℗ 2020 Delphian Records
| Released | August 28, 2020 |
| Duration | 1h 10m 16s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34243 |
| Genre | Classical (Baroque) |
Ohrwurm
Tabea Debus, Jonathan Rees, Alex McCartney
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Ciaconna (After Bertali, Merula & Monteverdi)
Tabea Debus; Alex McCartney; after Antonio Bertali; Tarquinio Merula; Claudio Monteverdi; Tabea Debus; Jonathan Rees; Alex McCartney |
3:59 | |||
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Rinaldo, HWV 7b
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1.2
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Lascia ch’io pianga (Arr. for Voice Flute, Viola da gamba & Theorbo)
George Frideric Handel; Tabea Debus; Jonathan Rees; Alex McCartney |
4:11 | |||
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Sonata in D minor, Op. 1 No.10
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1.3
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Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo)
Pietro Castrucci; Tabea Debus; Jonathan Rees; Alex McCartney |
1:47 | |||
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1.4
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Allegro & Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo)
Pietro Castrucci; Tabea Debus; Jonathan Rees; Alex McCartney |
3:20 | |||
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Concerto in D Minor
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1.5
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Adagio (Arr. for Recorder, Viola da gamba & Theorbo)
Alessandro Marcello; Tabea Debus; Jonathan Rees; Alex McCartney |
3:24 | |||
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1.6
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Les folies d’Espagne (Arr. for Recorder, Viola da gamba & Theorbo)
Marin Marais; Tabea Debus; Jonathan Rees; Alex McCartney |
8:47 | |||
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1.7
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Vuestros ojos tienen d’amor (Arr. for Recorder, Viola da gamba & Guitar)
Anonymous; anon.; Tabea Debus; Jonathan Rees; Alex McCartney |
1:19 | |||
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1.8
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Caffeine
Freya Waley-Cohen; Tabea Debus |
4:01 | |||
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1.9
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Fandango in D Minor, R 146 (Arr. for Recorder, Viola da gamba & Guitar)
Antonio Soler; Tabea Debus; Jonathan Rees; Alex McCartney |
5:48 | |||
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1.10
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The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini (Arr. for Recorder, Viola da gamba & Theorbo)
Arcangelo Corelli; Tabea Debus; Jonathan Rees; Alex McCartney |
2:05 | |||
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1.11
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La suave melodia, y su Corrente (Arr. for Recorder & Theorbo)
Andrea Falconieri; Tabea Debus; Jonathan Rees; Alex McCartney |
3:02 | |||
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1.12
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La Monica (Une jeune fillette / Arr. for Recorder, Viola da gamba, Theorbo & Guitar)
Anonymous; anon.; Tabea Debus; Jonathan Rees; Alex McCartney |
5:31 | |||
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1.13
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Spagnoletta (Arr. for Recorder, Viola da gamba & Guitar)
Pierre-Francisque Carroubel; Tabea Debus; Jonathan Rees; Alex McCartney |
1:18 | |||
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1.14
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When Daphne did from Phoebus fly (Arr. for Recorder, Viola da gamba, Theorbo & Guitar)
Anonymous; anon.; Tabea Debus; Jonathan Rees; Alex McCartney |
5:53 | |||
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King Arthur, Z 628
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1.15
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Fairest Isle (Arr. for Voice Flute, Viola da gamba & Theorbo)
Henry Purcell; Tabea Debus; Jonathan Rees; Alex McCartney |
2:26 | |||
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1.16
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The Earle of Essex Galiard (Can she excuse my wrongs / Arr. for Voice Flute, Viola da gamba & Theorbo)
John Dowland; Tabea Debus; Jonathan Rees; Alex McCartney |
1:22 | |||
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1.17
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Auld Bob Morrice (Arr. for Recorder & Viola da gamba)
Traditional; trad. (Scots folk-tune); Tabea Debus; Jonathan Rees; Alex McCartney |
1:47 | |||
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Siroe, re di Persia, HWV 24
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1.18
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Jig (Arr. for Recorder, Viola da gamba & Theorbo)
George Frideric Handel; Tabea Debus; Jonathan Rees; Alex McCartney |
2:05 | |||
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1.19
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Diaries of the Early Worm
Gareth Moorcraft; Tabea Debus |
5:12 | |||
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1.20
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Lamento di Tristano – La Rotta
Anonymous; anon.; Tabea Debus |
2:59 | |||
Melodies that emerge from musical folk memory or jump off the printed page to lodge themselves in the listener’s mind: such ‘earworms’ are the raison d’être of this inventive album, effervescent and haunting by turn.
Rising talent Tabea Debus makes an immediate impression as she joins the roster of Delphian house artists, coaxing an astonishing spectrum of moods and timbres from an array of Renaissance and Baroque recorders. Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-first.
44.1 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.91 -6.50 to -0.56 | -18.48 -23.46 to -15.14 | -14.96 -20.50 to -12.00 | 10 9 to 12 | |
| 1 | Ciaconna (After Bertali, Merula & Monteverdi) | -0.57 | -15.68 | -12.5 | 9 |
| 2 | Lascia ch’io pianga (Arr. for Voice Flute, Viola da gamba & Theorbo) | -3.04 | -20.96 | -17.9 | 10 |
| 3 | Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo) | -1.75 | -17.71 | -14.9 | 10 |
| 4 | Allegro & Adagio (Excerpts Arr. for Recorder, Viola da gamba & Theorbo) | -1.03 | -17.92 | -15.2 | 11 |
| 5 | Adagio (Arr. for Recorder, Viola da gamba & Theorbo) | -3.56 | -19.80 | -16.8 | 9 |
| 6 | Les folies d’Espagne (Arr. for Recorder, Viola da gamba & Theorbo) | -0.57 | -16.76 | -13.0 | 10 |
| 7 | Vuestros ojos tienen d’amor (Arr. for Recorder, Viola da gamba & Guitar) | -1.21 | -16.57 | -12.9 | 10 |
| 8 | Caffeine | -2.70 | -21.79 | -17.5 | 12 |
| 9 | Fandango in D Minor, R 146 (Arr. for Recorder, Viola da gamba & Guitar) | -0.57 | -17.66 | -14.0 | 11 |
| 10 | The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini (Arr. for Recorder, Viola da gamba & Theorbo) | -0.57 | -16.14 | -12.0 | 10 |
| 11 | La suave melodia, y su Corrente (Arr. for Recorder & Theorbo) | -3.04 | -19.23 | -16.4 | 9 |
| 12 | La Monica (Une jeune fillette / Arr. for Recorder, Viola da gamba, Theorbo & Guitar) | -0.63 | -15.14 | -12.1 | 9 |
| 13 | Spagnoletta (Arr. for Recorder, Viola da gamba & Guitar) | -0.57 | -17.27 | -12.7 | 9 |
| 14 | When Daphne did from Phoebus fly (Arr. for Recorder, Viola da gamba, Theorbo & Guitar) | -0.57 | -17.87 | -15.1 | 11 |
| 15 | Fairest Isle (Arr. for Voice Flute, Viola da gamba & Theorbo) | -6.16 | -23.46 | -20.5 | 10 |
| 16 | The Earle of Essex Galiard (Can she excuse my wrongs / Arr. for Voice Flute, Viola da gamba & Theorbo) | -2.15 | -17.46 | -13.9 | 10 |
| 17 | Auld Bob Morrice (Arr. for Recorder & Viola da gamba) | -1.82 | -17.78 | -14.3 | 9 |
| 18 | Jig (Arr. for Recorder, Viola da gamba & Theorbo) | -0.58 | -17.20 | -13.3 | 11 |
| 19 | Diaries of the Early Worm | -0.56 | -20.53 | -14.5 | 11 |
| 20 | Lamento di Tristano – La Rotta | -6.50 | -22.64 | -19.7 | 9 |