℗ 1973 Parlophone Records Limited; A Warner Classics release,
| Released | April 23, 2021 |
| Duration | 1h 02m 45s |
| Record Label | Warner Classics |
| Genre | Classical |
Mozart: Piano Concertos Nos. 17 & 24
André Previn, London Symphony Orchestra, Sir Adrian Boult
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Concerto No. 17 in G Major, K. 453
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1.1
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I. Allegro - Cadenza
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
12:08 | |||
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1.2
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II. Andante - Cadenza
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
11:26 | |||
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1.3
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III. Allegretto
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
7:34 | |||
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Piano Concerto No. 24 in C Minor, K. 491
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1.4
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I. Allegro - Cadenza
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
14:26 | |||
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1.5
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II. Larghetto
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
7:39 | |||
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1.6
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III. Allegretto
Wolfgang Amadeus Mozart; André Previn; London Symphony Orchestra; Sir Adrian Boult |
9:32 | |||
German-American pianist André Previn appears as the soloist, backed by the London Symphony Orchestra lead by Sir Adrian Boult, for this presentation of Mozart's Piano Concertos Nos. 17 & 24. The Piano Concerto No. 17 in G major, KV. 453 was written in 1784. The finale is a variation movement whose theme was sung by Mozart's starling. The Piano Concerto No. 24 in C minor, K. 491 was composed in the winter of 1785–1786, finished on 24 March 1786, three weeks after the completion of Piano Concerto No. 23 in A major. The work is one of only two minor-key piano concertos that Mozart composed, the other being the No. 20 in D minor. None of Mozart's other piano concertos features a larger array of instruments: the work is scored for strings, woodwinds, horns, trumpets and timpani.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.74 -5.31 to -0.81 | -23.25 -26.61 to -19.92 | -20.10 -23.60 to -16.90 | 12 11 to 13 | |
| 1 | I. Allegro - Cadenza | -0.81 | -19.92 | -16.9 | 11 |
| 2 | II. Andante - Cadenza | -4.55 | -26.55 | -23.2 | 13 |
| 3 | III. Allegretto | -2.95 | -21.70 | -18.6 | 11 |
| 4 | I. Allegro - Cadenza | -1.79 | -21.83 | -18.6 | 12 |
| 5 | II. Larghetto | -5.31 | -26.61 | -23.6 | 12 |
| 6 | III. Allegretto | -1.02 | -22.91 | -19.7 | 13 |