℗ 2021 Keyed Records
| Released | April 9, 2021 |
| Duration | 42m 47s |
| Record Label | Keyed Records |
| Genre | Rock (Electronic) |
Maybe We're The Visitors
Page McConnell
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Radio Silence
Page McConnell |
4:25 | |||
|
1.2
|
Moss Suite, Pt. 1
Page McConnell |
4:18 | |||
|
1.3
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Terra Incognita
Page McConnell |
6:50 | |||
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1.4
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Outpost
Page McConnell |
5:00 | |||
|
1.5
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The Settlement
Page McConnell |
5:35 | |||
|
1.6
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Passage
Page McConnell |
3:51 | |||
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1.7
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Visitor
Page McConnell |
1:03 | |||
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1.8
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Set In Stone
Page McConnell |
3:40 | |||
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1.9
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Maybe We're The Visitors
Page McConnell |
8:05 |
Page McConnell releases his new solo album, Maybe We’re The Visitors. The album was written and recorded in Iceland and Burlington, VT.
In January 2020, shortly before the coronavirus shut down modern life, including travel, McConnell took a road trip that had nothing to do with his normal touring itinerary: a holiday in Iceland. Inevitably, music got made there. But it was unlike anything McConnell had recorded before as a solo artist, for side projects or within the collaborative energies of Phish: fully electronic pieces created on location, in response to the epic landscapes, dramatic weather, and geologic fury that he experienced in Iceland. He also came back energized and determined to keep going amid, indeed despite, lockdown.
Maybe We’re The Visitors is the result: an imaginary voyage charged with eyewitness awe and intense, solitary reflection; expressed without lyrics, vocals or any sign of piano, organ or clavinet.
The narrative flow of Maybe We’re The Visitors – exploration, colony and, finally warning; that, as Icelanders already know, we are only stewards here and nature always has the last word – did not present itself “until I was close to the end,” McConnell confesses. “But I always knew there was something alien about these pieces…”
48 kHz / 24-bit PCM – Keyed Records Studio Masters
Tracks 1, 6, 7 – 44.1 kHz / 24-bit PCM Track 2 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Track 4 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1, 6, 7 – 44.1 kHz / 24-bit PCM Track 2 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Track 4 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.01 -5.28 to -1.30 | -14.37 -19.43 to -11.17 | -13.18 -20.80 to -9.60 | 7 4 to 9 | |
| 1 | Radio Silence | -1.30 | -14.19 | -12.9 | 6 |
| 2 | Moss Suite, Pt. 1 | -1.30 | -15.35 | -13.0 | 8 |
| 3 | Terra Incognita | -1.30 | -11.17 | -10.0 | 5 |
| 4 | Outpost | -3.57 | -12.54 | -10.4 | 4 |
| 5 | The Settlement | -1.41 | -12.19 | -9.6 | 6 |
| 6 | Passage | -5.28 | -19.43 | -20.8 | 8 |
| 7 | Visitor | -1.30 | -14.92 | -15.7 | 7 |
| 8 | Set In Stone | -1.30 | -16.37 | -14.4 | 9 |
| 9 | Maybe We're The Visitors | -1.30 | -13.17 | -11.8 | 7 |