℗ 2021 Tactus
| Released | April 2, 2021 |
| Duration | 51m 32s |
| Record Label | Tactus |
| Catalogue No. | TC871805 |
| Genre | Classical (Orchestral) |
Respighi: Opere er flauto e orchestra
Roberto Fabbriciani, Orchestra Sinfonica Abruzzese, Nicola Paszkowski
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Suite pour instruments d'archet et flûte, P. 57
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1.1
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I. Badinage
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
5:15 | |||
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1.2
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II. Valse
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:12 | |||
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1.3
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III. Berçeuse de Nöel
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:57 | |||
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1.4
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IV. Furlana
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:21 | |||
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Melodia e valse caressante, P. 42
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1.5
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I. Melodia
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
3:36 | |||
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1.6
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II. Valse caressante
Ottorino Respighi; Roberto Fabbriciani; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
3:52 | |||
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1.7
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Serenata per piccola orchestra, P. 54
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:37 | |||
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Gli uccelli, P. 154
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1.8
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I. Preludio
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
2:48 | |||
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1.9
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II. La colomba
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:30 | |||
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1.10
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III. La gallina
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
3:57 | |||
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1.11
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IV. L'usignolo
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:56 | |||
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1.12
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V. Il cucù
Ottorino Respighi; Orchestra Sinfonica Abruzzese; Nicola Paszkowski |
4:31 | |||
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Digital Booklet
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This album is dedicated to the works for flute and orchestra by Ottorino Respighi - a leading exponent of the “Generation of the Eighties” and a very refined composer, gifted with an excellent skill in the use of instrumental timbres - includes the world premiere recording of two works for flute and strings that came back to light after a long oblivion (and now published by Roberto Fabbriciani for the editors Suvini Zerboni). Fabbriciani can also be considered the first interpreter ever, given that there is no evidence of performances in the period in which they were composed. The “Suite” and the diptych “Melodia” and “Valse caressante” are in fact works dating back to the composer's first prolific period, remaining until now manuscripts in custody of the Museum of Music in Bologna and the Fondazione Cini in Venice. The Serenade for small orchestra and the suite “Gli Uccelli” complete the production, expanding the vision of Respighi's compositions to the writing in his full maturity.
48 kHz / 24-bit PCM – Tactus Studio Masters
Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.89 -6.58 to -1.00 | -19.75 -25.76 to -14.02 | -16.19 -22.70 to -9.90 | 10 7 to 13 | |
| 1 | I. Badinage | -1.00 | -18.06 | -15.0 | 11 |
| 2 | II. Valse | -1.00 | -19.02 | -16.1 | 11 |
| 3 | III. Berçeuse de Nöel | -2.55 | -25.39 | -22.0 | 13 |
| 4 | IV. Furlana | -1.39 | -15.10 | -11.9 | 8 |
| 5 | I. Melodia | -1.00 | -18.22 | -14.7 | 10 |
| 6 | II. Valse caressante | -1.00 | -17.71 | -14.8 | 10 |
| 7 | Serenata per piccola orchestra, P. 54 | -1.00 | -19.79 | -16.1 | 11 |
| 8 | I. Preludio | -1.00 | -14.02 | -9.9 | 7 |
| 9 | II. La colomba | -6.58 | -25.76 | -22.7 | 12 |
| 10 | III. La gallina | -1.00 | -20.16 | -15.5 | 12 |
| 11 | IV. L'usignolo | -4.20 | -24.73 | -21.5 | 11 |
| 12 | V. Il cucù | -1.00 | -19.09 | -14.1 | 9 |