℗ 2021 haenssler CLASSIC
Released | April 16, 2021 |
Duration | 1h 07m 13s |
Record Label | haenssler CLASSIC |
Catalogue No. | HC20079 |
Genre | Classical (Piano) |
Piano Sonata No. 30 in E Major, Op. 109
|
|||||
1.1
|
I. Vivace ma non troppo - Adagio espressivo
Ludwig van Beethoven; Haiou Zhang |
3:36 | |||
1.2
|
II. Prestissimo
Ludwig van Beethoven; Haiou Zhang |
2:22 | |||
1.3
|
III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Ludwig van Beethoven; Haiou Zhang |
12:35 | |||
Piano Sonata No. 32 in C Minor, Op. 111
|
|||||
1.4
|
I. Maestoso - Allegro con brio ed appassionato
Ludwig van Beethoven; Haiou Zhang |
9:43 | |||
1.5
|
II. Arietta. Adagio molto semplice e cantabile
Ludwig van Beethoven; Haiou Zhang |
17:45 | |||
Organ Sonata No. 5 in C Major, BWV 529
|
|||||
1.6
|
II. Largo (Arr. for S. Feinberg Piano)
Johann Sebastian Bach; Haiou Zhang |
8:01 | |||
Hunt Cantata, BWV 208
|
|||||
1.7
|
No. 9, Sheep May Safely Graze (Arr. D. Lipatti for Piano)
Johann Sebastian Bach; Haiou Zhang |
5:26 | |||
Piano Concerto No. 4 in G Major, Op. 58
|
|||||
1.8
|
III. Cadenza
Ludwig van Beethoven; Haiou Zhang |
4:44 | |||
1.9
|
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
Ludwig van Beethoven; Haiou Zhang |
3:01 | |||
Digital Booklet
|
“Masterpieces are irreplaceable with their timelessness. I still clearly remember when, for the first time, I heard a couple of bars in the last movement of Beethoven’s Opus 109 – it was about 20 years ago and I felt deeply touched and captured at that moment... It was something truly indescribable to me. I have always believed that I should only record pieces of music to which I feel strongly attached. I felt that this composition would grow as if it were an extension of my own musical language. It is now very clear to me that Opus 109 will always be the music to accompany me through all the ups and downs of life, and the same is also true for Opus 111. It has to be admitted that I totally fell in love with the variations to be found in Opus 111. I desperately wanted to be part of that particular world encompassed by the fragile and sublime colors which are to be found between the “pp” and “ppp” (“very quiet” and “extremely quiet”) parts of the work, which permeate the whole special atmosphere. It seems as if one is being driven towards infinity – somehow it might even take one to a sublime place without conflicts, pain and evil.“
- Haiou Zhang
96 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.12 -8.76 to -0.09 | -23.32 -27.06 to -20.61 | -19.81 -24.20 to -16.50 | 12 11 to 13 | |
1 | I. Vivace ma non troppo - Adagio espressivo | -2.50 | -23.95 | -20.5 | 13 |
2 | II. Prestissimo | -1.26 | -20.98 | -17.4 | 12 |
3 | III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | -1.83 | -22.44 | -18.5 | 12 |
4 | I. Maestoso - Allegro con brio ed appassionato | -0.54 | -20.61 | -16.5 | 13 |
5 | II. Arietta. Adagio molto semplice e cantabile | 0.00 | -23.17 | -19.1 | 13 |
6 | II. Largo (Arr. for S. Feinberg Piano) | -2.62 | -24.26 | -21.1 | 13 |
7 | No. 9, Sheep May Safely Graze (Arr. D. Lipatti for Piano) | -7.38 | -26.19 | -23.4 | 11 |
8 | III. Cadenza | -0.09 | -21.19 | -17.6 | 12 |
9 | Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | -8.76 | -27.06 | -24.2 | 11 |