℗ 2021 MicroFest Records
Released | July 2, 2021 |
Duration | 58m 01s |
Record Label | MicroFest Records |
Catalogue No. | MF19 |
Genre | Classical (Guitar) |
Matthäuspassion, BWV 244
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1.1
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No. 3, Herzliebster Jesu (Arr. for Guitar)
Johann Sebastian Bach; Mak Grgić |
0:51 | |||
Flute Partita in A Minor, BWV 1013 (Arr. for Guitar)
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1.2
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I. Allemande
Johann Sebastian Bach; Mak Grgić |
3:37 | |||
1.3
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II. Corrente
Johann Sebastian Bach; Mak Grgić |
3:08 | |||
1.4
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III. Sarabande
Johann Sebastian Bach; Mak Grgić |
4:25 | |||
1.5
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IV. Bourrée anglaise
Johann Sebastian Bach; Mak Grgić |
2:23 | |||
1.6
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Christ lag in Todesbanden, BWV 279 (Arr. for Guitar)
Johann Sebastian Bach; Mak Grgić |
1:16 | |||
Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar)
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1.7
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I. Adagio
Johann Sebastian Bach; Mak Grgić |
4:03 | |||
1.8
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II. Fuga
Johann Sebastian Bach; Mak Grgić |
6:18 | |||
1.9
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III. Siciliana
Johann Sebastian Bach; Mak Grgić |
4:07 | |||
1.10
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IV. Presto
Johann Sebastian Bach; Mak Grgić |
2:56 | |||
Johannespassion, BWV 245
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1.11
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No. 14, Petrus, der nicht denkt zurück (Arr. for Guitar)
Johann Sebastian Bach; Mak Grgić |
0:55 | |||
Cello Suite No. 6 in D Major, BWV 1012 (Arr. for Guitar)
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1.12
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I. Prelude
Johann Sebastian Bach; Mak Grgić |
5:14 | |||
1.13
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II. Allemande
Johann Sebastian Bach; Mak Grgić |
5:15 | |||
1.14
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III. Courante
Johann Sebastian Bach; Mak Grgić |
2:37 | |||
1.15
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IV. Sarabande
Johann Sebastian Bach; Mak Grgić |
3:33 | |||
1.16
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V. Gavottes I & II
Johann Sebastian Bach; Mak Grgić |
2:55 | |||
1.17
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VI. Gigue
Johann Sebastian Bach; Mak Grgić |
3:00 | |||
O Ewigkeit, du Donnerwort, BWV 60
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1.18
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No. 5, Es ist genug (Arr. for Guitar)
Johann Rudolph Ahle; Mak Grgić |
1:28 | |||
Digital Booklet
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Grammy Award Nomination, 2022 – Best Classical Instrumental Solo
96 kHz / 24-bit PCM – MicroFest Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.74 -3.90 to -0.50 | -21.91 -26.14 to -18.22 | -18.97 -22.90 to -15.80 | 13 12 to 15 | |
1 | No. 3, Herzliebster Jesu (Arr. for Guitar) | -0.83 | -21.19 | -17.5 | 12 |
2 | I. Allemande | -1.32 | -19.87 | -17.2 | 12 |
3 | II. Corrente | -2.16 | -20.78 | -18.2 | 13 |
4 | III. Sarabande | -3.56 | -24.36 | -21.4 | 13 |
5 | IV. Bourrée anglaise | -2.29 | -21.19 | -18.6 | 12 |
6 | Christ lag in Todesbanden, BWV 279 (Arr. for Guitar) | -1.79 | -22.25 | -18.6 | 12 |
7 | I. Adagio | -3.90 | -24.69 | -21.5 | 13 |
8 | II. Fuga | -0.50 | -20.49 | -18.0 | 14 |
9 | III. Siciliana | -1.68 | -22.13 | -19.1 | 13 |
10 | IV. Presto | -0.50 | -18.22 | -15.8 | 12 |
11 | No. 14, Petrus, der nicht denkt zurück (Arr. for Guitar) | -0.67 | -20.19 | -16.8 | 13 |
12 | I. Prelude | -0.57 | -22.05 | -19.5 | 14 |
13 | II. Allemande | -3.78 | -24.00 | -21.1 | 13 |
14 | III. Courante | -1.20 | -20.55 | -18.1 | 13 |
15 | IV. Sarabande | -1.71 | -26.14 | -22.9 | 15 |
16 | V. Gavottes I & II | -0.50 | -22.15 | -19.6 | 14 |
17 | VI. Gigue | -3.07 | -21.82 | -19.2 | 13 |
18 | No. 5, Es ist genug (Arr. for Guitar) | -1.35 | -22.23 | -18.3 | 13 |