℗ 2016 Groupe Analekta
| Released | October 14, 2016 |
| Duration | 59m 20s |
| Catalogue No. | AN2 9999 |
| Genre | Classical (Vocal) |
Schubert Sessions: Lieder with Guitar
Philippe Sly, John Charles Britton
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Auf dem Wasser zu singen, Op. 72, D. 774
Franz Schubert; Philippe Sly; John Charles Britton |
3:34 | |||
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1.2
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Alinde, Op. 81, No. 1, D. 904
Franz Schubert; Philippe Sly; John Charles Britton |
4:27 | |||
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1.3
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Du bist die Ruh, Op. 59, No. 3, D. 776
Franz Schubert; Philippe Sly; John Charles Britton |
3:57 | |||
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1.4
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An Sylvia, Op. 106, No. 4, D. 891
Franz Schubert; Philippe Sly; John Charles Britton |
3:15 | |||
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1.5
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Erlkönig, Op. 1, D. 328
Franz Schubert; Philippe Sly; John Charles Britton |
4:32 | |||
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1.6
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An die Musik, Op. 88, No. 4, D. 547
Franz Schubert; Philippe Sly; John Charles Britton |
2:30 | |||
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1.7
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Ständchen, D. 957, No. 4
Franz Schubert; Philippe Sly; John Charles Britton |
3:41 | |||
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1.8
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Wohin?, Op. 25, No. 2, D. 795
Franz Schubert; Philippe Sly; John Charles Britton |
2:20 | |||
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1.9
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Der Müller und der Bach, Op. 25, No. 19, D. 795
Franz Schubert; Philippe Sly; John Charles Britton |
3:50 | |||
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1.10
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Der Leiermann, Op. 89, No. 24, D. 911
Franz Schubert; Philippe Sly; John Charles Britton |
3:32 | |||
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1.11
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Der Doppelgänger, D. 957 No. 13
Franz Schubert; Philippe Sly; John Charles Britton |
3:21 | |||
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1.12
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Der Lindenbaum, Op. 89, No. 5, D. 911
Franz Schubert; Philippe Sly; John Charles Britton |
4:52 | |||
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1.13
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Der Jüngling an der Quelle, D. 300
Franz Schubert; Philippe Sly; John Charles Britton |
2:29 | |||
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1.14
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Du liebst mich nicht, Op. 59, No. 1, D. 756b
Franz Schubert; Philippe Sly; John Charles Britton |
3:13 | |||
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1.15
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Des Fischers Liebesglück, D. 933
Franz Schubert; Philippe Sly; John Charles Britton |
6:55 | |||
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1.16
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Der Tod und das Mädchen, Op. 7, No. 3, D. 531
Franz Schubert; Philippe Sly; John Charles Britton |
2:52 | |||
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Digital Booklet
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Juno Award Nomination – Classical Album of the Year: Vocal or Choral, 2018
"(Philippe Sly has a) beautiful, blooming tone and magnetic stage presence."
- San Francisco Chronicle
Young award-winning Québecois bass-baritone Philippe Sly and Texas guitarist John Charles Britton join forces on Schubert Sessions in order to broaden and heighten the composer's place in popular culture, in particular his influence on modern popular song. Schubert wrote over 600 Lieder, many of which might very well have taken shape at the guitar, an instrument he learned early on in life and played frequently. Publishers of the day offered transcriptions of his works for guitar, a tradition continued with these arrangements by Britton. Compared to the piano, the guitar gives the accompanist greater proximity to the singer, an artistic rapport perceptible to the attentive listener.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.01 -14.15 to -0.14 | -25.18 -33.18 to -21.24 | -21.41 -30.70 to -15.60 | 15 12 to 17 | |
| 1 | Auf dem Wasser zu singen, Op. 72, D. 774 | -0.44 | -23.91 | -20.6 | 15 |
| 2 | Alinde, Op. 81, No. 1, D. 904 | -2.19 | -25.65 | -22.3 | 16 |
| 3 | Du bist die Ruh, Op. 59, No. 3, D. 776 | -0.21 | -22.63 | -18.0 | 12 |
| 4 | An Sylvia, Op. 106, No. 4, D. 891 | -1.53 | -23.78 | -20.2 | 14 |
| 5 | Erlkönig, Op. 1, D. 328 | -0.21 | -21.24 | -17.2 | 13 |
| 6 | An die Musik, Op. 88, No. 4, D. 547 | -1.75 | -25.53 | -21.7 | 14 |
| 7 | Ständchen, D. 957, No. 4 | -0.21 | -23.62 | -20.0 | 15 |
| 8 | Wohin?, Op. 25, No. 2, D. 795 | -0.21 | -21.44 | -18.1 | 15 |
| 9 | Der Müller und der Bach, Op. 25, No. 19, D. 795 | -0.31 | -24.17 | -20.9 | 15 |
| 10 | Der Leiermann, Op. 89, No. 24, D. 911 | -1.32 | -28.75 | -25.0 | 17 |
| 11 | Der Doppelgänger, D. 957 No. 13 | -0.14 | -21.66 | -15.6 | 12 |
| 12 | Der Lindenbaum, Op. 89, No. 5, D. 911 | -4.44 | -28.86 | -25.7 | 16 |
| 13 | Der Jüngling an der Quelle, D. 300 | -14.15 | -33.18 | -30.7 | 12 |
| 14 | Du liebst mich nicht, Op. 59, No. 1, D. 756b | -3.46 | -25.80 | -22.1 | 15 |
| 15 | Des Fischers Liebesglück, D. 933 | -1.48 | -25.82 | -22.3 | 16 |
| 16 | Der Tod und das Mädchen, Op. 7, No. 3, D. 531 | -0.21 | -26.87 | -22.1 | 16 |