℗ 2021 IBS Classical
Released | May 28, 2021 |
Duration | 46m 35s |
Record Label | IBS Classical |
Catalogue No. | IBS-62021 |
Genre | Classical (Sacred) |
Cansino: Stabat Mater
Orquesta Filarmónica de Málaga, Antonio Del Pino
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Stabat Mater
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1.1
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I. Stabat Mater dolorosa
Juan Bautista Cansino; Carlos Álvarez; Lourdes Martín; Luis Pacetti; Constanza Ávila; Coro Catedral de Málaga; Orquesta Filarmónica de Málaga; Antonio Del Pino |
5:22 | |||
1.2
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II. Cuius animan gementen
Juan Bautista Cansino; Luis Pacetti; Orquesta Filarmónica de Málaga; Antonio Del Pino |
4:30 | |||
1.3
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III. Quae moerebat et dolebat
Juan Bautista Cansino; Lourdes Martín; Orquesta Filarmónica de Málaga; Antonio Del Pino |
4:07 | |||
1.4
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IV. Quis non posset contristari
Juan Bautista Cansino; Carlos Álvarez; Lourdes Martín; Luis Pacetti; Constanza Ávila; Coro Catedral de Málaga; Orquesta Filarmónica de Málaga; Antonio Del Pino |
5:05 | |||
1.5
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V. Eja Mater fonts amoris
Juan Bautista Cansino; Lourdes Martín; Alba Chantar; Orquesta Filarmónica de Málaga; Antonio Del Pino |
3:58 | |||
1.6
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VI. Fac me vere tecum fleret
Juan Bautista Cansino; Carlos Álvarez; Orquesta Filarmónica de Málaga; Antonio Del Pino |
4:09 | |||
1.7
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VII. Virgo virginium praeclara
Juan Bautista Cansino; Carlos Álvarez; Orquesta Filarmónica de Málaga; Antonio Del Pino |
6:51 | |||
1.8
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VIII. Fac me plagis vulnerari
Juan Bautista Cansino; Alba Chantar; Orquesta Filarmónica de Málaga; Antonio Del Pino |
5:45 | |||
1.9
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IX. Fac me cruce custodiere
Juan Bautista Cansino; Carlos Álvarez; Lourdes Martín; Luis Pacetti; Constanza Ávila; Coro Catedral de Málaga; Orquesta Filarmónica de Málaga; Antonio Del Pino |
2:46 | |||
1.10
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X. Quis non posset contristari
Juan Bautista Cansino; Carlos Álvarez; Lourdes Martín; Luis Pacetti; Constanza Ávila; Coro Catedral de Málaga; Orquesta Filarmónica de Málaga; Antonio Del Pino |
4:02 | |||
Digital Booklet
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The composer of the Stabat Mater presented in this sound recording was musically educated in Malaga Cathedral at the end of the first third of the 19th century. The musical chapel of the city’s first tempo had already suffered the onslaught of the yellow fever of 1803 and the French invasion during the Napoleonic invasion (1808-1814), and had yet to receive the lethal blows of the successive disentailment measures of Mendizábal (1836), Espartero (1841) and Madoz (1854). However, what seemed to put an end to the stable ensemble to solemnise cathedral liturgies was paradoxically giving way to a paradigm shift. The “everyday” music of the cathedrals would be reduced to a minimum thanks to the resources established in the Concordat of 1851 signed between Pope Pius IX and Queen Elizabeth II. Hence, the drastic mutilation of the stable staffs in the cathedrals favoured what would quickly become a common and frequent practice, i.e. the ex profeso hiring of instrumental and vocal troops for certain solemnities and festivities, among which those related to Holy Week and its natural period of spiritual preparation, namely Lent, were particularly noteworthy.
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Tracks 1, 2 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1, 2 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.14 -4.37 to -0.02 | -20.15 -25.50 to -16.42 | -16.21 -20.70 to -12.50 | 11 9 to 14 | |
1 | I. Stabat Mater dolorosa | -0.11 | -16.42 | -12.7 | 10 |
2 | II. Cuius animan gementen | -4.37 | -25.50 | -20.7 | 13 |
3 | III. Quae moerebat et dolebat | -1.71 | -22.36 | -18.9 | 14 |
4 | IV. Quis non posset contristari | -0.16 | -18.74 | -15.0 | 11 |
5 | V. Eja Mater fonts amoris | -0.67 | -19.13 | -15.6 | 11 |
6 | VI. Fac me vere tecum fleret | -1.01 | -21.14 | -16.3 | 12 |
7 | VII. Virgo virginium praeclara | -1.88 | -21.33 | -17.8 | 12 |
8 | VIII. Fac me plagis vulnerari | -1.33 | -21.56 | -18.1 | 12 |
9 | IX. Fac me cruce custodiere | -0.10 | -18.83 | -14.5 | 10 |
10 | X. Quis non posset contristari | -0.02 | -16.50 | -12.5 | 9 |