℗ 2021 Oehms Classics
Released | July 16, 2021 |
Duration | 1h 12m 17s |
Record Label | Oehms Classics |
Catalogue No. | OC489 |
Genre | Classical (Chamber) |
Le violoncelle à l'école de Paris
Wen-Sinn Yang, Oliver Triendl
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Rhapsody for Cello & Piano
Tibor Harsányi; Wen-Sinn Yang; Oliver Triendl |
10:53 | |||
2 Pièces
|
|||||
1.2
|
No. 1, Mélodie
Alexandre Tansman; Wen-Sinn Yang; Oliver Triendl |
3:33 | |||
1.3
|
No. 2, Capriccio
Alexandre Tansman; Wen-Sinn Yang; Oliver Triendl |
1:33 | |||
1.4
|
Variations sur un thème slovaque, H. 378
Bohuslav Martinů; Wen-Sinn Yang; Oliver Triendl |
9:10 | |||
Cello Sonata
|
|||||
1.5
|
I. Sempre allegro
Tibor Harsányi; Wen-Sinn Yang; Oliver Triendl |
7:12 | |||
1.6
|
II. Adagio
Tibor Harsányi; Wen-Sinn Yang; Oliver Triendl |
6:45 | |||
1.7
|
III. Vivace
Tibor Harsányi; Wen-Sinn Yang; Oliver Triendl |
4:07 | |||
Russian Songs & Dances, Op. 84
|
|||||
1.8
|
No. 1, Georgian Song
Alexander Tcherepnin; Wen-Sinn Yang; Oliver Triendl |
3:27 | |||
1.9
|
No. 2, Tartar Dance
Alexander Tcherepnin; Wen-Sinn Yang; Oliver Triendl |
1:22 | |||
1.10
|
No. 3, Russian Song
Alexander Tcherepnin; Wen-Sinn Yang; Oliver Triendl |
3:30 | |||
1.11
|
No. 4, Kazakh Dance
Alexander Tcherepnin; Wen-Sinn Yang; Oliver Triendl |
3:22 | |||
1.12
|
Sonata in the Character of a Lyric Scene, Op. 108
Marcel Mihalovici; Wen-Sinn Yang; Oliver Triendl |
17:23 | |||
Digital Booklet
|
After the signal event that was World War I, young, hopeful, gifted composers trooped into the French metropolis. In 1925, the publisher Michel Dillard coined the term École de Paris (School of Paris) for the foreign composers then living in Paris, especially the Hungarian Tibor Harsányi (1898-1954), Pole Alexandre Tansman (1897-1986), Czech Bohuslav Martinu (1890-1959), Russian Alexander Tcherepnin (1899-1977), and Romanian Marcel Mihalovici (1898-1985), whose works he specialized in disseminating. All five composers came to Paris from Eastern Europe and all, with the exception of Martinu, died there. All five initially attempted to translate the principal aspects of the difficult-to-notate idioms of folk music from their homelands into standard musical notation. Some works can be heard in a World Premiere Recording.
96 kHz / 24-bit PCM – Oehms Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.42 -6.61 to -0.10 | -24.20 -28.18 to -20.01 | -21.00 -25.30 to -17.10 | 14 12 to 16 | |
1 | Rhapsody for Cello & Piano | -0.15 | -23.97 | -20.8 | 15 |
2 | No. 1, Mélodie | -6.61 | -26.81 | -23.5 | 12 |
3 | No. 2, Capriccio | -1.38 | -21.00 | -17.5 | 13 |
4 | Variations sur un thème slovaque, H. 378 | -1.57 | -23.17 | -19.9 | 14 |
5 | I. Sempre allegro | -2.08 | -24.41 | -21.5 | 14 |
6 | II. Adagio | -5.74 | -28.18 | -25.3 | 14 |
7 | III. Vivace | -0.39 | -22.08 | -19.3 | 14 |
8 | No. 1, Georgian Song | -3.64 | -25.76 | -22.4 | 13 |
9 | No. 2, Tartar Dance | -3.85 | -24.58 | -21.5 | 12 |
10 | No. 3, Russian Song | -3.45 | -25.70 | -22.1 | 13 |
11 | No. 4, Kazakh Dance | -0.10 | -20.01 | -17.1 | 14 |
12 | Sonata in the Character of a Lyric Scene, Op. 108 | -0.10 | -24.66 | -21.1 | 16 |