℗ 2019 Delphian Records
| Released | December 12, 2019 |
| Duration | 1h 06m 23s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34224 |
| Genre | Classical (Choral) |
Music for Milan Cathedral
Siglo de Oro, Patrick Allies
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Inviolata, integra et casta es Maria
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
6:52 | |||
|
1.2
|
O sacrum convivium
Franchinus Gaffurius; Siglo de Oro; Patrick Allies |
2:30 | |||
|
1.3
|
Popule meus
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
11:59 | |||
|
1.4
|
Alma redemptoris mater - Ave regina caelorum
Josquin des Prez; Siglo de Oro; Patrick Allies |
6:12 | |||
|
1.5
|
Proh dolor
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
2:51 | |||
|
1.6
|
Ave maris stella
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
10:19 | |||
|
1.7
|
Inclina Deus meus
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
7:05 | |||
|
1.8
|
Ave regina caelorum, mater
Gaspar van Weerbeke; Siglo de Oro; Patrick Allies |
3:50 | |||
|
1.9
|
Beati omnes qui timent Dominum
Hermann Matthias Werrecore; Siglo de Oro; Patrick Allies |
6:01 | |||
|
1.10
|
Homo quidam fecit
Dominique Phinot; Siglo de Oro; Patrick Allies |
3:25 | |||
|
1.11
|
Inviolata, integra et casta es Maria sea
Josquin des Prez; Siglo de Oro; Patrick Allies |
5:19 |
In the fifteenth and sixteenth centuries, Milan Cathedral acted as a magnet to many of the finest composers of the time. Yet the Cathedral’s maestro di cappella for almost thirty years, Hermann Matthias Werrecore, is almost completely unknown to us today. Why was he forgotten? Did his Flemish origins mean he was never properly adopted by his Milanese congregation? Did his later reputation suffer from confusion with his countryman Matthias Le Maistre Six of Werrecore’s surviving motets are presented here – the first time any of his sacred music has been recorded. They are heard alongside works by composers Werrecore knew, drawn mostly from the holdings of the Milan library during his tenure there. Siglo de Oro’s act of rediscovery reveals the exceptional quality of the music, and Patrick Allies directs them in performances of extraordinary flair.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.24 -5.99 to -0.40 | -22.88 -25.79 to -20.14 | -19.41 -21.90 to -16.40 | 13 11 to 14 | |
| 1 | Inviolata, integra et casta es Maria | -1.37 | -22.74 | -19.4 | 13 |
| 2 | O sacrum convivium | -5.99 | -24.73 | -21.5 | 11 |
| 3 | Popule meus | -0.40 | -22.31 | -18.4 | 13 |
| 4 | Alma redemptoris mater - Ave regina caelorum | -0.40 | -22.45 | -19.1 | 14 |
| 5 | Proh dolor | -5.02 | -23.64 | -20.2 | 12 |
| 6 | Ave maris stella | -0.40 | -20.14 | -16.4 | 12 |
| 7 | Inclina Deus meus | -1.30 | -21.77 | -18.6 | 13 |
| 8 | Ave regina caelorum, mater | -3.19 | -25.79 | -21.9 | 13 |
| 9 | Beati omnes qui timent Dominum | -1.10 | -21.64 | -18.4 | 12 |
| 10 | Homo quidam fecit | -3.35 | -22.57 | -19.2 | 12 |
| 11 | Inviolata, integra et casta es Maria sea | -2.17 | -23.88 | -20.4 | 14 |