℗ 2021 Resonus Limited
| Released | April 30, 2021 |
| Duration | 1h 07m 41s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10276 |
| Genre | Classical (Orchestral) |
Poulenc: Aubade, Le Bal masqué, Flute Sonata & Sextet
Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig, Roderick Williams
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Aubade, FP51a
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1.1
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I. Toccata
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:40 | |||
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1.2
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II. Récitatif
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
1:39 | |||
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1.3
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III. Rondeau
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
3:11 | |||
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1.4
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IV. Presto
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
1:37 | |||
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1.5
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V. Récitatif
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
1:48 | |||
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1.6
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VI. Andante
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:58 | |||
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1.7
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VII. Allegro feroce
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
0:42 | |||
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1.8
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VIII. Conclusion
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:31 | |||
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Le Bal masqué, FP60
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1.9
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I. Préambule et air de bravure
Francis Poulenc; Max Jacob; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:05 | |||
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1.10
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II. Intermède
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:37 | |||
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1.11
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III. Malvina
Francis Poulenc; Max Jacob; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:01 | |||
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1.12
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IV. Bagatelle
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:13 | |||
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1.13
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V. La dame aveugle
Francis Poulenc; Max Jacob; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
2:23 | |||
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1.14
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VI. Finale
Francis Poulenc; Max Jacob; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:10 | |||
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Flute Sonata, FP164
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1.15
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I. Allegro malinconico
Francis Poulenc; Emer McDonough; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:56 | |||
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1.16
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II. Cantilena
Francis Poulenc; Emer McDonough; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:14 | |||
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1.17
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III. Presto giocoso
Francis Poulenc; Emer McDonough; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
3:37 | |||
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Sextet, FP100
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1.18
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I. Allegro vivace
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
7:39 | |||
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1.19
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II. Divertissement
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
4:42 | |||
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1.20
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III. Finale
Francis Poulenc; Roderick Williams; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
5:58 | |||
In this second album in his French series, pianist Mark Bebbington is joined by baritone Roderick Williams, flautist Emer McDonough, and the Royal Philharmonic Orchestra conducted by Jan Latham-Koenig, in a further programme of music by Francis Poulenc.
Featuring some of Poulenc’s most characteristic works, the programme begins with his 1929 chamber piano concerto Aubade originally written with a choreographed ballet element for a private fancy-dress party. The following year saw the composer set Surrealist poems by his friend Max Jacob in his work Le Bal Masqué, which Poulenc described as a ‘secular cantata’. Written in 1956 the Flute Sonata was described by the composer himself as being ‘simple but subtle’. Completing the album is the 1931 Sextet for piano and wind quintet, later revised in 1939.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.94 -6.64 to -0.36 | -24.74 -30.36 to -18.78 | -21.12 -27.20 to -15.60 | 14 12 to 17 | |
| 1 | I. Toccata | -3.89 | -23.94 | -20.7 | 12 |
| 2 | II. Récitatif | -0.47 | -21.23 | -16.3 | 12 |
| 3 | III. Rondeau | -0.47 | -21.49 | -18.3 | 13 |
| 4 | IV. Presto | -0.47 | -22.73 | -19.9 | 16 |
| 5 | V. Récitatif | -0.48 | -25.63 | -22.2 | 16 |
| 6 | VI. Andante | -0.47 | -22.55 | -18.5 | 13 |
| 7 | VII. Allegro feroce | -0.48 | -18.78 | -15.6 | 12 |
| 8 | VIII. Conclusion | -0.47 | -24.47 | -19.9 | 15 |
| 9 | I. Préambule et air de bravure | -0.44 | -24.75 | -21.1 | 17 |
| 10 | II. Intermède | -5.71 | -30.29 | -27.2 | 17 |
| 11 | III. Malvina | -0.36 | -27.00 | -23.0 | 17 |
| 12 | IV. Bagatelle | -4.49 | -27.57 | -24.5 | 14 |
| 13 | V. La dame aveugle | -0.47 | -23.73 | -19.5 | 15 |
| 14 | VI. Finale | -0.48 | -25.14 | -21.4 | 16 |
| 15 | I. Allegro malinconico | -6.39 | -28.32 | -24.9 | 13 |
| 16 | II. Cantilena | -6.64 | -30.36 | -26.6 | 14 |
| 17 | III. Presto giocoso | -0.48 | -23.67 | -19.6 | 14 |
| 18 | I. Allegro vivace | -0.66 | -23.22 | -19.8 | 14 |
| 19 | II. Divertissement | -4.98 | -27.25 | -24.1 | 14 |
| 20 | III. Finale | -0.48 | -22.70 | -19.3 | 14 |