℗ 2021 Naxos
| Released | August 27, 2021 |
| Duration | 1h 05m 40s |
| Record Label | Naxos |
| Catalogue No. | 8.574365 |
| Genre | Classical (Orchestral) |
Times of Transition: Cello Concertos by C.P.E. Bach & Haydn
Andreas Brantelid, Concerto Copenhagen, Lars Ulrik Mortensen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Concerto in A Major, Wq. 172
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1.1
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I. Allegro
Carl Philipp Emanuel Bach; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
6:27 | |||
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1.2
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II. Largo maesto
Carl Philipp Emanuel Bach; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
7:02 | |||
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1.3
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III. Allegro assai
Carl Philipp Emanuel Bach; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
5:13 | |||
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Cello Concerto No. 1 in C Major, Hob. VIIb:1
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1.4
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I. Moderato
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
9:19 | |||
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1.5
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II. Adagio
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
7:31 | |||
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1.6
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III. Allegro Molto
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
6:34 | |||
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Cello Concerto No. 2 in D Major, Hob. VIIb:2
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1.7
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I. Allego moderato
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
13:49 | |||
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1.8
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II. Adagio
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
4:46 | |||
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1.9
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III. Rondo. Allegro
Franz Joseph Haydn; Andreas Brantelid; Concerto Copenhagen; Lars Ulrik Mortensen |
4:59 | |||
The three cello concertos on this disc illustrate that fertile period in the second half of the 18th century when features of the Baroque were gradually replaced by the so-called galant style. Foremost amongst the composers inaugurating this change was Carl Philipp Emanuel Bach chose Concerto in A major is a perfect example of the passionate and dramatic range that marked him out as a pivotal figure of his time. Haydn’s Concerto in C major modulates between older and newer styles, whereas his Concerto in D major is a Classical masterpiece, and a worthy companion to his greatest symphonies. For this recording Brantelid plays on an Emil Hjort, Copenhagen 1887 with gut strings.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.46 -3.52 to -0.34 | -22.15 -24.72 to -20.36 | -19.16 -21.40 to -17.30 | 13 12 to 14 | |
| 1 | I. Allegro | -2.37 | -21.54 | -19.0 | 13 |
| 2 | II. Largo maesto | -0.84 | -24.05 | -21.4 | 13 |
| 3 | III. Allegro assai | -0.43 | -21.02 | -18.0 | 14 |
| 4 | I. Moderato | -0.34 | -21.23 | -18.2 | 13 |
| 5 | II. Adagio | -3.52 | -24.52 | -21.3 | 13 |
| 6 | III. Allegro Molto | -0.82 | -21.08 | -18.1 | 13 |
| 7 | I. Allego moderato | -0.53 | -20.78 | -17.8 | 13 |
| 8 | II. Adagio | -2.74 | -24.72 | -21.3 | 13 |
| 9 | III. Rondo. Allegro | -1.57 | -20.36 | -17.3 | 12 |