℗ 2018 Delphian Records
| Released | January 19, 2018 |
| Duration | 1h 07m 22s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34206 |
| Genre | Classical (Chamber) |
Music in a Cold Climate: Sounds of Hansa Europe
In Echo, Gawain Glenton
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Symphonia 1 a 4
Nicolaus a Kempis; In Echo; Gawain Glenton |
2:53 | |||
|
1.2
|
Der heilig Berg
William Brade; In Echo; Gawain Glenton |
1:04 | |||
|
1.3
|
Peggie Bell
William Brade; In Echo; Gawain Glenton |
0:42 | |||
|
1.4
|
Ein Schottisch Tantz
William Brade; In Echo; Gawain Glenton |
1:27 | |||
|
1.5
|
Sonata a 4
Antonio Bertali; In Echo; Gawain Glenton |
9:16 | |||
|
1.6
|
Das Leid ist hier
Heinrich Albert; In Echo; Gawain Glenton |
1:06 | |||
|
1.7
|
Paduana ‘Susanne un jour’
Johann Sommer; In Echo; Gawain Glenton |
3:34 | |||
|
1.8
|
A Prelude for the Violin
Thomas Baltzar; in Echo |
2:04 | |||
|
1.9
|
John come kiss me now
Thomas Baltzar; in Echo |
4:38 | |||
|
1.10
|
Sonata a 2
Dietrich Becker; In Echo; Gawain Glenton |
8:13 | |||
|
1.11
|
Paduana ‘Lagrima’
Melchior Schildt; in Echo |
4:59 | |||
|
1.12
|
Pavan ‘The Image of Melancholly’
Antony Holborne; In Echo; Gawain Glenton |
4:31 | |||
|
Northern Soul
|
|||||
|
1.13
|
Walk 1
Andrew Keeling; In Echo; Gawain Glenton |
3:13 | |||
|
1.14
|
Walk 2
Andrew Keeling; In Echo; Gawain Glenton |
2:45 | |||
|
1.15
|
Walk 3
Andrew Keeling; In Echo; Gawain Glenton |
2:40 | |||
|
1.16
|
Walk 4
Andrew Keeling; In Echo; Gawain Glenton |
3:37 | |||
|
1.17
|
Der 8. Psalm
Johann Sommer; in Echo |
3:37 | |||
|
1.18
|
Sonata 31 a 4
Johann Staden; In Echo; Gawain Glenton |
2:37 | |||
|
1.19
|
Lachrimae Pavaen
Johann Schop; In Echo; Gawain Glenton |
4:26 | |||
A new signing for Delphian, In Echo is made up of some of Europe’s finest young early-music specialists. Each a soloist in their own right, under director Gawain Glenton they have put together a fascinating snapshot of the musical landscape during the heyday of the Hanseatic League.
The seafaring nations of northern Europe have always been connected: London to Tallinn via Lübeck, Hamburg, Bremen and the ports of Holland, Denmark and Sweden. The sixteenth- and seventeenth-century composer/musicians on this recording each looked beyond their own shores and toward a sense of shared European culture and understanding. Andrew Keeling’s new work Northern Soul was commissioned specially to complement this programme.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.45 -14.05 to -0.40 | -23.96 -33.88 to -20.78 | -20.22 -30.50 to -16.50 | 12 11 to 14 | |
| 1 | Symphonia 1 a 4 | -1.05 | -21.41 | -17.9 | 13 |
| 2 | Der heilig Berg | -5.72 | -22.46 | -19.4 | 11 |
| 3 | Peggie Bell | -4.67 | -21.90 | -18.8 | 11 |
| 4 | Ein Schottisch Tantz | -4.79 | -23.66 | -19.9 | 11 |
| 5 | Sonata a 4 | -1.83 | -22.28 | -19.2 | 13 |
| 6 | Das Leid ist hier | -6.25 | -25.19 | -21.2 | 11 |
| 7 | Paduana ‘Susanne un jour’ | -3.06 | -21.12 | -17.9 | 11 |
| 8 | A Prelude for the Violin | -8.86 | -29.73 | -25.4 | 13 |
| 9 | John come kiss me now | -7.78 | -28.48 | -24.4 | 14 |
| 10 | Sonata a 2 | -1.95 | -20.98 | -17.6 | 13 |
| 11 | Paduana ‘Lagrima’ | -14.05 | -33.88 | -30.5 | 13 |
| 12 | Pavan ‘The Image of Melancholly’ | -4.58 | -22.68 | -19.5 | 12 |
| 13 | Walk 1 | -0.40 | -22.06 | -18.0 | 14 |
| 14 | Walk 2 | -3.05 | -23.80 | -19.1 | 12 |
| 15 | Walk 3 | -0.40 | -20.78 | -16.5 | 13 |
| 16 | Walk 4 | -2.77 | -25.13 | -20.4 | 13 |
| 17 | Der 8. Psalm | -5.34 | -25.04 | -21.1 | 12 |
| 18 | Sonata 31 a 4 | -4.35 | -21.37 | -17.9 | 11 |
| 19 | Lachrimae Pavaen | -3.73 | -23.35 | -19.5 | 12 |