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Haydn: L'isola disabitata, Hob. XXVIII:9

Bernhard Forck, Akademie für Alte Musik Berlin, Anett Fritsch, Sunhae Im, André Morsch, Krystian Adam

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1.1
Overture to "L'isola disabitata", Hob. Ia:13
Franz Joseph Haydn; Bernhard Forck; Akademie für Alte Musik Berlin
7:00
L'isola disabitata, Hob. XXVIII:9, Act I Scene 1  
1.2
Qual contrasto non vince
Franz Joseph Haydn; Bernhard Forck; Anett Fritsch; Akademie für Alte Musik Berlin
2:39
L'isola disabitata, Hob. XXVIII:9, Act I Scene 2  
1.3
Ah germana! Ah Costanza!
Franz Joseph Haydn; Bernhard Forck; Anett Fritsch; Sunhae Im; Akademie für Alte Musik Berlin
6:55
1.4
Se non piange un'infelice
Franz Joseph Haydn; Bernhard Forck; Anett Fritsch; Akademie für Alte Musik Berlin
3:45
L'isola disabitata, Hob. XXVIII:9, Act I Scene 3  
1.5
Che ostinato dolor!
Franz Joseph Haydn; Bernhard Forck; Sunhae Im; Akademie für Alte Musik Berlin
2:16
L'isola disabitata, Hob. XXVIII:9, Act I Scene 4  
1.6
Ma sarà poi, Gernando
Franz Joseph Haydn; André Morsch; Krystian Adam; Sunhae Im; Akademie für Alte Musik Berlin
4:14
L'isola disabitata, Hob. XXVIII:9, Act I Scene 5  
1.7
Chi nel cammin d'onoro
Franz Joseph Haydn; André Morsch; Akademie für Alte Musik Berlin
3:42
L'isola disabitata, Hob. XXVIII:9, Act I Scene 6  
1.8
Che fu mai quel ch'io vidi!
Franz Joseph Haydn; Bernhard Forck; Sunhae Im; Akademie für Alte Musik Berlin
1:37
1.9
Fra un dolce deliro
Franz Joseph Haydn; Bernhard Forck; Sunhae Im; Akademie für Alte Musik Berlin
3:42
L'isola disabitata, Hob. XXVIII:9, Act II Scene 7  
1.10
Ah presaga fu l'alma
Franz Joseph Haydn; André Morsch; Krystian Adam; Akademie für Alte Musik Berlin
6:12
1.11
Non turbar quand'io mi lagno
Franz Joseph Haydn; Bernhard Forck; Krystian Adam; Akademie für Alte Musik Berlin
4:06
L'isola disabitata, Hob. XXVIII:9, Act II Scene 8  
1.12
Non s'irriti fra' primi
Franz Joseph Haydn; André Morsch; Sunhae Im; Akademie für Alte Musik Berlin
6:00
L'isola disabitata, Hob. XXVIII:9, Act II Scene 10  
1.13
Come il vapor s'ascende
Franz Joseph Haydn; Bernhard Forck; Sunhae Im; Akademie für Alte Musik Berlin
3:16
1.14
Ah, che invan per me pietoso
Franz Joseph Haydn; Bernhard Forck; Anett Fritsch; Akademie für Alte Musik Berlin
4:15
L'isola disabitata, Hob. XXVIII:9, Act II Scene 11  
1.15
Giacché da me lontana
Franz Joseph Haydn; Bernhard Forck; Anett Fritsch; Akademie für Alte Musik Berlin
0:21
1.16
Giacché il pietoso amico
Franz Joseph Haydn; Bernhard Forck; Krystian Adam; Anett Fritsch; Akademie für Alte Musik Berlin
2:35
1.17
Ignora il caro amico le sue felicità
Franz Joseph Haydn; André Morsch; Anett Fritsch; Akademie für Alte Musik Berlin
4:30
L'isola disabitata, Hob. XXVIII:9, Act II Scene 12  
1.18
Costanza, Costanza?
Franz Joseph Haydn; André Morsch; Anett Fritsch; Krystian Adam; Sunhae Im; Akademie für Alte Musik Berlin
3:53
1.19
Sono contenta appieno
Franz Joseph Haydn; André Morsch; Anett Fritsch; Krystian Adam; Sunhae Im; Akademie für Alte Musik Berlin
9:45
Digital Booklet
Total Playing Time    1:20:43
After their acclaimed recording of Telemann’s Miriways, the Akademie für Alte Musik Berlin returns to PENTATONE with Joseph Haydn’s opera L’isola disabitata, together with an excellent quartet of vocalists. Officially called an azione teatrale, L’isola is a serious opera about love, loss and misunderstanding with a happy ending, set on an exotic deserted island. Special about this opera is that Haydn chose orchestral accompaniment for the entire work, with colourful and dramatic accompagnato recitatives. In Haydn’s printed score, many of the elaborate instrumental sections were deliberately cut, because he feared that they demanded too much from the players, and that some audiences may not have been cultured enough to fully appreciate them. Special about this recording is that these parts have all been reinstated, using a recent edition by Thomas Busse. The seasoned players of the Akademie für Alte Musik Berlin, led by Bernhard Forck, play this lavish score with fervour and swing, while Anett Fritsch (Costanza), Sunhae Im (Silvia), Krystian Adam (Gernando) and André Morsch (Enrico) offer an equally virtuosic vocal delivery. The Akademie für Alte Musik Berlin is generally seen as one of the best period-instruments ensembles of today, and has a substantial PENTATONE discography, including Telemann’s Miriways (2020), CANTATA with Bejun Mehta (2018), as well as Handel’s Messiah (2020) and Concerti grossi Op. 6 (released in 2019 and 2020) and Op. 3 (2020). Annet Fritsch and André Morsch featured on Telemann’s Miriways, while Sunhae Im and Krystian Adam make their PENTATONE debut.
48 kHz / 24-bit PCM – PENTATONE Studio Masters

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