℗ 2021 Naxos
 

Korngold: Songs, Vol. 2

Sibylle Fischer, Klaus Simon, Uwe Schenker-Primus, Britta Stallmeister, Phillip Roy, Peter Franck

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Abschiedslieder, Op. 14  
1.1
No. 1, Sterbelied
Sibylle Fischer; Klaus Simon
4:05
1.2
No. 2, Dies eine kann mein Sehnen nimmer fassen
Sibylle Fischer; Klaus Simon
2:38
1.3
No. 3, Mond, so gehst du wieder auf
Sibylle Fischer; Klaus Simon
3:57
1.4
No. 4, Gefaßter Abschied
Sibylle Fischer; Klaus Simon
3:43
3 Gesänge, Op. 18  
1.5
No. 1, In meine innige Nacht
Uwe Schenker-Primus; Klaus Simon
4:05
1.6
No. 2, Tu ab den Schmerz
Uwe Schenker-Primus; Klaus Simon
1:59
1.7
No. 3, Versuchung
Uwe Schenker-Primus; Klaus Simon
2:32
1.8
Tomorrow, Op. 33 (From "The Constant Nymph" / Arr. K. Simon for Voice & Piano Trio] [Sung in German)
Britta Stallmeister; Phillip Roy; Peter Franck; Klaus Simon
2:08
5 Lieder, Op. 38  
1.9
No. 1, I Wish You Bliss (Sung in English)
Uwe Schenker-Primus; Klaus Simon
2:22
1.10
No. 2, Wings (Sung in English)
Uwe Schenker-Primus; Klaus Simon
2:22
1.11
No. 3, Old Spanish Song (From "The Sea Hawk")
Uwe Schenker-Primus; Klaus Simon
1:09
1.12
No. 4, Old English Song (From "The Sea Hawk")
Uwe Schenker-Primus; Klaus Simon
0:56
1.13
No. 5, My Mistress' Eyes
Uwe Schenker-Primus; Klaus Simon
1:49
1.14
Sonett für Wien, Op. 41
Sibylle Fischer; Klaus Simon
2:44
1.15
Nachts
Sibylle Fischer; Klaus Simon
2:43
1.16
Der innere Scharm
Uwe Schenker-Primus; Klaus Simon
4:06
1.17
Österreichischer Soldatenabschied
Uwe Schenker-Primus; Klaus Simon
3:23
1.18
Ausser
Sibylle Fischer; Klaus Simon
4:38
1.19
Etwas ganz Persönliches (Arr. H. Fuhlbom & K. Simon for Voice & Piano Trio)
Britta Stallmeister; Phillip Roy; Peter Franck; Klaus Simon
1:28
1.20
Die Gansleber im Hause Duschnitz
Uwe Schenker-Primus; Klaus Simon
3:08
1.21
Quinquaginta-Foxtrott
Sibylle Fischer; Klaus Simon
1:30
Digital Booklet
Total Playing Time    57:25
In his song settings, Korngold pursued the Romantic ideal and lavished considerable care and inventiveness on their composition. His seemingly effortless gift for melody is everywhere ap-parent in this second volume (Vol.1is on 8.572027), whether in the early works or the songs from the 1940s, which would not sound out of place in an operetta or a Broadway musical. Also present, notably in the Drei Gesänge, Op.18, is an exciting, experimental approach to harmony that reflects the music of his most radical opera, Das Wunderder Heliane (8.660410-12).
44.1 kHz / 24-bit PCM – Naxos Studio Masters

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