℗ 2021 Signum Records
Released | August 27, 2021 |
Duration | 1h 04m 28s |
Record Label | Signum Records |
Catalogue No. | SIGCD684 |
Genre | Classical (Chamber) |
Lamento
Fretwork, Iestyn Davies, Richard Boothby
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Salve mi Jesu
Franz Tunder; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston |
5:53 | |||
1.2
|
Canzon super ‘O Nachbar Roland’, SSWV 66
Samuel Scheidt; Richard Boothby; Fretwork; Silas Wollston |
5:57 | |||
1.3
|
Ach dass ich Wassers g’nug hätte (Lamento)
Johann Christoph Bach; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston |
7:51 | |||
Banchetto Musicale, Suite No. 14
|
|||||
1.4
|
I. Paduan
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
3:19 | |||
1.5
|
II. Gagliarda
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
0:43 | |||
1.6
|
III. Courente
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
0:47 | |||
1.7
|
IV. Allemande & Tripla
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
1:39 | |||
Geistliche Chor-Music, Op. 11
|
|||||
1.8
|
Auf dem Gebirge, SWV 396
Heinrich Schütz; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston; Hugh Cutting |
5:00 | |||
Banchetto Musicale, Suite No. 7
|
|||||
1.9
|
I. Paduan
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
3:12 | |||
1.10
|
II. Gagliarda
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
1:23 | |||
1.11
|
III. Courente
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
0:54 | |||
1.12
|
IV. Allemande & Tripla
Johann Hermann Schein; Richard Boothby; Fretwork; Silas Wollston |
0:55 | |||
1.13
|
Es war aber an der Stätte
Christian Geist; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston |
8:36 | |||
1.14
|
An Wasserflüssen Babylon
Franz Tunder; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston |
3:18 | |||
1.15
|
Canzon super Cantionem Gallicam, SSWV 67
Samuel Scheidt; Richard Boothby; Fretwork; Silas Wollston |
4:51 | |||
1.16
|
O dulce nomen Jesu
Giovanni Felice Sances; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston |
5:22 | |||
1.17
|
Christ unser Herr zum Jordan Kam
Johann Hermann Schein; Richard Boothby; Iestyn Davies; Fretwork; Silas Wollston; Hugh Cutting |
4:48 |
Counter-tenor Iestyn Davies and and the viol consort Fretwork present a new recording of works for viol consort and voice drawn from 17th-century Germany, following their critically-praised 2019 album of works by Michael Nyman and Henry Purcell.
Featuring performances from organist Silas Wollston and counter- tenor Hugh Cutting, the recital ranges widely over the 17th century – from the early years with three curiously similar sounding friends: Schein, Scheidt and Schütz, to the most significant member of the Bach family before Johann Sebastian, Johann Christoph Bach. From their they travel down North Sea to the foothills of the Alps, including Buxtehude’s predecessor at the Marienkirche in Lübeck – Franz Tunder (whose daughter Buxtehude was to marry) and another north German composer who worked in Copenhagen, Christian Geist. Giovanni Felice Sances is an outlier here: he was born in Rome, but spent the second part of his life working for three successive Emperors in Vienna, where viol playing was still very much in vogue.
In 2021, Fretwork celebrates its 35th anniversary. In the past three and a half decades they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged. In addition to this, Fretwork have become known as pioneers of contemporary music for viols, having commissioned over 40 new works.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.34 -14.53 to -0.61 | -29.85 -32.82 to -25.73 | -26.59 -29.00 to -22.00 | 13 11 to 17 | |
1 | Salve mi Jesu | -3.84 | -29.24 | -26.0 | 17 |
2 | Canzon super ‘O Nachbar Roland’, SSWV 66 | -9.74 | -29.89 | -26.8 | 12 |
3 | Ach dass ich Wassers g’nug hätte (Lamento) | -4.36 | -28.01 | -24.9 | 16 |
4 | I. Paduan | -12.81 | -31.01 | -27.9 | 11 |
5 | II. Gagliarda | -14.53 | -31.84 | -28.8 | 11 |
6 | III. Courente | -14.48 | -31.74 | -28.3 | 11 |
7 | IV. Allemande & Tripla | -14.46 | -32.15 | -28.5 | 11 |
8 | Auf dem Gebirge, SWV 396 | -2.00 | -27.32 | -23.7 | 16 |
9 | I. Paduan | -12.83 | -29.16 | -26.4 | 11 |
10 | II. Gagliarda | -13.79 | -30.84 | -27.8 | 11 |
11 | III. Courente | -13.55 | -30.95 | -27.6 | 12 |
12 | IV. Allemande & Tripla | -12.73 | -32.82 | -29.0 | 11 |
13 | Es war aber an der Stätte | -6.70 | -29.54 | -26.6 | 15 |
14 | An Wasserflüssen Babylon | -6.25 | -27.27 | -23.9 | 13 |
15 | Canzon super Cantionem Gallicam, SSWV 67 | -10.95 | -29.48 | -26.6 | 12 |
16 | O dulce nomen Jesu | -5.08 | -30.38 | -27.2 | 16 |
17 | Christ unser Herr zum Jordan Kam | -0.61 | -25.73 | -22.0 | 15 |