℗ 2021 SOMM Recordings
Released April 16, 2021
Duration 1h 08m 38s
Record Label SOMM Recordings
Catalogue No. SOMMCD0632
Genre Classical (Chamber)
 

Treasures from the New World, Vol. 2

Anthony Flint, Clélia Iruzun

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Violin Sonata in E Major, Op. 36  
1.1
I. Allegro moderato
Henrique Oswald; Anthony Flint; Clélia Iruzun
8:26
1.2
II. Allegretto molto moderato
Henrique Oswald; Anthony Flint; Clélia Iruzun
3:31
1.3
III. Andante molto espressivo
Henrique Oswald; Anthony Flint; Clélia Iruzun
5:51
1.4
IV. Allegro con fuoco
Henrique Oswald; Anthony Flint; Clélia Iruzun
6:04
1.5
Romanza for Violin & Piano
Francisco Mignone; Anthony Flint; Clélia Iruzun
4:03
Violin Sonata in A Major, Op. 14  
1.6
I. Allegro
Leopoldo Miguez; Anthony Flint; Clélia Iruzun
12:17
1.7
II. Andante espressivo
Leopoldo Miguez; Anthony Flint; Clélia Iruzun
6:40
1.8
III. Scherzo. Presto non molto
Leopoldo Miguez; Anthony Flint; Clélia Iruzun
7:14
1.9
IV. Vivace
Leopoldo Miguez; Anthony Flint; Clélia Iruzun
7:01
1.10
Poema No. 1, Op. 94 No. 1
Marlos Nobre; Anthony Flint; Clélia Iruzun
4:01
1.11
Tango Brasileiro (Arr. S. Lima for Violin & Piano)
Alexandre Levy; Anthony Flint; Clélia Iruzun
3:30
Digital Booklet
SOMM Recordings is pleased to announce the return of pianist Clélia Iruzun and the label debut of violinist Anthony Flint with Treasures from the New World, Volume 2, a revelatory compendium of sonatas and duets by five Brazilian composers who defined the sound and soul of modern Latin American music. A champion of music from her homeland on earlier recordings for SOMM, Rio de Janeiro-born Iruzun returns to Henrique Oswald (also Rioborn) with his four-movement Violin Sonata in E major of 1908. Lightly laced with late-Brahmsian accents, it’s a work of striking contrasts, a brief Intermezzo and extended slow interlude framed by an opening movement of vivacious lyricism and an energetic, optimistic, fiery finale. Leopoldo Miguez’s Violin Sonata in A major (1885) boasts similar lyrical richness while balancing evocative, nocturnal beauty, brisk confidence and a bracing sense of instrumental ensemble. Completing the disc are the melodious Poema (2002) by Marlos Nobre, one of Brazil’s most exciting contemporary composers, Souza Lima’s duet arrangement of Alexandre Levy’s Tango Brasileiro, and the haunting early miniature Romanza (1917) that prepared the ground for a later trio of substantial sonatas by Francisco Mignone, a mentor and close friend of Iruzun’s since her childhood.
96 kHz / 24-bit PCM – SOMM Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.54
-4.82 to -0.11
-23.26
-26.07 to -21.19
-20.19
-22.70 to -18.20
13
11 to 14
1
I. Allegro moderato
-2.58-22.00-19.212
2
II. Allegretto molto moderato
-4.82-26.07-22.714
3
III. Andante molto espressivo
-4.71-25.73-22.512
4
IV. Allegro con fuoco
-0.64-21.19-18.214
5
Romanza for Violin & Piano
-4.02-25.26-22.113
6
I. Allegro
-2.11-22.29-19.313
7
II. Andante espressivo
-3.31-23.98-21.013
8
III. Scherzo. Presto non molto
-1.34-21.99-19.013
9
IV. Vivace
-0.11-21.83-19.113
10
Poema No. 1, Op. 94 No. 1
-1.93-21.90-18.711
11
Tango Brasileiro (Arr. S. Lima for Violin & Piano)
-2.40-23.61-20.314

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