℗ 2021 Reel to Real under exclusive license to La Reserve Records
Released | August 6, 2021 |
Duration | 1h 12m 18s |
Record Label | Cellar Live |
Catalogue No. | RTRD006 |
Genre | Jazz (Hard Bop) |
Westward Bound! (Live)
Harold Land
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Vendetta (Live / feat. Carmell Jones)
Harold Land; Carmell Jones |
6:18 | |||
1.2
|
Beep Durple (Live / feat. Carmell Jones)
Harold Land; Carmell Jones |
9:20 | |||
1.3
|
Happily Dancing / Deep Harmonies Falling (Live / feat. Carmell Jones)
Harold Land; Carmell Jones |
8:38 | |||
1.4
|
My Romance (Live / feat. Hampton Hawes)
Harold Land; Hampton Hawes |
10:38 | |||
1.5
|
Triplin' the Groove (Live / feat. Hampton Hawes)
Harold Land; Hampton Hawes |
11:07 | |||
1.6
|
Autumn Leaves (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones |
11:27 | |||
1.7
|
Who Can I Turn To (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones |
4:54 | |||
1.8
|
Beau-Ty (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones |
7:09 | |||
1.9
|
Blue N' Boogie (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones |
2:47 |
Continuing its mission to unearth important, previously unreleased jazz performances, Reel to Reel Recordings returns with Westward Bound!, a crucial collection of forceful quartet and quintet performances by the masterful tenor saxophonist Harold Land!
Crisply recorded at the Seattle jazz club the Penthouse in 1962-65 by engineer Jim Wilke and originally aired as part of a weekly broadcast from the venue on KING-FM, the new collection was mastered by Kevin Gray of Coherent Audio.
Reel to Reel – a partnership between Vancouver-based jazz impresario and saxophonist Cory Weeds and Resonance Records co-president and award-winning “Jazz Detective” Zev Feldman – was launched in 2018 with a pair of releases that included its initial title drawn from the Penthouse’s audio trove, Cannonball Adderley’s Swingin’ in Seattle.
In his notes to the new album, Feldman writes, "I feel that these recordings of Harold Land are special and need to be heard. Land was one of the purveyors of West Coast jazz whom I feel is an under-recognized genius who doesn’t get discussed enough ... Land was on top of his game during this important part of his career in the mid- 1960s.”
Comparing the new release to In Baltimore, Reel to Reel’s 2020 live collection by George Coleman, Weeds adds, “Westward Bound! finds us celebrating another unsung hero of the tenor saxophone."
96 kHz / 24-bit PCM – Cellar Live Studio Masters
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.67 -1.80 to -0.50 | -19.28 -22.04 to -17.69 | -16.38 -19.10 to -15.10 | 13 12 to 14 | |
1 | Vendetta (Live / feat. Carmell Jones) | -0.50 | -17.69 | -15.2 | 12 |
2 | Beep Durple (Live / feat. Carmell Jones) | -0.51 | -19.46 | -16.3 | 13 |
3 | Happily Dancing / Deep Harmonies Falling (Live / feat. Carmell Jones) | -0.51 | -19.05 | -16.1 | 13 |
4 | My Romance (Live / feat. Hampton Hawes) | -0.50 | -18.57 | -15.8 | 12 |
5 | Triplin' the Groove (Live / feat. Hampton Hawes) | -0.50 | -19.67 | -16.5 | 13 |
6 | Autumn Leaves (Live / feat. Philly Joe Jones) | -0.67 | -20.21 | -17.4 | 14 |
7 | Who Can I Turn To (Live / feat. Philly Joe Jones) | -1.80 | -22.04 | -19.1 | 13 |
8 | Beau-Ty (Live / feat. Philly Joe Jones) | -0.50 | -17.89 | -15.1 | 12 |
9 | Blue N' Boogie (Live / feat. Philly Joe Jones) | -0.50 | -18.92 | -15.9 | 12 |