℗ 2017 Delphian Records Ltd
| Released | May 19, 2017 |
| Duration | 1h 08m 11s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34154 |
| Genre | Classical (20th/21st Century) |
Set Upon the Rood: New Music for Choir & Ancient Instruments
Choir of Gonville & Caius College, Cambridge, Geoffrey Webber
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Noli Pater
James MacMillan; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
8:16 | |||
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The Deer’s Cry
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|||||
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1.2
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Part I
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
4:00 | |||
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1.3
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Part II
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
2:43 | |||
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1.4
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Part III
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
1:18 | |||
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1.5
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Part IV
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
1:18 | |||
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1.6
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Part V
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
2:32 | |||
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1.7
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Part VI
John Kenny; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
4:10 | |||
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1.8
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Cantata
Stuart MacRae; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
8:54 | |||
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1.9
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Crux fidelis
Bill Taylor; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber; Humphrey Thompson; Clover Willis |
4:59 | |||
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1.10
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Cantemus
Francis Grier; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
13:05 | |||
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1.11
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Iste Confessor
Stevie Wishart; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber |
3:58 | |||
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1.12
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Set upon the Rood
Stephen Bick; Choir of Gonville & Caius College, Cambridge; Geoffrey Webber; Stephen Bick |
12:58 | |||
Three years after the runaway success of In Praise of St Columba, its previous collaboration with piper Barnaby Brown, the ever-innovative Choir of Gonville & Caius College, Cambridge reunites with Brown – now also joined by lyre player Bill Taylor and ancient brass specialists John and Patrick Kenny.
All four are members of the European Music Archaeology Project, whose own ongoing collaboration with Delphian has captivated listeners and reviewers with its glimpses of the sound of Europe’s ancient instruments. Here, those extraordinary sonorities blend with and emerge around the Caius singers’ committed contributions in seven richly conceived new pieces; a world premiere commission by Sir James MacMillan sets up the Celtic theme.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.16 -10.87 to -0.37 | -27.68 -38.00 to -19.91 | -23.27 -33.60 to -16.50 | 13 11 to 17 | |
| 1 | Noli Pater | -0.68 | -24.32 | -18.2 | 13 |
| 2 | Part I | -4.62 | -30.73 | -26.3 | 12 |
| 3 | Part II | -9.02 | -29.66 | -25.9 | 11 |
| 4 | Part III | -7.01 | -26.43 | -23.1 | 11 |
| 5 | Part IV | -0.70 | -19.91 | -16.5 | 12 |
| 6 | Part V | -0.37 | -25.00 | -21.4 | 16 |
| 7 | Part VI | -9.51 | -30.09 | -26.4 | 11 |
| 8 | Cantata | -0.40 | -27.68 | -22.3 | 17 |
| 9 | Crux fidelis | -10.87 | -38.00 | -33.6 | 14 |
| 10 | Cantemus | -0.96 | -24.58 | -19.2 | 14 |
| 11 | Iste Confessor | -4.91 | -26.09 | -21.9 | 12 |
| 12 | Set upon the Rood | -0.83 | -29.68 | -24.4 | 17 |