℗ 2021 Andrew van Oeyen on exclusive licence to Parlophone Records Limited
 

Bach – Beethoven

Andrew von Oeyen

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Overture in the French Style, BWV 831  
1.1
I. Ouverture
Johann Sebastian Bach; Andrew von Oeyen
7:48
1.2
II. Courante
Johann Sebastian Bach; Andrew von Oeyen
2:08
1.3
III. Gavottes 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
3:10
1.4
IV. Passepied 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
2:20
1.5
V. Sarabande
Johann Sebastian Bach; Andrew von Oeyen
3:47
1.6
VI. Bourée 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
2:30
1.7
VII. Gigue
Johann Sebastian Bach; Andrew von Oeyen
2:26
1.8
VIII. Echo
Johann Sebastian Bach; Andrew von Oeyen
2:38
Sonata No. 13 in E-Flat Major, "Quasi una Fantasia", Op. 27, No. 1  
1.9
I. Andante
Ludwig van Beethoven; Andrew von Oeyen
5:04
1.10
II. Allegro molto e vivace
Ludwig van Beethoven; Andrew von Oeyen
2:17
1.11
III. Adagio con espressione
Ludwig van Beethoven; Andrew von Oeyen
3:14
1.12
IV. Allegro vivace
Ludwig van Beethoven; Andrew von Oeyen
5:36
Sonata No. 23 in F Minor, Op. 57, "Appassionata"  
1.13
I. Allegro assai
Ludwig van Beethoven; Andrew von Oeyen
10:44
1.14
II. Andante con moto
Ludwig van Beethoven; Andrew von Oeyen
6:07
1.15
III. Allegro ma non troppo
Ludwig van Beethoven; Andrew von Oeyen
7:59
Bach, JS / Arr. Flute Sonata No. 2 in E-Flat Major, BWV 1031  
1.16
II. Siciliano
Johann Sebastian Bach; Wilhelm Kempff; Andrew von Oeyen
3:53
Bach, JS / Arr. Piano Concerto in F Minor, BWV 1056  
1.17
II. Largo
Johann Sebastian Bach; Wilhelm Kempff; Andrew von Oeyen
3:20
Digital Booklet
Total Playing Time    75:01
Shaped by pianist Andrew von Oeyen’s experience of lockdown, this solo recital comprises Bach’s eight-movement Overture in the French Style BWV 831, Beethoven’s Piano Sonatas No 13 in E flat and No 23 in F minor, ‘Appassionata’, and arrangements by Wilhelm Kempff of two movements that Bach wrote for accompanied flute. “Perhaps more than any other composer, Bach expresses the clearest sense of order in a chaotic world,” says von Oeyen. “If Bach served as my first musical mooring in confinement, I returned to Beethoven for second-wave pandemic relief … I was now ready to weigh anchor and face the storm in the company of stalwart and indestructible 19th century sonatas. Crises, for all their destructiveness, can also lead to renewal and discovery.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters

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