℗ 2020 Alia Vox
| Released | July 29, 2021 |
| Duration | 1h 02m 00s |
| Record Label | Alia Vox |
| Catalogue No. | AVSA9941 |
| Genre | Classical (Baroque) |
Le Labyrinthe d'Ariane
Arianna Savall
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Efforcier m'estuet ma voiz
Gautier de Coinci; Anonyme; Arianna Savall |
4:57 | |||
|
1.2
|
Rotundellus I
Anonyme; Arianna Savall |
1:10 | |||
|
1.3
|
Amors mercé non sia
Anonyme; Arianna Savall |
4:20 | |||
|
1.4
|
Rotundellus II
Anonyme; Arianna Savall |
1:13 | |||
|
1.5
|
Strela do dia, D'apraes CSM 100/166
Alfonse X le Sage; Anonyme; Arianna Savall |
4:46 | |||
|
1.6
|
Fantaisie sur Stella Splendens
LLibre Vermell de Montserrat; Anonyme; Arianna Savall |
4:56 | |||
|
1.7
|
Lamento di Tristano / La Rotta
Anonyme; Arianna Savall |
4:50 | |||
|
1.8
|
Une jeune fillette
Anonyme; Arianna Savall |
5:11 | |||
|
1.9
|
Fantasía que contrahaze la harpa en la manera de Ludovico
Alfonso Mudarra; Anonyme; Arianna Savall |
2:58 | |||
|
1.10
|
Toccata II Arpeggiata
Giovanni Girolamo Kapsperger; Anonyme; Arianna Savall |
3:37 | |||
|
1.11
|
Toccata Seconda & Ligature per l'arpa
Giovanni Maria Trabaci; Anonyme; Arianna Savall |
3:21 | |||
|
1.12
|
Folle è ben che si crede, 1638
Tarquinio Merula; Anonyme; Arianna Savall |
4:49 | |||
|
1.13
|
Toccata VI
Giovanni Girolamo Kapsperger; Anonyme; Arianna Savall |
4:00 | |||
|
1.14
|
Ritornello per l'arpa (L'Orfeo)
Claudio Monteverdi; Anonyme; Arianna Savall |
1:21 | |||
|
1.15
|
Españoleta
Lucas Ruiz de Ribayaz; Anonyme; Arianna Savall |
3:02 | |||
|
1.16
|
Folies d'Espagne
Gaspar Sanz; Anonyme; Arianna Savall |
7:29 |
“On this occasion we join her in a joyful Labyrinth, one without a Minotaur, from which we emerge enriched by a beautiful experience both musical and mythological, thanks to the musical thread of another Ariadne and her newly evocative and inspirational journey in the company of harps and songs.”
- Jordi Savall
In her first solo album as a singer and harpist, Arianna Savall introduces us to a repertoire from the medieval and Baroque periods performed with seven different historical harps. The music comes from three countries where the harp has held a prominent position in cultural life: Italy, France, and Spain, in which the harp experienced a flowering of unique variety and beauty. Arianna Savall with her crystalline voice and her sweet playing, reaches the depths of these distant but at the same time so timeless music.
88.2 kHz / 24-bit PCM – Alia Vox Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.04 -8.58 to -0.20 | -24.34 -30.41 to -20.80 | -20.97 -26.30 to -17.00 | 12 10 to 15 | |
| 1 | Efforcier m'estuet ma voiz | -5.71 | -25.59 | -21.6 | 12 |
| 2 | Rotundellus I | -1.90 | -23.78 | -20.5 | 12 |
| 3 | Amors mercé non sia | -0.92 | -21.74 | -17.4 | 12 |
| 4 | Rotundellus II | -3.42 | -23.08 | -19.8 | 12 |
| 5 | Strela do dia, D'apraes CSM 100/166 | -5.78 | -28.86 | -25.1 | 15 |
| 6 | Fantaisie sur Stella Splendens | -8.58 | -30.41 | -26.3 | 13 |
| 7 | Lamento di Tristano / La Rotta | -6.23 | -27.30 | -23.4 | 13 |
| 8 | Une jeune fillette | -0.20 | -20.80 | -17.0 | 11 |
| 9 | Fantasía que contrahaze la harpa en la manera de Ludovico | -3.55 | -27.70 | -24.5 | 15 |
| 10 | Toccata II Arpeggiata | -3.15 | -20.85 | -17.9 | 10 |
| 11 | Toccata Seconda & Ligature per l'arpa | -3.92 | -22.60 | -19.8 | 11 |
| 12 | Folle è ben che si crede, 1638 | -3.01 | -21.23 | -18.4 | 11 |
| 13 | Toccata VI | -7.29 | -26.08 | -23.2 | 12 |
| 14 | Ritornello per l'arpa (L'Orfeo) | -4.12 | -21.76 | -18.9 | 10 |
| 15 | Españoleta | -4.44 | -22.57 | -20.0 | 12 |
| 16 | Folies d'Espagne | -2.46 | -25.12 | -21.7 | 14 |