | -18.27 -23.20 to -14.90 | 11 10 to 12 | |
1 | Lamentations for Maundy Thursday | -1.73 | -19.46 | -16.0 | 10 |
2 | De profundis | -5.68 | -24.38 | -20.8 | 11 |
3 | Kyrie | -1.38 | -20.72 | -17.3 | 12 |
4 | Commissa mea | -0.40 | -19.76 | -16.4 | 12 |
5 | Gloria | -0.40 | -19.28 | -16.0 | 12 |
6 | Circumdederunt me | -0.40 | -19.48 | -16.1 | 11 |
7 | Pater peccavi | -4.42 | -25.68 | -22.0 | 11 |
8 | Credo | -0.40 | -19.52 | -16.3 | 12 |
9 | Heu Domine | -0.40 | -18.19 | -14.9 | 11 |
10 | Versa est in luctum | -4.57 | -25.08 | -21.6 | 12 |
11 | Sanctus & Benedictus | -1.44 | -20.57 | -17.3 | 12 |
12 | Emendemus in melius | -3.77 | -24.98 | -21.4 | 11 |
13 | Agnus Dei | -2.50 | -21.92 | -18.4 | 11 |
14 | Oculi mei semper ad Dominum | -4.21 | -26.94 | -23.2 | 12 |
15 | Commissa mea pavesco | -0.95 | -21.18 | -17.8 | 11 |
16 | Audivi vocem | -0.62 | -20.14 | -16.8 | 12 |