℗ 2021 Sebastian Bohren
 

Mozart: Violin Concertos Nos. 3 & 5, Symphony No. 29

Sebastian Bohren, CHAARTS Chamber Artists, Gábor Takács-Nagy

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Violin Concerto No. 3 in G Major, K. 216  
1.1
I. Allegro
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
8:53
1.2
II. Adagio
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
7:30
1.3
III. Rondeau: Allegro
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
6:47
Symphony No. 29 in A Major, K. 201  
1.4
I. Allegro moderato
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy
6:52
1.5
II. Andante
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy
7:36
1.6
III. Menuetto
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy
3:11
1.7
IV. Allegro con spirito
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy
4:31
Violin Concerto No. 5 in A Major, K. 219  
1.8
I. Allegro aperto
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
10:01
1.9
II. Adagio
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
10:00
1.10
III. Rondeau: Tempo di minuetto
Wolfgang Amadeus Mozart; CHAARTS Chamber Artists; Gábor Takács-Nagy; Sebastian Bohren
9:16
Total Playing Time    74:37
Swiss violinist Sebastian Bohren, whose star is rapidly in the ascendant, makes his AVIE label debut with two concertos from Mozart’s “year of the violin” – Nos. 3 and 5 – paired with the composer’s youthful Symphony No. 29. Sebastian’s interpretations bring out the sparkling energy of the concertos, written when Mozart was just 19 years old, yet at the same time a brandish a smoothly burnished sense of style. His partners on the album, famed Hungarian violinist-turned conductor Gábor Takács-Nagy and Sebastian’s compatriots the CHAARTS Chamber Artists – comprised of leading European soloists and chamber musicians – perfectly embody these contrasting characteristics, both in their accompaniments and their reading of the Symphony which was written within a year of the concerti. Sebastian is equally at home as a soloist and chamber musician. He has performed with the Lucerne Symphony, Royal Liverpool Philharmonic and Basel Symphony Orchestras, among others, under such conductors as James Gaffigan, Andrew Litton and Ivor Bolton. His chamber music collaborators have included Dmitry Sitkovetsky, Thomas Demenga and Konstantin Lifschitz. He plays the “Ex-Wanamaker-Hart” violin made by Guadagnini in Parma in 1761.
96 kHz / 24-bit PCM – AVIE Records Studio Masters

Tracks 4-7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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