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Satie: Piano Music, Vol. 4

Noriko Ogawa

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Mercure, Scene 1 (Version for Solo Piano)  
1.1
No. 1, Ouverture
Erik Satie; Noriko Ogawa
1:11
1.2
No. 2, La nuit
Erik Satie; Noriko Ogawa
1:04
1.3
No. 3, Danse de tendresse
Erik Satie; Noriko Ogawa
2:15
1.4
No. 4, Signes du zodiaque
Erik Satie; Noriko Ogawa
0:39
1.5
No. 5, Entrée et danse de Mercure
Erik Satie; Noriko Ogawa
1:20
Mercure, Scene 2 (Version for Solo Piano)  
1.6
No. 6, Danse des Grâces
Erik Satie; Noriko Ogawa
1:12
1.7
No. 7, Bain des Grâces
Erik Satie; Noriko Ogawa
1:05
1.8
No. 8, Fuite de Mercure
Erik Satie; Noriko Ogawa
0:22
1.9
No. 9, Colère de Cerbère
Erik Satie; Noriko Ogawa
0:23
Mercure, Scene 3 (Version for Solo Piano)  
1.10
No. 10, Polka de lettres
Erik Satie; Noriko Ogawa
1:04
1.11
No. 11, Nouvelle danse
Erik Satie; Noriko Ogawa
0:53
1.12
No. 12, Le chaos
Erik Satie; Noriko Ogawa
0:29
1.13
No. 13, Rapt de Proserpine
Erik Satie; Noriko Ogawa
1:13
La belle excentrique (Version for Solo Piano) (Excerpts)  
1.14
La belle excentrique (Version for Solo Piano / Excerpts): II. Marché franco-lunaire
Erik Satie; Noriko Ogawa
1:46
1.15
La belle excentrique (Version for Solo Piano / Excerpts): III. Valse du mystérieux baiser dans l'oeil
Erik Satie; Noriko Ogawa
2:32
1.16
Les pantins dansent (Arr. for Solo Piano)
Erik Satie; Noriko Ogawa
1:20
1.17
Les pantins dansent (First Version / Arr. for Solo Piano)
Erik Satie; Noriko Ogawa
1:38
Carnet d'esquisses et de croquis  
1.18
No. 18, Petit prelude de "La mort de Monsieur Mouche"
Erik Satie; Noriko Ogawa
1:23
Le piège de Méduse  
1.19
No. 1, Quadrille
Erik Satie; Noriko Ogawa
0:39
1.20
No. 2, Valse
Erik Satie; Noriko Ogawa
0:43
1.21
No. 3, Pas vite
Erik Satie; Noriko Ogawa
0:34
1.22
No. 4, Mazurka
Erik Satie; Noriko Ogawa
0:30
1.23
No. 5, Un peu vif
Erik Satie; Noriko Ogawa
0:14
1.24
No. 6, Polka
Erik Satie; Noriko Ogawa
0:27
1.25
No. 7, Quadrille
Erik Satie; Noriko Ogawa
0:20
Jack-in-the-Box (Pantomime Ballet)  
1.26
I. Prélude
Erik Satie; Noriko Ogawa
2:28
1.27
II. Entr'acte
Erik Satie; Noriko Ogawa
2:24
1.28
III. Final
Erik Satie; Noriko Ogawa
2:26
Relâche, Act I (Version for Solo Piano)  
1.29
No. 1, Ouverturette
Erik Satie; Noriko Ogawa
1:14
1.30
No. 2a, Projectionnette
Erik Satie; Noriko Ogawa
0:40
1.31
No. 2b, Rideau
Erik Satie; Noriko Ogawa
0:22
1.32
No. 3, Entrée de la femme
Erik Satie; Noriko Ogawa
1:12
1.33
No. 4, Musique entre l'entrée de la femme
Erik Satie; Noriko Ogawa
0:41
1.34
No. 5, Entrée de l'homme
Erik Satie; Noriko Ogawa
0:43
1.35
No. 6, Danse de la porte tournante
Erik Satie; Noriko Ogawa
1:06
1.36
No. 7, Entrée des hommes
Erik Satie; Noriko Ogawa
0:44
1.37
No. 8, Danse des hommes
Erik Satie; Noriko Ogawa
0:42
1.38
No. 9, Danse de la femme
Erik Satie; Noriko Ogawa
1:13
1.39
No. 10, Final
Erik Satie; Noriko Ogawa
1:08
1.40
Cinéma (Version for Solo Piano)
Erik Satie; Noriko Ogawa
16:19
Relâche, Act II (Version for Solo Piano)  
1.41
No. 11, Musique de rentrée
Erik Satie; Noriko Ogawa
1:01
1.42
No. 12, Rentrée des hommes
Erik Satie; Noriko Ogawa
1:05
1.43
No. 13, Rentrée de la femme
Erik Satie; Noriko Ogawa
1:55
1.44
No. 14, Les hommes se dévêtissent
Erik Satie; Noriko Ogawa
0:38
1.45
No. 15, Danse de l'homme et de la femme
Erik Satie; Noriko Ogawa
1:17
1.46
No. 16, Les hommes regagnent leur place
Erik Satie; Noriko Ogawa
1:02
1.47
No. 17, Danse de la brouette
Erik Satie; Noriko Ogawa
1:26
1.48
No. 18, Danse de la couronne
Erik Satie; Noriko Ogawa
1:01
1.49
No. 19, Le danseur dépose la couronne
Erik Satie; Noriko Ogawa
0:58
1.50
No. 20, La femme rejoint son fauteuil
Erik Satie; Noriko Ogawa
1:23
1.51
No. 21, Petite danse finale. La queue du chien
Erik Satie; Noriko Ogawa
0:42
Digital Booklet
Total Playing Time    71:06
For the fourth instalment in her acclaimed Satie cycle, Noriko Ogawa has gathered music written for the stage – from the pantomime Jack in the Box (1899) to the ballet Relâche (1924) – one of Satie’s last works. Several of the pieces exist in different scorings, but the piano versions heard here are all Satie’s own. Throughout the program, what comes across strongly is the influence of music hall and cabaret; composed in 1900, Prélude de “La mort de Monsieur Mouche” even offers a hint of the ragtime, one of the first appearances of the genre in European music. Stage projects are as a rule collaborative efforts, and among Satie’s collaborators were some of the leading names of the art world at the time, including Jean Cocteau, Picasso, the Dadaist poet and painter Francis Picabia, and film director René Clair. Satie’s score Cinéma has been called one of the first synchronized film scores.
96 kHz / 24-bit PCM – BIS Records Studio Masters

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