℗ 2021 Boston Symphony Orchestra
| Released | June 25, 2021 |
| Duration | 2h 37m 22s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
Shostakovich: Symphonies Nos. 1, 14 & 15; Chamber Symphony in C Minor
Boston Symphony Orchestra, Andris Nelsons
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 1 in F Minor, Op. 10
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1.1
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I. Allegretto - Allegro non troppo
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
9:28 | |||
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1.2
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II. Allegro
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
4:51 | |||
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1.3
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III. Lento
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
9:46 | |||
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1.4
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IV. Lento - Allegro molto
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
11:07 | |||
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Symphony No. 15 in A Major, Op. 141
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1.5
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I. Allegretto
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
8:18 | |||
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1.6
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II. Adagio - Largo - Adagio - Largo
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
17:27 | |||
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1.7
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III. Allegretto
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
4:12 | |||
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1.8
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IV. Adagio - Allegretto - Adagio - Allegretto
Dmitri Shostakovich; Boston Symphony Orchestra; Andris Nelsons |
18:06 | |||
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Symphony No. 14 in G Minor, Op. 135
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1.9
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I. De Profundis
Dmitri Shostakovich; Federico García Lorca; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
4:53 | |||
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1.10
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II. Malagueña
Dmitri Shostakovich; Federico García Lorca; Kristine Opolais; Boston Symphony Orchestra; Andris Nelsons |
3:03 | |||
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1.11
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III. Loreley
Dmitri Shostakovich; Guillaume Apollinaire; Clemens von Brentano; Kristine Opolais; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
8:43 | |||
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1.12
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IV. Le suicidé
Dmitri Shostakovich; Guillaume Apollinaire; Kristine Opolais; Boston Symphony Orchestra; Andris Nelsons |
6:26 | |||
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1.13
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V. Les attentives I
Dmitri Shostakovich; Guillaume Apollinaire; Kristine Opolais; Boston Symphony Orchestra; Andris Nelsons |
3:08 | |||
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1.14
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VI. Les attentives II
Dmitri Shostakovich; Guillaume Apollinaire; Kristine Opolais; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
1:44 | |||
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1.15
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VII. A la santé
Dmitri Shostakovich; Guillaume Apollinaire; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
9:15 | |||
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1.16
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VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople
Dmitri Shostakovich; Guillaume Apollinaire; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
1:48 | |||
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1.17
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IX. O, Delvig, Delvig!
Dmitri Shostakovich; Wilhelm Kuchelbecker; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
4:06 | |||
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1.18
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X. Der Tod des Dichters
Dmitri Shostakovich; Rainer Maria Rilke; Kristine Opolais; Boston Symphony Orchestra; Andris Nelsons |
4:49 | |||
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1.19
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XI. Schlussstück
Dmitri Shostakovich; Rainer Maria Rilke; Kristine Opolais; Alexander Tsymbalyuk; Boston Symphony Orchestra; Andris Nelsons |
1:20 | |||
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Chamber Symphony in C Minor, Op. 110a
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1.20
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I. Largo - attacca (Orch. Barshai)
Dmitri Shostakovich; Rudolf Barshai; Boston Symphony Orchestra; Andris Nelsons |
5:37 | |||
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1.21
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II. Allegro molto - attacca (Orch. Barshai)
Dmitri Shostakovich; Rudolf Barshai; Boston Symphony Orchestra; Andris Nelsons |
2:58 | |||
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1.22
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III. Allegretto - attacca (Orch. Barshai)
Dmitri Shostakovich; Rudolf Barshai; Boston Symphony Orchestra; Andris Nelsons |
4:34 | |||
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1.23
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IV. Largo - attacca (Orch. Barshai)
Dmitri Shostakovich; Rudolf Barshai; Boston Symphony Orchestra; Andris Nelsons |
6:41 | |||
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1.24
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V. Largo (Orch. Barshai)
Dmitri Shostakovich; Rudolf Barshai; Boston Symphony Orchestra; Andris Nelsons |
5:02 | |||
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Digital Booklet
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Andris Nelsons and the Boston Symphony Orchestra continue their Grammy-winning Shostakovich cycle with recordings of Symphonies 1, 14 & 14 and the Chamber Symphony in C Minor. In this latest installment, Andris Nelsons and the Boston Symphony Orchestra bookend the composer’s brilliant, often turbulent symphonic career.
Nearly half a century lies between Shostakovich’s triumphant debut with the First, premiered before his 20th birthday, and the Fifteenth, an inventory of influences written under the shadow of his own mortality. Penned just two years earlier, the Fourteenth is a symphonic song cycle, and the Chamber Symphony is a skillful adaptation of that tragic masterpiece, the Eighth String Quartet.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Tracks 1-24 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-24 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.17 -15.27 to -0.40 | -28.29 -36.60 to -21.70 | -23.86 -34.00 to -16.00 | 14 12 to 18 | |
| 1 | I. Allegretto - Allegro non troppo | -0.40 | -26.35 | -21.5 | 16 |
| 2 | II. Allegro | -0.40 | -25.06 | -19.6 | 15 |
| 3 | III. Lento | -5.47 | -29.47 | -23.5 | 14 |
| 4 | IV. Lento - Allegro molto | -0.40 | -24.66 | -18.2 | 15 |
| 5 | I. Allegretto | -0.40 | -26.29 | -21.5 | 17 |
| 6 | II. Adagio - Largo - Adagio - Largo | -0.40 | -28.29 | -21.1 | 18 |
| 7 | III. Allegretto | -2.00 | -31.41 | -27.7 | 16 |
| 8 | IV. Adagio - Allegretto - Adagio - Allegretto | -0.40 | -27.82 | -20.5 | 18 |
| 9 | I. De Profundis | -15.27 | -36.60 | -34.0 | 12 |
| 10 | II. Malagueña | -1.33 | -23.81 | -21.0 | 14 |
| 11 | III. Loreley | -2.08 | -26.86 | -22.6 | 15 |
| 12 | IV. Le suicidé | -3.47 | -28.98 | -24.3 | 14 |
| 13 | V. Les attentives I | -0.40 | -24.11 | -19.7 | 14 |
| 14 | VI. Les attentives II | -3.71 | -27.91 | -24.1 | 14 |
| 15 | VII. A la santé | -6.42 | -30.09 | -26.0 | 14 |
| 16 | VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople | -3.51 | -22.74 | -19.8 | 13 |
| 17 | IX. O, Delvig, Delvig! | -7.04 | -29.61 | -26.7 | 13 |
| 18 | X. Der Tod des Dichters | -3.85 | -32.51 | -28.1 | 16 |
| 19 | XI. Schlussstück | -0.40 | -21.70 | -16.0 | 13 |
| 20 | I. Largo - attacca (Orch. Barshai) | -12.88 | -35.30 | -32.7 | 13 |
| 21 | II. Allegro molto - attacca (Orch. Barshai) | -5.62 | -24.62 | -22.1 | 12 |
| 22 | III. Allegretto - attacca (Orch. Barshai) | -10.31 | -33.00 | -29.5 | 14 |
| 23 | IV. Largo - attacca (Orch. Barshai) | -4.93 | -30.20 | -24.8 | 15 |
| 24 | V. Largo (Orch. Barshai) | -8.97 | -31.59 | -27.6 | 12 |