℗ 2021 Orchid Classics
| Released | May 28, 2021 |
| Duration | 57m 35s |
| Record Label | Orchid Classics |
| Catalogue No. | ORC100165 |
| Genre | Classical (Violin) |
Bach's Long Shadow
Francisco Fullana
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Solo Violin, Op. 27 No. 2 “Jacques Thibaud”
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1.1
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I. Obsession
Eugène Ysaÿe; Francisco Fullana |
2:54 | |||
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1.2
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II. Malinconia
Eugène Ysaÿe; Francisco Fullana |
2:19 | |||
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1.3
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III. Danse des ombres
Eugène Ysaÿe; Francisco Fullana |
4:26 | |||
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1.4
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IV. Les furies
Eugène Ysaÿe; Francisco Fullana |
3:37 | |||
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Violin Partita No. 3 in E Major, BWV 1006
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1.5
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I. Preludio
Johann Sebastian Bach; Francisco Fullana |
3:45 | |||
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1.6
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II. Loure
Johann Sebastian Bach; Francisco Fullana |
3:57 | |||
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1.7
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III. Gavotte en rondeau
Johann Sebastian Bach; Francisco Fullana |
3:01 | |||
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1.8
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IV. Menuets I & II
Johann Sebastian Bach; Francisco Fullana |
3:50 | |||
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1.9
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V. Bourrée
Johann Sebastian Bach; Francisco Fullana |
1:30 | |||
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1.10
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VI. Gigue
Johann Sebastian Bach; Francisco Fullana |
1:54 | |||
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Suite Española No. 1, Op. 47, B. 7
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1.11
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No. 5, Asturias (Leyenda / Arr. P. Loiseleur & F. Fullana for Violin)
Isaac Albéniz; Francisco Fullana |
6:29 | |||
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1.12
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Recuerdos de la Alhambra (Arr. R. Ricci for Violin)
Francisco Tárrega; Francisco Fullana |
4:04 | |||
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1.13
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Recitativo & Scherzo-Caprice for Solo Violin, Op. 6
Fritz Kreisler; Francisco Fullana |
4:48 | |||
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Sonata for 2 Violins in A Minor, Op. Posth.
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1.14
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I. Poco lento, maestoso - Allegro fermo
Eugène Ysaÿe; Francisco Fullana; Stella Chen |
11:01 | |||
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Digital Booklet
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"The entirety of solo violin repertoire stands on the shoulders of Johann Sebastian Bach, whose monumental Sonatas and Partitas redefine the violin as a polyphonic instrument. Bach’s Long Shadow explores the chain of influence and inspiration extending from Bach to other legendary artists over 300 years. The album opens with Eugène Ysaÿe’s metamorphosis of Bach’s E major Partita into an obsessive display of virtuosity, contrasted against the original Partita from the Leipzig master. The listener will then hear the polyphonous adaptations of the Spanish guitar classics Asturias and Recuerdos de la Alhambra, made possible only by Bach’s ground-breaking treatment of the violin as a polyphonic instrument. Next is Recitativo & Scherzo by Fritz Kreisler, a dedicatee and muse of Ysaÿe, performed on Miss Mary, the enchanting 1735 ex-Kreisler Guarneri del Gesù. My album juxtaposes baroque and modern bow, gut and steel strings, in its exploration of Bach’s solo violin legacy."
- Francisco Fullana
96 kHz / 24-bit PCM – Orchid Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.73 -12.69 to -0.10 | -28.05 -34.37 to -22.68 | -23.85 -30.40 to -17.80 | 14 13 to 16 | |
| 1 | I. Obsession | -1.16 | -25.70 | -20.7 | 14 |
| 2 | II. Malinconia | -10.89 | -33.02 | -29.2 | 13 |
| 3 | III. Danse des ombres | -6.04 | -28.77 | -24.5 | 14 |
| 4 | IV. Les furies | -0.42 | -22.68 | -17.8 | 15 |
| 5 | I. Preludio | -7.03 | -27.68 | -24.0 | 14 |
| 6 | II. Loure | -8.40 | -30.37 | -26.5 | 14 |
| 7 | III. Gavotte en rondeau | -7.30 | -28.53 | -24.8 | 13 |
| 8 | IV. Menuets I & II | -8.26 | -29.03 | -25.1 | 14 |
| 9 | V. Bourrée | -7.26 | -27.85 | -24.3 | 13 |
| 10 | VI. Gigue | -7.95 | -28.49 | -24.6 | 14 |
| 11 | No. 5, Asturias (Leyenda / Arr. P. Loiseleur & F. Fullana for Violin) | -1.85 | -26.63 | -21.4 | 14 |
| 12 | Recuerdos de la Alhambra (Arr. R. Ricci for Violin) | -12.69 | -34.37 | -30.4 | 14 |
| 13 | Recitativo & Scherzo-Caprice for Solo Violin, Op. 6 | -0.87 | -25.82 | -21.3 | 16 |
| 14 | I. Poco lento, maestoso - Allegro fermo | -0.10 | -23.71 | -19.3 | 15 |