℗ 2016 Deutsche Grammophon GmbH, Berlin under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
 

Rossini

Franco Fagioli, Armonia Atenea, George Petrou

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price
 
Demetrio e Polibio  
1.1
Act I: Scene 2. "Pien di contento in seno"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
4:10
Matilde di Shabran - Neapolitan Version  
1.2
Act II: Scene 9. "Sazia tu fossi alfine"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
2:09
1.3
Act II: Scene 9. "Ah, perché, perché la morte"
Gioachino Rossini; Franco Fagioli; Petros Magoulas; Costas Siskos; Armonia Atenea; George Petrou
9:30
Adelaide di Borgogna  
1.4
Act II: Scene 16. "Serti intrecciar le vergini"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou
2:23
1.5
Act II: Scene 16. "Questi che a me presenta"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
0:53
1.6
Act II: Scene 16. "Vieni, tuo sposo e amante"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou
3:00
1.7
Act II: Scene 16. "Al trono tuo primiero"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou
3:44
Tancredi  
1.8
Act I: Scene 3. "O sospirato lido"
Gioachino Rossini; Franco Fagioli; Sergiu Nastasa; Armonia Atenea; George Petrou
5:26
1.9
Act I: Scene 3. "Dolci d'amor parole"
Gioachino Rossini; Franco Fagioli; Sergiu Nastasa; Armonia Atenea; George Petrou
6:20
Adelaide di Borgogna  
1.10
Act I: Scene 2. "Salve, Italia"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou
1:44
1.11
Act I: Scene 2. "O sacra alla virtù"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
1:53
1.12
Act I: Scene 2. "Soffri la tua sventura ... Amica speme"
Gioachino Rossini; Franco Fagioli; Dimitris Vamvas; Armonia Atenea; George Petrou
5:36
Semiramide  
1.13
Act I: Scene 2. "Eccomi alfine in Babilonia"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
5:59
1.14
Act I: Scene 2. "Ah, quel giorno ognor rammento"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou
6:28
Eduardo e Cristina  
1.15
Act II: Scene 12. "Nel misero tuo stato"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou
4:04
1.16
Act II: Scene 12. "Ah! Chi sa dirmi se la sposa"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou
2:04
1.17
Act II: Scene 12. "La pietà che in sen serbate"
Gioachino Rossini; Franco Fagioli; Christos Kechris; Armonia Atenea Choir; Armonia Atenea; George Petrou
9:57
Digital Booklet
Total Playing Time    75:20
"... there’s a cultish following around some of today’s countertenors and one of those is the young Argentinian Franco Fagioli ... he is quite a performer." - The Guardian On his Deutsche Grammophon solo debut, Grammy-winning Argentinian countertenor Franco Fagioli presents several "trouser roles" from Rossini’s operas that approach the delightful confusion between voice and gender, particularly in the rarely performed serious operas with many male characters whose substantial roles were written for women and not for castrati. Fagioli is accompanied here by ECHO Klassik-winning conductor George Petrou and his Armonia Atenea orchestra.
96 kHz / 24-bit PCM – DG Studio Masters

For Your Consideration | More ▸

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions