℗ 2019 IBS Classical
Released March 13, 2020
Duration 1h 04m 20s
Record Label IBS Classical
Catalogue No. IBS-202019
Genre Classical (Chamber)
 

At the Spanish Royal Chamber

Eugenia Boix, La Tempestad, Silvia Márquez Chulilla, Guillermo Turina, Karim Farhan

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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Il trionfo (Excerpts)  
1.1
Sì queste voci rispettose
José Lidón; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
6:13
1.2
Che sarà? Qual cupo suono
José Lidón; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
5:40
Concierto para violonchelo in D Major  
1.3
I. Allegro con espíritu
Francisco Brunetti; Guillermo Turina; La Tempestad; Silvia Márquez Chulilla
11:12
1.4
II. Adagio
Francisco Brunetti; Guillermo Turina; La Tempestad; Silvia Márquez Chulilla
3:47
1.5
III. Rondó
Francisco Brunetti; Guillermo Turina; La Tempestad; Silvia Márquez Chulilla
6:38
Il trionfo (Excerpts)  
1.6
Dell’immortal vittoria
José Lidón; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
3:15
1.7
A dispetto vedranno, o Signore
José Lidón; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
5:52
1.8
Lamentación de Miércoles Santo No. 1
Gaetano Brunetti; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
7:12
1.9
Lamentación de Miércoles Santo No. 2
Gaetano Brunetti; Karim Farhan; La Tempestad; Silvia Márquez Chulilla
7:47
1.10
Lamentación de Miércoles Santo No. 3
Gaetano Brunetti; Eugenia Boix; La Tempestad; Silvia Márquez Chulilla
6:44
Digital Booklet
Chamber music is traditionally associated with music for a small group of instruments. However, in the past the Royal Chamber welcomed a wide variety of both vocal and instrumental repertoires, as well as devotional music. In the palaces of the Spanish royal family the rooms of the kings and infants had ample dimensions, which made possible the attendance of a large group of musicians and listeners. This album brings together pieces linked to the musical activity of the Spanish court and specifically reflects the variety of repertoire that could be heard in the Royal Chamber during the times of Charles IV and Ferdinand VII. Charles IV’s interest in instrumental music is well known, since, in addition to promoting academies and concerts virtually on a daily basis, he was himself a violin player. On the contrary, though little is known about Ferdinand VII as a promoter of music, we can assert that he promoted an important chamber music activity following the lines marked out by his father Charles IV, to which can be added the enthusiastic participation of his wives and children. The pieces chosen for this album are vocal and instrumental works that sounded in the chamber of the kings and were composed by Gaetano Brunetti, Francisco Brunetti and José Lidón, renowned composers in the service of the court who had great acknowledgement at that time, and who deserve to be listened to and enjoyed by all fans who will be captivated by their exceptional quality.
96 kHz / 24-bit PCM – IBS Classical Studio Masters

Tracks 1-10 – contains material which utilizes a limited amount of the available bandwidth
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.25
-4.50 to -0.17
-20.80
-25.50 to -17.35
-17.12
-22.20 to -13.20
12
9 to 13
1
Sì queste voci rispettose
-0.49-20.37-16.512
2
Che sarà? Qual cupo suono
-0.17-17.35-13.29
3
I. Allegro con espíritu
-1.33-21.28-18.212
4
II. Adagio
-4.50-25.50-22.213
5
III. Rondó
-1.23-22.81-19.913
6
Dell’immortal vittoria
-0.58-19.78-15.512
7
A dispetto vedranno, o Signore
-0.42-17.71-13.310
8
Lamentación de Miércoles Santo No. 1
-0.58-20.63-16.712
9
Lamentación de Miércoles Santo No. 2
-2.22-22.20-18.613
10
Lamentación de Miércoles Santo No. 3
-1.01-20.35-17.112

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