℗ 2016 The Verve Music Group, a Division of UMG Recordings, Inc.
Blossom Dearie
Blossom Dearie
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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'Deed I Do
Blossom Dearie |
2:13 | ||
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1.2
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Lover Man (Oh Where Can You Be)
Blossom Dearie |
2:48 | ||
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1.3
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Everything I've Got
Blossom Dearie |
2:30 | ||
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1.4
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Comment Allez-Vous
Blossom Dearie |
2:13 | ||
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1.5
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More Than You Know
Blossom Dearie |
3:29 | ||
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1.6
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Thou Swell
Blossom Dearie |
3:03 | ||
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1.7
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It Might As Well Be Spring
Blossom Dearie |
3:12 | ||
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1.8
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Tout Doucement
Blossom Dearie |
2:25 | ||
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1.9
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You For Me
Blossom Dearie |
2:17 | ||
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1.10
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Now At Last
Blossom Dearie |
3:23 | ||
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1.11
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I Hear Music
Blossom Dearie |
2:08 | ||
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1.12
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Wait Till You See Him
Blossom Dearie |
3:25 | ||
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1.13
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I Won't Dance
Blossom Dearie |
2:47 | ||
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1.14
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A Fine Spring Morning
Blossom Dearie |
3:05 | ||
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Total Playing Time 38:58
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"... one of the unique jazz voices of the second half of the 20th century. She was a cult, a musicians' musician ... Dearie's piano playing was equally special; a flickering keyboard style of great restraint."
- The Guardian
This 1957 album from late jazz vocalist and pianist Blossom Margrete Dearie was her debut for Verve and her first American release after spending five years in France. Dearie is backed by guitarist Herb Ellis, bassist Ray Brown and drummer Jo Jones on a collection of standards by composers including Oscar Hammerstein II, Hart and Rodgers, Frank Loesser and others.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Verve Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue recording. It may contain noise, distortion, or other artifacts, or contain audio which is limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue recording. It may contain noise, distortion, or other artifacts, or contain audio which is limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-resolution documentation of a historical release.