℗ 2021 Deutsche Grammophon, Berlin
 

Voice Of Hope (Extended Edition)

Camille Thomas, Brussels Philharmonic, Stéphane Denève, Mathieu Herzog

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Deux mélodies hébraïques, M. A22  
1.1
1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti)
Maurice Ravel; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
4:59
Orfeo ed Euridice, Wq. 30 / Act 2  
1.2
Dance Of The Blessed Spirits (Arr. For Cello And Strings By Mathieu Herzog)
Christoph Willibald Gluck; Raniero da Calzabigi; Mathieu Herzog; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:07
Dido and Aeneas, Z. 626 / Act 3  
1.3
"When I Am Laid In Earth" Dido's Lamento (Arr. For Cello And Strings By Mathieu Herzog)
Henry Purcell; Nahum Tate; Mathieu Herzog; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:48
Concerto For Cello And Orchestra "Never Give Up", Op. 73  
1.4
1. Never Give Up
Fazil Say; Camille Thomas; Brussels Philharmonic; Stéphane Denève
8:41
1.5
2. Terror - Elegy
Fazil Say; Camille Thomas; Brussels Philharmonic; Stéphane Denève
6:47
1.6
3. Song Of Hope
Fazil Say; Camille Thomas; Brussels Philharmonic; Stéphane Denève
6:00
"Kol Nidrei" Adagio For Cello And Orchestra, Op. 47  
1.7
1. Adagio ma non troppo
Max Bruch; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
5:26
1.8
2. Un poco più animato
Max Bruch; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
5:09
Wesendonck-Lieder, WWV 91  
1.9
5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog)
Richard Wagner; Mathieu Herzog; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
4:52
Gypsy Melodies, Op.55, B. 104  
1.10
4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra)
Antonín Dvořák; Fritz Kreisler; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:16
1.11
Theme From "Schindler's List" (Adapt. For Cello And Orchestra)
John Williams; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
4:14
Werther / Act 3  
1.12
"Pourquoi me réveiller" (Adapt. For Cello And Orchestra)
Jules Massenet; Edouard Stanislas Viateur Blau; Paul Monchicourt Milliet; Georges Hartmann; Johann Wolfgang von Goethe; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
2:58
L'elisir d'amore / Act 2  
1.13
"Una furtiva lagrima" (Adapt. For Cello And Orchestra)
Gaetano Donizetti; Felice Romani; Eugène Scribe; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
4:10
Norma / Act 1  
1.14
"Casta Diva" (Arr. For Cello And Orchestra By Mathieu Herzog)
Vincenzo Bellini; Felice Romani; Mathieu Herzog; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
5:15
Don Giovanni, K. 527 / Act 1  
1.15
"Dalla sua pace" (Adapt. For Cello And Orchestra)
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:28
Nabucco / Act 3  
1.16
"Va, pensiero" (Arr. For Cello And Orchestra By Mathieu Herzog)
Giuseppe Verdi; Temistocle Solera; Mathieu Herzog; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:07
1.17
Erlkönig, D. 328 (Adapt. for Cello and Orchestra)
Franz Schubert; Johann Wolfgang von Goethe; Hector Berlioz; Camille Thomas; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:52
1.18
Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra)
Franz Schubert; Johann Wolfgang von Goethe; Camille Thomas; Max Reger; Camille Thomas; Brussels Philharmonic; Mathieu Herzog
3:03
1.19
Vater Unser (Version for Cello and Piano)
Arvo Pärt; Camille Thomas; Julien Brocal
2:38
Total Playing Time    1:24:50
“Beauty will save the world,” wrote Dostoyevsky, which is the claim that Camille Thomas makes throughout this record. Not beauty for the sake of hedonism, but a beauty that believes there is a burning line to be drawn between pain and hope. Camille Thomas' new album illustrates this, structured like an archipelago surrounding the Cello Concerto composed by Fazil Say. Camille Thomas gave its premiere in 2018, and her album spanning the work of ten composers, allows us to travel the path from pain to hope. On the threshold, we meet three pieces: the heart-rending melody of the Kaddisch by Ravel, a sublimation of the Jewish prayer for the dead; the lamentation from Purcell’s Dido, quasi a lullaby from the queen who awaits her death, in a nakedness without pathos; and between those two works, the tender Dance of the Blessed Spirits from Gluck’s Orfeo, in which we hear the first signals of hope. On this extended edition, Thomas offers us three additional works - Franz Schubert's "Erlkönig, D. 328" and "Gretchen am Spinnrade, D. 118" adapted for Cello and Orchestra, alongside Arvo Pärt's "Vater Unser".
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters

Tracks 4-6 – contains material which utilizes a limited amount of the available bandwidth

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