℗ 2020 Delphian Records
| Released | May 22, 2020 |
| Duration | 46m 17s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34233 |
| Genre | Classical (Baroque) |
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Lute Suite in E Minor, BWV 996
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1.1
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I. Prelude (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:29 | |||
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1.2
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II. Allemande (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:29 | |||
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1.3
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III. Courante (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:25 | |||
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1.4
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IV. Sarabande (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
3:21 | |||
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1.5
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V. Bourrée (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
1:10 | |||
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1.6
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VI. Gigue (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:58 | |||
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Partita in C Minor, BWV 997
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1.7
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I. Prelude (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
3:05 | |||
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1.8
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II. Fugue (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
5:53 | |||
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1.9
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III. Sarabande (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
4:13 | |||
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1.10
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IV. Gigue (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:53 | |||
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1.11
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V. Double (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
3:02 | |||
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Prelude, Fugue and Allegro in E-Flat Major, BWV 998
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1.12
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I. Prelude (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
2:57 | |||
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1.13
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II. Fugue (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
6:00 | |||
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1.14
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III. Allegro (arr. for Guitar)
Johann Sebastian Bach; Sean Shibe |
3:22 | |||
Three years as a Delphian artist have seen Sean Shibe record music from seventeenth century Scottish lute manuscripts to twenty-first-century works for electric guitar, picking up multiple editor’s choices and award nominations for each release, as well as the Royal Philharmonic Society’s prestigious Young Artist of the Year accolade.
Now he turns to the music of J. S. Bach, with three works whose obscure early performance history belies their status as repertoire staples for modern guitarists.
The musicological questions that have arisen over what instrument Bach intended for these works – questions encapsulated for Shibe by the phrase ‘pour la luth ò cembal’, which appears in the composer’s hand at the head of the manuscript of the Prelude to bwv 998 – are here answered by the unshakeable assurance of Shibe’s performances.
44.1 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.06 -2.92 to -0.55 | -19.64 -21.92 to -18.09 | -17.10 -19.40 to -15.60 | 12 11 to 14 | |
| 1 | I. Prelude (arr. for Guitar) | -0.61 | -19.01 | -16.3 | 12 |
| 2 | II. Allemande (arr. for Guitar) | -2.92 | -20.90 | -18.5 | 11 |
| 3 | III. Courante (arr. for Guitar) | -1.24 | -19.68 | -17.2 | 11 |
| 4 | IV. Sarabande (arr. for Guitar) | -2.04 | -21.71 | -18.9 | 13 |
| 5 | V. Bourrée (arr. for Guitar) | -1.15 | -18.09 | -15.8 | 11 |
| 6 | VI. Gigue (arr. for Guitar) | -0.64 | -18.14 | -15.6 | 12 |
| 7 | I. Prelude (arr. for Guitar) | -0.60 | -19.24 | -16.6 | 12 |
| 8 | II. Fugue (arr. for Guitar) | -0.57 | -18.55 | -16.1 | 13 |
| 9 | III. Sarabande (arr. for Guitar) | -1.78 | -21.92 | -19.4 | 14 |
| 10 | IV. Gigue (arr. for Guitar) | -0.55 | -19.63 | -17.2 | 14 |
| 11 | V. Double (arr. for Guitar) | -0.58 | -19.46 | -16.8 | 13 |
| 12 | I. Prelude (arr. for Guitar) | -0.58 | -20.87 | -18.3 | 13 |
| 13 | II. Fugue (arr. for Guitar) | -1.01 | -19.14 | -16.8 | 12 |
| 14 | III. Allegro (arr. for Guitar) | -0.58 | -18.58 | -15.9 | 12 |