℗ 2016 BIS Records
| Released | September 2, 2016 |
| Duration | 59m 41s |
| Record Label | BIS |
| Catalogue No. | BIS-2183 |
| Genre | Classical (Chamber Music) |
Après un rêve: Fauré - Debussy - Ravel
Christian Svarfvar, Roland Pöntinen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No. 1 in A Major, Op. 13
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1.1
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I. Allegro molto
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
9:29 | |||
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1.2
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II. Andante
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
7:38 | |||
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1.3
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III. Allegro vivo
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
4:10 | |||
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1.4
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IV. Allegro quasi presto
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
5:36 | |||
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1.5
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Après un rêve, Op. 7, No. 1 (arr. for Violin and Piano)
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
2:52 | |||
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1.6
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Morceau de lecture (version for Violin and Piano)
Gabriel Fauré; Christian Svarfvar; Roland Pöntinen |
1:33 | |||
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Préludes, Book 1, L. 117
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1.7
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No. 12. Minstrels (arr. for Violin and Piano)
Claude Debussy; Christian Svarfvar; Roland Pöntinen |
2:22 | |||
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1.8
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Beau soir (arr. by J. Heifetz for Violin and Piano)
Jascha Heifetz; Claude Debussy; Christian Svarfvar; Roland Pöntinen |
2:26 | |||
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1.9
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Vocalise-étude en forme de habanera, M. 51
Maurice Ravel; Christian Svarfvar; Roland Pöntinen |
3:00 | |||
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1.10
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Berceuse sur le nom de Gabriel Fauré, M. 74
Maurice Ravel; Christian Svarfvar; Roland Pöntinen |
2:25 | |||
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Violin Sonata No. 2 in G Major, M. 77
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1.11
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I. Allegretto
Maurice Ravel; Christian Svarfvar; Roland Pöntinen |
8:43 | |||
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1.12
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II. Blues. Moderato
Maurice Ravel; Christian Svarfvar; Roland Pöntinen |
5:30 | |||
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1.13
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III. Perpetuum mobile. Allegretto
Maurice Ravel; Christian Svarfvar; Roland Pöntinen |
3:57 | |||
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Digital Booklet
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Two leading figures from the world of classical music in Sweden join forces on this recital album featuring chamber works by Fauré, Debussy and Ravel. Pianist and composer Roland Pöntinen and award-winning violinist Christian Svarfvar have selected pieces championed by the Société nationale de musique, founded in 1871 by Saint-Saëns, including the title work by Fauré, among his most famous compositions.
96 kHz / 24-bit PCM – BIS Studio Masters
Original format: 24-bit / 96 kHz Recording: December 2014 [tracks 5, 6, 8, 10–13] and June 2015 [tracks 1–4, 7, 9] at Grünewaldsalen, Konserthuset, Stockholm, Sweden Producers: Thore Brinkmann (Take5 Music Production) [tracks 5, 6, 8, 10–13] Hans Kipfer (Take5 Music Production) [tracks 1–4, 7, 9] Sound engineer: Thore Brinkmann Piano technician: Tore Persson Editing and mixing: Thore Brinkmann Executive producer: Robert Suff Cover text: © Jean-Pascal Vachon 2016 Translations: Andrew Barnett (English); Horst A. Scholz (German) Front cover photo: La Conciergerie et la Seine, brouillard en hiver by Eugène Atget (1923) Back cover photo: © Knut Koivisto Typesetting, layout: Andrew Barnett (Compact Design) Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.
Original format: 24-bit / 96 kHz Recording: December 2014 [tracks 5, 6, 8, 10–13] and June 2015 [tracks 1–4, 7, 9] at Grünewaldsalen, Konserthuset, Stockholm, Sweden Producers: Thore Brinkmann (Take5 Music Production) [tracks 5, 6, 8, 10–13] Hans Kipfer (Take5 Music Production) [tracks 1–4, 7, 9] Sound engineer: Thore Brinkmann Piano technician: Tore Persson Editing and mixing: Thore Brinkmann Executive producer: Robert Suff Cover text: © Jean-Pascal Vachon 2016 Translations: Andrew Barnett (English); Horst A. Scholz (German) Front cover photo: La Conciergerie et la Seine, brouillard en hiver by Eugène Atget (1923) Back cover photo: © Knut Koivisto Typesetting, layout: Andrew Barnett (Compact Design) Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.87 -15.24 to -1.02 | -27.87 -33.89 to -23.38 | -24.38 -31.10 to -19.90 | 13 11 to 15 | |
| 1 | I. Allegro molto | -2.80 | -23.38 | -19.9 | 13 |
| 2 | II. Andante | -5.55 | -28.24 | -24.9 | 13 |
| 3 | III. Allegro vivo | -5.37 | -26.34 | -23.3 | 13 |
| 4 | IV. Allegro quasi presto | -1.59 | -24.19 | -21.2 | 14 |
| 5 | Après un rêve, Op. 7, No. 1 (arr. for Violin and Piano) | -8.75 | -28.98 | -25.8 | 11 |
| 6 | Morceau de lecture (version for Violin and Piano) | -7.96 | -30.51 | -26.5 | 12 |
| 7 | No. 12. Minstrels (arr. for Violin and Piano) | -1.02 | -25.22 | -21.3 | 15 |
| 8 | Beau soir (arr. by J. Heifetz for Violin and Piano) | -9.64 | -31.70 | -28.2 | 12 |
| 9 | Vocalise-étude en forme de habanera, M. 51 | -8.65 | -31.67 | -27.9 | 15 |
| 10 | Berceuse sur le nom de Gabriel Fauré, M. 74 | -15.24 | -33.89 | -31.1 | 12 |
| 11 | I. Allegretto | -5.82 | -29.03 | -25.4 | 15 |
| 12 | II. Blues. Moderato | -2.36 | -25.16 | -21.2 | 14 |
| 13 | III. Perpetuum mobile. Allegretto | -1.57 | -23.97 | -20.2 | 14 |