℗ 2021 Toccata Classics
| Released | July 2, 2021 |
| Duration | 1h 06m 39s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0612 |
| Genre | Classical (Orchestral) |
Joel Feigin: Music for Chamber Orchestra
Yael Weiss, Slovak National Symphony Orchestra, Kirk Trevor, John Savournin, Chamber Orchestra Kremlin, Misha Rachlevsky
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Aviv
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1.1
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I. Allegro vivace
Joel Feigin; Yael Weiss; Slovak National Symphony Orchestra; Kirk Trevor |
5:21 | |||
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1.2
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II. Adagio
Joel Feigin; Yael Weiss; Slovak National Symphony Orchestra; Kirk Trevor |
5:05 | |||
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1.3
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III. Allegro scherzando
Joel Feigin; Yael Weiss; Slovak National Symphony Orchestra; Kirk Trevor |
8:20 | |||
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Surging Seas
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1.4
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I. Allegro maestoso
Joel Feigin; Slovak National Symphony Orchestra; Kirk Trevor |
7:10 | |||
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1.5
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II. Largo
Joel Feigin; Slovak National Symphony Orchestra; Kirk Trevor |
4:53 | |||
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1.6
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III. Allegro
Joel Feigin; Slovak National Symphony Orchestra; Kirk Trevor |
8:53 | |||
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2 Songs from "Twelfth Night"
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1.7
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No. 1, O Mistress Mine
Joel Feigin; John Savournin; Slovak National Symphony Orchestra; Kirk Trevor |
3:17 | |||
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1.8
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No. 2, Come Away, Come Away, Death
Joel Feigin; John Savournin; Slovak National Symphony Orchestra; Kirk Trevor |
4:07 | |||
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Mosaic in Two Panels (Version for String Orchestra)
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1.9
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I. Adagio - Allegro grazioso e scherzando - Adagio (Live)
Joel Feigin; Chamber Orchestra Kremlin; Misha Rachlevsky |
10:55 | |||
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1.10
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II. Adagio - Allegro vivace (Live)
Joel Feigin; Chamber Orchestra Kremlin; Misha Rachlevsky |
8:38 | |||
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Digital Booklet
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It might seem that modern classical music rarely expresses happiness – but Aviv, a piano concerto by Joel Feigin (born in New York in 1951), suggests the warmth and optimism of the coming of spring. The angular, even anguished, essay for strings Surging Seas, by contrast, was inspired by the devastation wrought by the tsunamis of 2004 and 2011. The Two Songs from Twelfth Night have their origins in the tradition of American orchestral song established by Samuel Barber. And in the diptych Mosaic, also for strings, a first ‘panel’ of heartfelt lyricism is succeeded by an outburst of buoyant energy.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
Tracks 1, 2, 5, 7-10 – 44.1 kHz / 16-bit PCM
Tracks 1, 2, 5, 7-10 – 44.1 kHz / 16-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.95 -7.31 to -0.71 | -25.52 -31.77 to -23.25 | -20.82 -26.50 to -17.90 | 14 13 to 16 | |
| 1 | I. Allegro vivace | -0.71 | -25.18 | -20.9 | 16 |
| 2 | II. Adagio | -7.31 | -31.77 | -26.5 | 13 |
| 3 | III. Allegro scherzando | -0.71 | -24.44 | -19.8 | 15 |
| 4 | I. Allegro maestoso | -0.71 | -23.25 | -17.9 | 15 |
| 5 | II. Largo | -0.72 | -27.72 | -21.9 | 15 |
| 6 | III. Allegro | -1.00 | -25.24 | -19.8 | 16 |
| 7 | No. 1, O Mistress Mine | -2.43 | -24.73 | -20.9 | 14 |
| 8 | No. 2, Come Away, Come Away, Death | -0.80 | -23.69 | -19.6 | 13 |
| 9 | I. Adagio - Allegro grazioso e scherzando - Adagio (Live) | -3.00 | -25.68 | -21.4 | 14 |
| 10 | II. Adagio - Allegro vivace (Live) | -2.16 | -23.51 | -19.5 | 13 |