℗ 2021 Navona
Released | August 13, 2021 |
Duration | 44m 03s |
Record Label | Navona |
Catalogue No. | NV6360 |
Genre | Classical (Art Song) |
1.1
|
By and By
Brian T. Field; Budapest Chorus; Martón Tóth |
3:15 | |||
3 Canciones de Amor (Version for Tenor & Orchestra)
|
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1.2
|
No. 1, Plena Mujer, Manzana Carnal
Brian T. Field; Yanis Benabdallah; Hungarian Symphony Orchestra; Péter Illényi |
3:28 | |||
1.3
|
No. 2, Tengo Hambre de tu Boca
Brian T. Field; Yanis Benabdallah; Hungarian Symphony Orchestra; Péter Illényi |
2:25 | |||
1.4
|
No. 3, Cuando yo Muero
Brian T. Field; Yanis Benabdallah; Hungarian Symphony Orchestra; Péter Illényi |
3:26 | |||
1.5
|
Let's Build a Wall! (An American Satire)
Brian T. Field; Zoli Mujahid; Hungarian Symphony Orchestra; Péter Illényi |
6:06 | |||
1.6
|
Durme, Durme, Kerido Ijiko (Arr. for Soprano & Orchestra)
Brian T. Field; Orsi Sapszon; Hungarian Symphony Orchestra; Péter Illényi |
5:07 | |||
1.7
|
Let the Light Shine on Me
Brian T. Field; Budapest Chorus; Martón Tóth |
4:21 | |||
Chimneys
|
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1.8
|
No. 1, The Cambridge Ladies Who Live in Furnished Souls (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
2:44 | |||
1.9
|
No. 2, Goodby Betty, Don't Remember Me (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
1:54 | |||
1.10
|
No. 3, Ladies and Gentlemen, This Little Girl (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
2:18 | |||
1.11
|
No. 4, When You Rang, at Dick Mid's Place (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
2:38 | |||
1.12
|
No. 5, Kitty, Sixteen, 5'1", White, Prostitute (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
2:02 | |||
1.13
|
No. 6, When Thou Hast Taken Thy Last Applause (Live)
Brian T. Field; Edward Whalen; Veronica Tomanek |
4:19 |
48 kHz / 24-bit PCM – Navona Studio Masters
Tracks 1-4, 8-13 – 44.1 kHz / 24-bit PCM Tracks 8-13 – contains material which has been processed by a perceptual audio coding algorithm Tracks 6, 7 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-4, 8-13 – 44.1 kHz / 24-bit PCM Tracks 8-13 – contains material which has been processed by a perceptual audio coding algorithm Tracks 6, 7 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.08 -2.00 to -1.00 | -22.41 -26.26 to -19.26 | -18.58 -21.60 to -15.90 | 13 11 to 16 | |
1 | By and By | -1.00 | -22.64 | -18.6 | 13 |
2 | No. 1, Plena Mujer, Manzana Carnal | -1.00 | -20.93 | -17.3 | 13 |
3 | No. 2, Tengo Hambre de tu Boca | -1.00 | -21.13 | -17.6 | 12 |
4 | No. 3, Cuando yo Muero | -1.00 | -20.54 | -17.0 | 12 |
5 | Let's Build a Wall! (An American Satire) | -1.00 | -19.42 | -16.0 | 12 |
6 | Durme, Durme, Kerido Ijiko (Arr. for Soprano & Orchestra) | -2.00 | -19.26 | -15.9 | 11 |
7 | Let the Light Shine on Me | -1.00 | -24.93 | -20.7 | 15 |
8 | No. 1, The Cambridge Ladies Who Live in Furnished Souls (Live) | -1.00 | -26.26 | -21.6 | 16 |
9 | No. 2, Goodby Betty, Don't Remember Me (Live) | -1.00 | -21.88 | -18.1 | 13 |
10 | No. 3, Ladies and Gentlemen, This Little Girl (Live) | -1.00 | -23.48 | -19.5 | 14 |
11 | No. 4, When You Rang, at Dick Mid's Place (Live) | -1.00 | -22.88 | -19.5 | 14 |
12 | No. 5, Kitty, Sixteen, 5'1", White, Prostitute (Live) | -1.00 | -22.07 | -18.7 | 13 |
13 | No. 6, When Thou Hast Taken Thy Last Applause (Live) | -1.00 | -25.97 | -21.1 | 15 |