℗ 2021 The Sixteen Productions Ltd
| Released | June 4, 2021 |
| Duration | 1h 15m 24s |
| Record Label | CORO |
| Catalogue No. | COR16187 |
| Genre | Classical (Choral) |
Royal Welcome Songs for King Charles II Volume IV
The Sixteen, Harry Christophers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Catch - God Save Our Sov’reign Charles, Z. 250
Henry Purcell; The Sixteen; Harry Christophers; Mark Dobell; Hugo Hymas; George Pooley |
1:03 | |||
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Welcome Song - Swifter, Isis, Swifter Flow, Z. 336
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1.2
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Symphony - Swifter, Isis, Swifter Flow
Henry Purcell; Harry Christophers; The Sixteen; Hugo Hymas |
5:14 | |||
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1.3
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Land Him Safely On Her Shore
Henry Purcell; The Sixteen; Harry Christophers; Ben Davies |
1:09 | |||
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1.4
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Hark, Hark! Just Now My Listening Ears
Henry Purcell; The Sixteen; Harry Christophers; Hugo Hymas |
1:41 | |||
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1.5
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Welcome, Dread Sir, to Town
Henry Purcell; Harry Christophers; The Sixteen; Daniel Collins; George Pooley; Stuart Young |
1:13 | |||
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1.6
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But With As Great Devotion Meet
Henry Purcell; The Sixteen; Harry Christophers; Ben Davies |
0:55 | |||
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1.7
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Your Augusta He Charms With No Lesser Delight
Henry Purcell; Harry Christophers; The Sixteen; Mark Dobell |
1:00 | |||
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1.8
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The King Whose Presence Like the Spring
Henry Purcell; The Sixteen; Harry Christophers; Kirsty Hopkins; Katy Hill |
1:13 | |||
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1.9
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Then Since, Sir, From You All Our Blessings Do Flow
Henry Purcell; Harry Christophers; The Sixteen |
2:02 | |||
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1.10
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In nomine Fantasia a6, Z. 746
Henry Purcell; The Sixteen; Harry Christophers |
2:17 | |||
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Missa Gloria tibi Trinitas
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1.11
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Benedictus
John Taverner; Harry Christophers; The Sixteen |
3:34 | |||
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1.12
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In nomine Fantasia a7, Z. 747
Henry Purcell; The Sixteen; Harry Christophers |
4:18 | |||
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Theodosius, or The Force of Love, Z. 606
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1.13
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Prepare, Prepare, The Rites Begin
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Ben Davies; Hugo Hymas; Mark Dobell |
1:08 | |||
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1.14
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Canst Thou, Marina
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Ben Davies; Mark Dobell; Hugo Hymas |
2:22 | |||
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1.15
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The Gate To Bliss
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Kirsty Hopkins; Katy Hill |
2:36 | |||
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1.16
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Hark! Behold The Heav'nly Choir!
Henry Purcell; Nathaniel Lee; Harry Christophers; The Sixteen; Ben Davies |
2:37 | |||
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1.17
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Now, Now The Fight’s Done
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Mark Dobell |
2:18 | |||
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1.18
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Sad As Death At Dead Of Night
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Katy Hill; Ben Davies |
2:12 | |||
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1.19
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Dream No More Of Pleasures Past!
Henry Purcell; Nathaniel Lee; Harry Christophers; The Sixteen; Kirsty Hopkins; Katy Hill; Mark Dobell; Ben Davies |
1:30 | |||
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1.20
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Hail To The Myrtle Shade
Henry Purcell; Nathaniel Lee; Harry Christophers; The Sixteen; Katy Hill; Kirsty Hopkins; Mark Dobell; Ben Davies |
3:46 | |||
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1.21
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Ah! Cruel, Bloody Fate
Henry Purcell; Nathaniel Lee; The Sixteen; Harry Christophers; Kirsty Hopkins |
1:59 | |||
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1.22
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The Lord is My Light, Z. 55
Henry Purcell; The Sixteen; Harry Christophers; Daniel Collins; Mark Dobell; Ben Davies |
11:06 | |||
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Welcome Song - The Summer’s Absence Unconcerned We Bear, Z. 337
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1.23
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Symphony
Henry Purcell; The Sixteen; Harry Christophers |
3:41 | |||
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1.24
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The Summer’s Absence Unconcerned We Bear
Henry Purcell; Harry Christophers; The Sixteen; Stuart Young; Daniel Collins; Mark Dobell; Ben Davies |
3:14 | |||
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1.25
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And When Late From Your Throne Heaven's Call You Attend
Henry Purcell; Harry Christophers; The Sixteen; Daniel Collins |
2:26 | |||
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1.26
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Ah! Had We, Sir, The Power Of Art
Henry Purcell; Harry Christophers; The Sixteen; Kirsty Hopkins; Katy Hill; Stuart Young |
2:12 | |||
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1.27
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Happy While All Her Neighbours Bled
Henry Purcell; The Sixteen; Harry Christophers; Daniel Collins; Hugo Hymas; Ben Davies; Stuart Young |
1:14 | |||
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1.28
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So Happily Still You Your Counsels Employ
Henry Purcell; The Sixteen; Harry Christophers; Daniel Collins; Mark Dobell |
3:13 | |||
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1.29
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But Those No More Shall Dare Repine
Henry Purcell; Harry Christophers; The Sixteen; Mark Dobell |
2:11 | |||
Despite only living until the age of 36, Purcell is undoubtedly one of the most remarkable musical geniuses of all time. The Sixteen continues its exploration of his music written for royalty, illuminating two more of Purcell’s Welcome Songs - Swifter, Isis, swifter flow and The summer’s absence unconcerned we bear. In his music for Nathaniel Lee’s tragedy Theodosius we witness the young Purcell displaying his playhouse wares in strokes of astonishing versatility some ten years before he made a serious impact as a master of music for the stage.
96 kHz / 24-bit PCM – CORO Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.97 -11.64 to -0.57 | -27.89 -32.05 to -24.50 | -24.45 -28.60 to -20.90 | 14 12 to 17 | |
| 1 | Catch - God Save Our Sov’reign Charles, Z. 250 | -7.05 | -27.13 | -22.9 | 13 |
| 2 | Symphony - Swifter, Isis, Swifter Flow | -2.72 | -27.12 | -24.0 | 15 |
| 3 | Land Him Safely On Her Shore | -5.50 | -28.08 | -25.0 | 12 |
| 4 | Hark, Hark! Just Now My Listening Ears | -5.35 | -26.94 | -23.8 | 13 |
| 5 | Welcome, Dread Sir, to Town | -5.56 | -26.15 | -22.8 | 14 |
| 6 | But With As Great Devotion Meet | -10.09 | -30.02 | -26.7 | 13 |
| 7 | Your Augusta He Charms With No Lesser Delight | -6.70 | -28.59 | -25.3 | 13 |
| 8 | The King Whose Presence Like the Spring | -6.86 | -27.83 | -24.7 | 14 |
| 9 | Then Since, Sir, From You All Our Blessings Do Flow | -1.47 | -24.50 | -21.0 | 14 |
| 10 | In nomine Fantasia a6, Z. 746 | -11.58 | -32.05 | -28.6 | 13 |
| 11 | Benedictus | -8.45 | -28.43 | -24.6 | 12 |
| 12 | In nomine Fantasia a7, Z. 747 | -11.64 | -30.60 | -27.4 | 12 |
| 13 | Prepare, Prepare, The Rites Begin | -5.20 | -25.33 | -22.4 | 12 |
| 14 | Canst Thou, Marina | -5.91 | -29.66 | -26.1 | 15 |
| 15 | The Gate To Bliss | -2.52 | -24.61 | -20.9 | 14 |
| 16 | Hark! Behold The Heav'nly Choir! | -5.20 | -25.91 | -22.9 | 14 |
| 17 | Now, Now The Fight’s Done | -5.45 | -28.61 | -25.3 | 16 |
| 18 | Sad As Death At Dead Of Night | -5.82 | -28.66 | -25.5 | 15 |
| 19 | Dream No More Of Pleasures Past! | -7.63 | -28.54 | -24.9 | 12 |
| 20 | Hail To The Myrtle Shade | -1.17 | -27.53 | -24.1 | 15 |
| 21 | Ah! Cruel, Bloody Fate | -0.57 | -27.10 | -22.9 | 16 |
| 22 | The Lord is My Light, Z. 55 | -1.68 | -26.61 | -23.5 | 17 |
| 23 | Symphony | -11.24 | -30.17 | -27.1 | 12 |
| 24 | The Summer’s Absence Unconcerned We Bear | -5.17 | -27.81 | -24.2 | 14 |
| 25 | And When Late From Your Throne Heaven's Call You Attend | -5.20 | -30.03 | -25.9 | 14 |
| 26 | Ah! Had We, Sir, The Power Of Art | -4.72 | -26.27 | -23.0 | 14 |
| 27 | Happy While All Her Neighbours Bled | -5.98 | -27.29 | -23.6 | 14 |
| 28 | So Happily Still You Your Counsels Employ | -11.52 | -31.33 | -28.5 | 13 |
| 29 | But Those No More Shall Dare Repine | -5.07 | -25.80 | -21.4 | 14 |