℗ 1966 Smithsonian Folkways Recordings
| Released | 1966 |
| Duration | 55m 49s |
| Record Label | Folk-Legacy Records |
| Catalogue No. | FLG00029 |
| Genre | Folk (Folk Revival) |
The Mountain Dulcimer: How to Make It and Play It
Howie Mitchell
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Introduction
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1.1
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Demonstration of The"Dulciless" "Finger Exercise"
Howie Mitchell |
5:28 | |||
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Tuning the Dulcimer
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1.2
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The Phenomenon of "Beating"
Howie Mitchell |
5:35 | |||
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Tuning by Harmonics
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1.3
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The "Classical" Style of Playing (Drink to Me Only with Thine Eyes, Study in Counterpoint)
Howie Mitchell |
7:56 | |||
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1.4
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The "Bagpipe" Tuning and the Puill Technique (Macpherson's Lament, Flop-Eared Mule)
Howie Mitchell |
6:13 | |||
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1.5
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The "Finger Style" Of Playing (In the Good Old Colony Days)
Howie Mitchell |
4:01 | |||
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1.6
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Six Modal Tunings for the Traditional Dulcimer
Howie Mitchell |
6:11 | |||
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1.7
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The "Double-Thumbing" Technique (If He's Gone, Let Him Go, Buckdancer's Choice)
Howie Mitchell |
6:08 | |||
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1.8
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The "three-Pairs-of-Strings" Dulcimer (Frankie and Johnny, Two Sisters)
Howie Mitchell |
4:05 | |||
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1.9
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The Double Dulcimer (The Ash Grove, Lady, Come and See, Babylon Is Fallen)
Howie Mitchell |
7:47 | |||
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1.10
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The Double Psaltery (Jesu, Joy of Man's Desiring)
Howie Mitchell |
2:25 | |||
44.1 kHz / 24-bit PCM – Folk-Legacy Records Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.57 -3.54 to -0.51 | -21.12 -23.23 to -18.75 | -17.82 -19.40 to -15.60 | 13 11 to 17 | |
| 1 | Demonstration of The"Dulciless" "Finger Exercise" | -0.55 | -21.87 | -18.6 | 16 |
| 2 | The Phenomenon of "Beating" | -0.74 | -23.23 | -19.4 | 17 |
| 3 | The "Classical" Style of Playing (Drink to Me Only with Thine Eyes, Study in Counterpoint) | -2.26 | -20.24 | -17.1 | 12 |
| 4 | The "Bagpipe" Tuning and the Puill Technique (Macpherson's Lament, Flop-Eared Mule) | -1.71 | -22.12 | -18.5 | 13 |
| 5 | The "Finger Style" Of Playing (In the Good Old Colony Days) | -1.23 | -19.25 | -16.2 | 12 |
| 6 | Six Modal Tunings for the Traditional Dulcimer | -0.51 | -22.80 | -19.3 | 16 |
| 7 | The "Double-Thumbing" Technique (If He's Gone, Let Him Go, Buckdancer's Choice) | -1.89 | -20.78 | -17.6 | 13 |
| 8 | The "three-Pairs-of-Strings" Dulcimer (Frankie and Johnny, Two Sisters) | -0.79 | -18.75 | -15.6 | 12 |
| 9 | The Double Dulcimer (The Ash Grove, Lady, Come and See, Babylon Is Fallen) | -2.52 | -20.27 | -17.2 | 11 |
| 10 | The Double Psaltery (Jesu, Joy of Man's Desiring) | -3.54 | -21.90 | -18.7 | 12 |