℗ 1972 Smithsonian Folkways Recordings
| Released | 1972 |
| Duration | 48m 03s |
| Record Label | Folk-Legacy Records |
| Catalogue No. | FLG00043 |
| Genre | Folk (Folk Revival) |
The Hammered Dulcimer: How to Make It and Play It
Howie Mitchell
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Introduction - Three Tunes (When You and I Were Young / Maggie Cindy / Take Me Back to Renfro Valley)
Howie Mitchell |
5:45 | |||
|
1.2
|
General Priciples Demonstrated - Strings over Bridge / Intervals by Ear
Howie Mitchell |
4:14 | |||
|
1.3
|
Tuning the Hammered Dulcimer
Howie Mitchell |
7:05 | |||
|
1.4
|
The "Echo" Background - Abide with Me / St. Martin's
Howie Mitchell |
4:57 | |||
|
1.5
|
The Drone Method - Sweet Betsy from Pike / What a Friend We Have in Jesus
Howie Mitchell |
2:39 | |||
|
1.6
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The Tremelo Method - Nearer, Oh, My God, To Thee / Sort of Silver Bells
Howie Mitchell |
3:07 | |||
|
1.7
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The Arpeggio Method - Aunt Rhody / Merry-Go-Round
Howie Mitchell |
3:30 | |||
|
1.8
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The Hammered Dulcimer as Psaltery - Psaltery Piece / Aura Lee
Howie Mitchell |
4:30 | |||
|
1.9
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Introduction to the Rest of the Record - Irish Washerwoman
Howie Mitchell |
2:32 | |||
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1.10
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Buckdancer's Choice & Clogdancer's Inconsequential Selection
Howie Mitchell |
3:17 | |||
|
1.11
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Golden Slippers
Howie Mitchell |
1:20 | |||
|
1.12
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The Old Spinning Wheel & Redwing - Medley
Howie Mitchell |
2:33 | |||
|
1.13
|
Ruffles
Howie Mitchell |
1:44 | |||
|
1.14
|
Dulcimer Jig
Howie Mitchell |
0:50 |
44.1 kHz / 24-bit PCM – Folk-Legacy Records Studio Masters
Tracks 1-14 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-14 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.29 -5.59 to -0.25 | -22.62 -25.19 to -20.28 | -18.76 -21.80 to -16.50 | 14 12 to 16 | |
| 1 | Introduction - Three Tunes (When You and I Were Young / Maggie Cindy / Take Me Back to Renfro Valley) | -0.71 | -21.30 | -17.1 | 14 |
| 2 | General Priciples Demonstrated - Strings over Bridge / Intervals by Ear | -3.30 | -25.00 | -21.8 | 15 |
| 3 | Tuning the Hammered Dulcimer | -0.25 | -23.80 | -20.3 | 16 |
| 4 | The "Echo" Background - Abide with Me / St. Martin's | -0.46 | -20.89 | -17.2 | 13 |
| 5 | The Drone Method - Sweet Betsy from Pike / What a Friend We Have in Jesus | -0.36 | -21.00 | -17.0 | 14 |
| 6 | The Tremelo Method - Nearer, Oh, My God, To Thee / Sort of Silver Bells | -1.22 | -23.17 | -19.0 | 14 |
| 7 | The Arpeggio Method - Aunt Rhody / Merry-Go-Round | -2.63 | -22.80 | -19.1 | 14 |
| 8 | The Hammered Dulcimer as Psaltery - Psaltery Piece / Aura Lee | -4.85 | -25.06 | -21.4 | 13 |
| 9 | Introduction to the Rest of the Record - Irish Washerwoman | -4.23 | -23.98 | -19.8 | 13 |
| 10 | Buckdancer's Choice & Clogdancer's Inconsequential Selection | -0.56 | -20.45 | -16.6 | 14 |
| 11 | Golden Slippers | -4.13 | -22.90 | -18.6 | 13 |
| 12 | The Old Spinning Wheel & Redwing - Medley | -2.67 | -20.81 | -17.3 | 12 |
| 13 | Ruffles | -1.12 | -20.28 | -16.5 | 13 |
| 14 | Dulcimer Jig | -5.59 | -25.19 | -21.0 | 13 |