℗ 2021 Reel to Real under exclusive license to La Reserve Records
Released August 6, 2021
Duration 1h 12m 18s
Record Label Cellar Live
Catalogue No. RTRD006
Genre Jazz (Hard Bop)
 

Westward Bound! (Live)

Harold Land

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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1.1
Vendetta (Live / feat. Carmell Jones)
Harold Land; Carmell Jones
6:18
1.2
Beep Durple (Live / feat. Carmell Jones)
Harold Land; Carmell Jones
9:20
1.3
Happily Dancing / Deep Harmonies Falling (Live / feat. Carmell Jones)
Harold Land; Carmell Jones
8:38
1.4
My Romance (Live / feat. Hampton Hawes)
Harold Land; Hampton Hawes
10:38
1.5
Triplin' the Groove (Live / feat. Hampton Hawes)
Harold Land; Hampton Hawes
11:07
1.6
Autumn Leaves (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones
11:27
1.7
Who Can I Turn To (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones
4:54
1.8
Beau-Ty (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones
7:09
1.9
Blue N' Boogie (Live / feat. Philly Joe Jones)
Harold Land; Philly Joe Jones
2:47
Continuing its mission to unearth important, previously unreleased jazz performances, Reel to Reel Recordings returns with Westward Bound!, a crucial collection of forceful quartet and quintet performances by the masterful tenor saxophonist Harold Land! Crisply recorded at the Seattle jazz club the Penthouse in 1962-65 by engineer Jim Wilke and originally aired as part of a weekly broadcast from the venue on KING-FM, the new collection was mastered by Kevin Gray of Coherent Audio. Reel to Reel – a partnership between Vancouver-based jazz impresario and saxophonist Cory Weeds and Resonance Records co-president and award-winning “Jazz Detective” Zev Feldman – was launched in 2018 with a pair of releases that included its initial title drawn from the Penthouse’s audio trove, Cannonball Adderley’s Swingin’ in Seattle. In his notes to the new album, Feldman writes, "I feel that these recordings of Harold Land are special and need to be heard. Land was one of the purveyors of West Coast jazz whom I feel is an under-recognized genius who doesn’t get discussed enough ... Land was on top of his game during this important part of his career in the mid- 1960s.” Comparing the new release to In Baltimore, Reel to Reel’s 2020 live collection by George Coleman, Weeds adds, “Westward Bound! finds us celebrating another unsung hero of the tenor saxophone."
96 kHz / 24-bit PCM – Cellar Live Studio Masters

Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.67
-1.80 to -0.50
-19.28
-22.04 to -17.69
-16.38
-19.10 to -15.10
13
12 to 14
1
Vendetta (Live / feat. Carmell Jones)
-0.50-17.69-15.212
2
Beep Durple (Live / feat. Carmell Jones)
-0.51-19.46-16.313
3
Happily Dancing / Deep Harmonies Falling (Live / feat. Carmell Jones)
-0.51-19.05-16.113
4
My Romance (Live / feat. Hampton Hawes)
-0.50-18.57-15.812
5
Triplin' the Groove (Live / feat. Hampton Hawes)
-0.50-19.67-16.513
6
Autumn Leaves (Live / feat. Philly Joe Jones)
-0.67-20.21-17.414
7
Who Can I Turn To (Live / feat. Philly Joe Jones)
-1.80-22.04-19.113
8
Beau-Ty (Live / feat. Philly Joe Jones)
-0.50-17.89-15.112
9
Blue N' Boogie (Live / feat. Philly Joe Jones)
-0.50-18.92-15.912

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