℗ 2021 IBS Classical
| Released | May 28, 2021 |
| Duration | 54m 58s |
| Record Label | IBS Classical |
| Catalogue No. | IBS-82021 |
| Genre | Classical (Orchestral) |
Falla, Poulenc & Bacarisse: Harpsichord Concertos
Silvia Márquez, Javier Castiblanque, Robert Silla, José-Luis Estellés, Aitzol Iturriagagoitia, David Apellániz, José Luis Estellés, Orquesta Sinfónica De La Región De Murcia, Virginia Martínez
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello
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1.1
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I. Allegro
Manuel de Falla; Silvia Márquez; Javier Castiblanque; Robert Silla; José-Luis Estellés; Aitzol Iturriagagoitia; David Apellániz |
3:23 | |||
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1.2
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II. Lento. Giubiloso ed energico
Manuel de Falla; Silvia Márquez; Javier Castiblanque; Robert Silla; José Luis Estellés; Aitzol Iturriagagoitia; David Apellániz |
6:34 | |||
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1.3
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III. Vivace. Flessibile, scherzando
Manuel de Falla; Silvia Márquez; Javier Castiblanque; Robert Silla; José Luis Estellés; Aitzol Iturriagagoitia; David Apellániz |
4:29 | |||
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Concert champêtre, FP 49
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1.4
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I. Allegro molto
Francis Poulenc; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
11:00 | |||
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1.5
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II. Andante
Francis Poulenc; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
6:54 | |||
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1.6
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III. Finale. Presto
Francis Poulenc; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
8:35 | |||
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Concerto pour clavecin et petit orchestre, Op. 124
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1.7
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I. Allegro con brio
Salvador Bacarisse; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
5:50 | |||
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1.8
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II. Grave
Salvador Bacarisse; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
3:07 | |||
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1.9
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III. Allegro
Salvador Bacarisse; Silvia Márquez; Orquesta Sinfónica De La Región De Murcia; Virginia Martínez |
5:06 | |||
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Digital Booklet
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The composer of the Stabat Mater presented in this sound recording was musically educated in Malaga Cathedral at the end of the first third of the 19th century. The musical chapel of the city’s first tempo had already suffered the onslaught of the yellow fever of 1803 and the French invasion during the Napoleonic invasion (1808-1814), and had yet to receive the lethal blows of the successive disentailment measures of Mendizábal (1836), Espartero (1841) and Madoz (1854). However, what seemed to put an end to the stable ensemble to solemnise cathedral liturgies was paradoxically giving way to a paradigm shift. The “everyday” music of the cathedrals would be reduced to a minimum thanks to the resources established in the Concordat of 1851 signed between Pope Pius IX and Queen Elizabeth II. Hence, the drastic mutilation of the stable staffs in the cathedrals favoured what would quickly become a common and frequent practice, i.e. the ex profeso hiring of instrumental and vocal troops for certain solemnities and festivities, among which those related to Holy Week and its natural period of spiritual preparation, namely Lent, were particularly noteworthy.
48 kHz / 24-bit PCM – IBS Classical Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.54 -5.99 to -0.03 | -23.41 -30.26 to -20.11 | -19.39 -27.10 to -15.90 | 14 12 to 16 | |
| 1 | I. Allegro | -0.27 | -20.11 | -16.1 | 13 |
| 2 | II. Lento. Giubiloso ed energico | -0.03 | -20.52 | -15.9 | 13 |
| 3 | III. Vivace. Flessibile, scherzando | -0.23 | -21.75 | -18.0 | 15 |
| 4 | I. Allegro molto | -0.06 | -21.47 | -16.6 | 13 |
| 5 | II. Andante | -0.96 | -24.30 | -20.4 | 14 |
| 6 | III. Finale. Presto | -0.34 | -20.90 | -16.0 | 12 |
| 7 | I. Allegro con brio | -2.73 | -24.93 | -21.5 | 14 |
| 8 | II. Grave | -5.99 | -30.26 | -27.1 | 14 |
| 9 | III. Allegro | -3.24 | -26.47 | -22.9 | 16 |