℗ 2008 BIS Records
Released June 1, 2008
Duration 1h 04m 37s
Record Label BIS
Catalogue No. BIS-CD-1510
Genre Classical (Vocal)
 

Benjamin Britten: Who Are These Children? - Winter Words - A Birthday Hansel (Excerpts)

Daniel Norman, Christopher Gould

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
Add to cart
discounted price
 
Winter Words, Op. 52  
1.1
No. 1. At Day-close in November
Benjamin Britten; Daniel Norman; Christopher Gould
1:34
1.2
No. 2. Midnight on the Great Western
Benjamin Britten; Daniel Norman; Christopher Gould
5:06
1.3
No. 3. Wagtail and Baby
Benjamin Britten; Daniel Norman; Christopher Gould
2:05
1.4
No. 4. The Little Old Table
Benjamin Britten; Daniel Norman; Christopher Gould
1:23
1.5
No. 5. The Choirmaster's Burial
Benjamin Britten; Daniel Norman; Christopher Gould
4:06
1.6
No. 6. Proud Songsters
Benjamin Britten; Daniel Norman; Christopher Gould
1:11
1.7
No. 7. At the Railway Station, Upway
Benjamin Britten; Daniel Norman; Christopher Gould
2:58
1.8
No. 8. Before Life and After
Benjamin Britten; Daniel Norman; Christopher Gould
3:24
A Birthday Hansel, Op. 92 (excerpts) (arr. by C. Matthews)  
1.9
No. 5. Afton Water
Colin Matthews; Benjamin Britten; Daniel Norman; Christopher Gould
2:28
1.10
No. 3. Wee Willie Gray
Colin Matthews; Benjamin Britten; Daniel Norman; Christopher Gould
0:50
1.11
No. 6. The Winter
Colin Matthews; Benjamin Britten; Daniel Norman; Christopher Gould
3:15
1.12
No. 4. My Hoggie
Colin Matthews; Benjamin Britten; Daniel Norman; Christopher Gould
1:47
Who are these Children?, Op. 84  
1.13
No. 1. A Riddle (The Earth)
Benjamin Britten; Daniel Norman; Christopher Gould
1:21
1.14
No. 2. A Laddie's Sang
Benjamin Britten; Daniel Norman; Christopher Gould
1:13
1.15
No. 3. Nightmare
Benjamin Britten; Daniel Norman; Christopher Gould
2:41
1.16
No. 4. Black Day
Benjamin Britten; Daniel Norman; Christopher Gould
0:40
1.17
No. 5. Bed-time
Benjamin Britten; Daniel Norman; Christopher Gould
1:22
1.18
No. 6. Slaughter
Benjamin Britten; Daniel Norman; Christopher Gould
1:46
1.19
No. 7. A Riddle (The Child You Were)
Benjamin Britten; Daniel Norman; Christopher Gould
0:56
1.20
No. 8. The Lark Lad
Benjamin Britten; Daniel Norman; Christopher Gould
0:36
1.21
No. 9. Who are these Children?
Benjamin Britten; Daniel Norman; Christopher Gould
2:28
1.22
No. 10. Supper
Benjamin Britten; Daniel Norman; Christopher Gould
1:29
1.23
No. 11. The Children
Benjamin Britten; Daniel Norman; Christopher Gould
5:25
1.24
No. 12. The Auld Aik
Benjamin Britten; Daniel Norman; Christopher Gould
2:01
1.25
If it's ever Spring again
Benjamin Britten; Daniel Norman; Christopher Gould
2:40
1.26
Dawtie's Devotion
Benjamin Britten; Daniel Norman; Christopher Gould
1:17
1.27
The Gully
Benjamin Britten; Daniel Norman; Christopher Gould
0:53
1.28
The Children and Sir Nameless
Benjamin Britten; Daniel Norman; Christopher Gould
2:42
1.29
Tradition
Benjamin Britten; Daniel Norman; Christopher Gould
0:52
Folk Song Arrangements, Vol. 5, "British Isles"  
1.30
Ca' the yowes
Benjamin Britten; Daniel Norman; Christopher Gould
4:08
Digital Booklet
This Britten recital combines two of the composer’s major song cycles, Winter Words, from 1953, and Who are these Children? (1969). In them he explored themes of loneliness, transcience and war – difficult and harrowing material which would test any composer, but Britten is equal to the challenge. His music works its magic by bringing out poignant emotions and subtle insights, sometimes even more vividly than the texts on their own. The music’s emotional depth is grounded in compelling, quasi-naturalistic sound images, such as the whistling, rattling train in the setting of Thomas Hardy’s Midnight on the Great Western. For the cycle Who are these Children? Britten turned to the relatively little-known poet William Soutar, choosing to intersperse Soutar’s intense English language war poems with the poet’s riddles and verses in Scots dialect. Providing a lighter note between these gripping works are four settings of poems by Robert Burns, containing some of Britten’s most deft and delicate music. Composed on the request of Queen Elizabeth II in 1975, they originally formed part of a set of six songs for high voice and harp, and were later arranged for piano by Britten’s assistant Colin Matthews. Britten often made more settings of his favourite poets than he eventually included in particular cycles. The present programme includes two further Hardy songs and three additional Soutar settings, forming a ‘mini-cycle’ of their own. In an encore, Robert Burns also reappears in Britten’s arrangement of the traditional setting of the poet’s atmospheric Ca’ the yowes. Daniel Norman, tenor, has appeared on two previous BIS recordings, as soloist in Beethoven’s 9th Symphony conducted by Osmo Vänskä, and with the Berlin Philharmonic Wind Quintet in Winter Songs by the composer Brett Dean. He and Christopher Gould studied together at the Royal Academy of Music and the Britten-Pears School, and have been performing together since 1996. From early on in their collaboration, Britten’s music has played an important role, and they first performed Who are these Children? at the Aldeburgh Festival in 1999.
44.1 kHz / 24-bit PCM – BIS Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-5.16
-14.24 to 0.00
-29.30
-35.74 to -21.36
14
11 to 17
1
No. 1. At Day-close in November
-3.20-27.1513
2
No. 2. Midnight on the Great Western
-2.30-27.6215
3
No. 3. Wagtail and Baby
-3.73-29.4817
4
No. 4. The Little Old Table
-8.65-30.1313
5
No. 5. The Choirmaster's Burial
-2.08-28.0113
6
No. 6. Proud Songsters
-0.31-21.3612
7
No. 7. At the Railway Station, Upway
-3.85-29.2416
8
No. 8. Before Life and After
-0.03-27.4617
9
No. 5. Afton Water
-3.25-30.0415
10
No. 3. Wee Willie Gray
-7.63-30.9813
11
No. 6. The Winter
-6.81-33.5017
12
No. 4. My Hoggie
-3.06-26.7014
13
No. 1. A Riddle (The Earth)
-5.31-29.3314
14
No. 2. A Laddie's Sang
-14.24-34.9812
15
No. 3. Nightmare
-5.44-31.4615
16
No. 4. Black Day
0.00-26.3615
17
No. 5. Bed-time
-13.08-35.7412
18
No. 6. Slaughter
-1.03-24.3514
19
No. 7. A Riddle (The Child You Were)
-7.13-32.6215
20
No. 8. The Lark Lad
-10.38-30.5611
21
No. 9. Who are these Children?
-4.16-28.3815
22
No. 10. Supper
-7.77-33.0613
23
No. 11. The Children
-3.99-29.5415
24
No. 12. The Auld Aik
-4.38-30.4515
25
If it's ever Spring again
-3.99-30.4316
26
Dawtie's Devotion
-12.59-34.1212
27
The Gully
-3.41-23.9512
28
The Children and Sir Nameless
-1.07-24.8414
29
Tradition
-5.42-27.0214
30
Ca' the yowes
-6.42-30.1714

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions