℗ 2021 Andrew van Oeyen on exclusive licence to Parlophone Records Limited
Released June 11, 2021
Duration 1h 15m 01s
Record Label Warner Classics
Genre Classical
 

Bach – Beethoven

Andrew von Oeyen

Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Overture in the French Style, BWV 831  
1.1
I. Ouverture
Johann Sebastian Bach; Andrew von Oeyen
7:48
1.2
II. Courante
Johann Sebastian Bach; Andrew von Oeyen
2:08
1.3
III. Gavottes 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
3:10
1.4
IV. Passepied 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
2:20
1.5
V. Sarabande
Johann Sebastian Bach; Andrew von Oeyen
3:47
1.6
VI. Bourée 1 & 2
Johann Sebastian Bach; Andrew von Oeyen
2:30
1.7
VII. Gigue
Johann Sebastian Bach; Andrew von Oeyen
2:26
1.8
VIII. Echo
Johann Sebastian Bach; Andrew von Oeyen
2:38
Sonata No. 13 in E-Flat Major, "Quasi una Fantasia", Op. 27, No. 1  
1.9
I. Andante
Ludwig van Beethoven; Andrew von Oeyen
5:04
1.10
II. Allegro molto e vivace
Ludwig van Beethoven; Andrew von Oeyen
2:17
1.11
III. Adagio con espressione
Ludwig van Beethoven; Andrew von Oeyen
3:14
1.12
IV. Allegro vivace
Ludwig van Beethoven; Andrew von Oeyen
5:36
Sonata No. 23 in F Minor, Op. 57, "Appassionata"  
1.13
I. Allegro assai
Ludwig van Beethoven; Andrew von Oeyen
10:44
1.14
II. Andante con moto
Ludwig van Beethoven; Andrew von Oeyen
6:07
1.15
III. Allegro ma non troppo
Ludwig van Beethoven; Andrew von Oeyen
7:59
Bach, JS / Arr. Flute Sonata No. 2 in E-Flat Major, BWV 1031  
1.16
II. Siciliano
Johann Sebastian Bach; Wilhelm Kempff; Andrew von Oeyen
3:53
Bach, JS / Arr. Piano Concerto in F Minor, BWV 1056  
1.17
II. Largo
Johann Sebastian Bach; Wilhelm Kempff; Andrew von Oeyen
3:20
Digital Booklet
Shaped by pianist Andrew von Oeyen’s experience of lockdown, this solo recital comprises Bach’s eight-movement Overture in the French Style BWV 831, Beethoven’s Piano Sonatas No 13 in E flat and No 23 in F minor, ‘Appassionata’, and arrangements by Wilhelm Kempff of two movements that Bach wrote for accompanied flute. “Perhaps more than any other composer, Bach expresses the clearest sense of order in a chaotic world,” says von Oeyen. “If Bach served as my first musical mooring in confinement, I returned to Beethoven for second-wave pandemic relief … I was now ready to weigh anchor and face the storm in the company of stalwart and indestructible 19th century sonatas. Crises, for all their destructiveness, can also lead to renewal and discovery.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.32
-12.42 to -0.76
-25.97
-32.25 to -21.19
-22.95
-28.70 to -18.10
13
11 to 15
1
I. Ouverture
-3.23-23.73-20.913
2
II. Courante
-9.28-26.22-23.611
3
III. Gavottes 1 & 2
-7.92-25.96-23.512
4
IV. Passepied 1 & 2
-4.99-23.59-20.812
5
V. Sarabande
-12.42-31.39-28.712
6
VI. Bourée 1 & 2
-6.21-23.72-21.211
7
VII. Gigue
-5.57-24.30-21.612
8
VIII. Echo
-3.48-22.45-19.813
9
I. Andante
-2.98-26.82-23.414
10
II. Allegro molto e vivace
-2.32-21.21-18.311
11
III. Adagio con espressione
-7.20-30.86-27.515
12
IV. Allegro vivace
-1.05-22.95-19.414
13
I. Allegro assai
-0.76-23.31-19.414
14
II. Andante con moto
-2.62-30.46-27.214
15
III. Allegro ma non troppo
-0.77-21.19-18.113
16
II. Siciliano
-10.12-31.06-28.313
17
II. Largo
-9.44-32.25-28.514

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