℗ 2021 Delphian Records
| Released | July 23, 2021 |
| Duration | 1h 32m 34s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34257-D |
| Genre | Classical (Baroque) |
Bach: Goldberg Variations (Arr. For Accordion)
Samuele Telari
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Goldberg Variations, BWV 988
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1.1
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Aria (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
5:48 | |||
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1.2
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Variatio 1 a 1 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:00 | |||
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1.3
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Variatio 2 a 1 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:35 | |||
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1.4
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Variatio 3 a 1 Clav. Canone allnisuono (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:08 | |||
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1.5
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Variatio 4 a 1 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:06 | |||
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1.6
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Variatio 5 a 1 ovvero 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:33 | |||
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1.7
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Variatio 6 a 1 Clav. Canone alla seconda (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:57 | |||
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1.8
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Variatio 7 a 1 ovvero 2 Clav. Al tempo di giga (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:02 | |||
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1.9
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Variatio 8 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:12 | |||
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1.10
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Variatio 9 a 1 Clav. Canone alla terza (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:32 | |||
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1.11
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Variatio 10 a 1 Clav. Fughetta (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:57 | |||
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1.12
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Variatio 11 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:06 | |||
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1.13
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Variatio 12 a 1 Clav. Canone alla quarta (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
3:58 | |||
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1.14
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Variatio 13 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
6:40 | |||
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1.15
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Variatio 14 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:06 | |||
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1.16
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Variatio 15 a 1 Clav. Canone alla quinta: Andante (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
5:29 | |||
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1.17
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Variatio 16 a 1 Clav. Ouverture (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
3:34 | |||
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1.18
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Variatio 17 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:19 | |||
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1.19
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Variatio 18 a 1 Clav. Canone alla sesta (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:25 | |||
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1.20
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Variatio 19 a 1 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:18 | |||
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1.21
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Variatio 20 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:02 | |||
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1.22
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Variatio 21 a 1 Clav. Canone alla settima (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
3:58 | |||
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1.23
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Variatio 22 a 1 Clav. Alla breve (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
1:27 | |||
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1.24
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Variatio 23 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:28 | |||
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1.25
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Variatio 24 a 1 Clav. Canone allttava (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:44 | |||
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1.26
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Variatio 25 a 2 Clav. Adagio (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
9:15 | |||
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1.27
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Variatio 26 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:11 | |||
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1.28
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Variatio 27 a 2 Clav. Canone alla nona (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:03 | |||
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1.29
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Variatio 28 a 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:19 | |||
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1.30
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Variatio 29 a 1 ovvero 2 Clav. (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:17 | |||
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1.31
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Variatio 30 a 2 Clav. Quodlibet (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
2:11 | |||
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1.32
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Aria da capo (Arr. for Accordion)
Johann Sebastian Bach; Samuele Telari |
5:54 | |||
Telari’s instrument is essential to his conception of this eternally fresh, kaleidoscopic work. The accordion’s bellows bring out and intensify dynamic contrasts in the slower variations, while the sparkling, faster ones are powered by a pure virtuosity that flows along the two manuals, imitating or chasing one another in resonant stereophony. Bach’s immortal masterpiece shines with new light here, keyboard dexterity meeting a string-like expressivity, both heightened by Telari’s interpretative subtlety and impeccable control.
"This recording is one that I felt compelled to make. Every time I play Bach’s Goldberg Variations I realise that something changes inside me, and as a consequence in my interpretation as well. The piece is a kind of mirror into which I can look and see what is inside me. Finally, after performing it many times in concert over several years, I felt ready to fix a version in a recording."
- Samuele Telari
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.15 -8.46 to -0.40 | -20.82 -25.69 to -15.86 | -17.47 -22.60 to -12.40 | 12 9 to 14 | |
| 1 | Aria (Arr. for Accordion) | -5.86 | -23.52 | -20.6 | 10 |
| 2 | Variatio 1 a 1 Clav. (Arr. for Accordion) | -2.26 | -21.35 | -17.8 | 13 |
| 3 | Variatio 2 a 1 Clav. (Arr. for Accordion) | -2.78 | -19.54 | -16.1 | 11 |
| 4 | Variatio 3 a 1 Clav. Canone allnisuono (Arr. for Accordion) | -3.09 | -20.80 | -17.3 | 12 |
| 5 | Variatio 4 a 1 Clav. (Arr. for Accordion) | -0.90 | -18.22 | -14.8 | 12 |
| 6 | Variatio 5 a 1 ovvero 2 Clav. (Arr. for Accordion) | -2.04 | -20.70 | -17.3 | 12 |
| 7 | Variatio 6 a 1 Clav. Canone alla seconda (Arr. for Accordion) | -4.89 | -21.62 | -18.5 | 10 |
| 8 | Variatio 7 a 1 ovvero 2 Clav. Al tempo di giga (Arr. for Accordion) | -2.68 | -20.48 | -16.8 | 12 |
| 9 | Variatio 8 a 2 Clav. (Arr. for Accordion) | -2.34 | -21.95 | -18.6 | 13 |
| 10 | Variatio 9 a 1 Clav. Canone alla terza (Arr. for Accordion) | -4.18 | -20.79 | -17.6 | 10 |
| 11 | Variatio 10 a 1 Clav. Fughetta (Arr. for Accordion) | -1.89 | -18.31 | -14.7 | 11 |
| 12 | Variatio 11 a 2 Clav. (Arr. for Accordion) | -2.44 | -20.84 | -17.5 | 12 |
| 13 | Variatio 12 a 1 Clav. Canone alla quarta (Arr. for Accordion) | -5.00 | -22.96 | -19.5 | 12 |
| 14 | Variatio 13 a 2 Clav. (Arr. for Accordion) | -6.42 | -22.42 | -19.5 | 10 |
| 15 | Variatio 14 a 2 Clav. (Arr. for Accordion) | -0.68 | -21.24 | -17.6 | 14 |
| 16 | Variatio 15 a 1 Clav. Canone alla quinta: Andante (Arr. for Accordion) | -6.50 | -22.68 | -19.7 | 9 |
| 17 | Variatio 16 a 1 Clav. Ouverture (Arr. for Accordion) | -0.40 | -17.15 | -13.7 | 12 |
| 18 | Variatio 17 a 2 Clav. (Arr. for Accordion) | -3.63 | -21.31 | -18.0 | 11 |
| 19 | Variatio 18 a 1 Clav. Canone alla sesta (Arr. for Accordion) | -0.44 | -17.72 | -14.0 | 12 |
| 20 | Variatio 19 a 1 Clav. (Arr. for Accordion) | -5.86 | -22.25 | -18.8 | 11 |
| 21 | Variatio 20 a 2 Clav. (Arr. for Accordion) | -3.05 | -21.35 | -18.0 | 12 |
| 22 | Variatio 21 a 1 Clav. Canone alla settima (Arr. for Accordion) | -6.43 | -22.75 | -19.9 | 9 |
| 23 | Variatio 22 a 1 Clav. Alla breve (Arr. for Accordion) | -0.40 | -16.31 | -12.9 | 11 |
| 24 | Variatio 23 a 2 Clav. (Arr. for Accordion) | -3.76 | -22.11 | -18.7 | 13 |
| 25 | Variatio 24 a 1 Clav. Canone allttava (Arr. for Accordion) | -0.57 | -20.02 | -16.6 | 13 |
| 26 | Variatio 25 a 2 Clav. Adagio (Arr. for Accordion) | -7.60 | -24.94 | -22.0 | 10 |
| 27 | Variatio 26 a 2 Clav. (Arr. for Accordion) | -2.21 | -20.23 | -16.8 | 12 |
| 28 | Variatio 27 a 2 Clav. Canone alla nona (Arr. for Accordion) | -1.77 | -19.99 | -16.7 | 12 |
| 29 | Variatio 28 a 2 Clav. (Arr. for Accordion) | -0.41 | -20.61 | -17.0 | 14 |
| 30 | Variatio 29 a 1 ovvero 2 Clav. (Arr. for Accordion) | -1.54 | -20.59 | -17.0 | 13 |
| 31 | Variatio 30 a 2 Clav. Quodlibet (Arr. for Accordion) | -0.40 | -15.86 | -12.4 | 11 |
| 32 | Aria da capo (Arr. for Accordion) | -8.46 | -25.69 | -22.6 | 10 |