℗ 2021 Orfeo
| Released | August 6, 2021 |
| Duration | 1h 27m 00s |
| Record Label | Orfeo |
| Catalogue No. | C210232 |
| Genre | Classical (Romantic Era) |
Verdi: Messa da requiem
Júlia Várady, Alexandrina Milcheva, Alberto Cupido, Nicola Ghiuselev, Vienna Radio Symphony Chorus, Vienna Radio Symphony Orchestra, Leif Segerstam
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Messa da requiem
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1.1
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I. Introit - Kyrie
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
9:34 | |||
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1.2
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IIa. Sequence. Dies irae
Giuseppe Verdi; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
2:23 | |||
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1.3
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IIb. Sequence. Tuba mirum - IIc. Sequence. Mors stupebit
Giuseppe Verdi; Nicola Ghiuselev; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
3:09 | |||
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1.4
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IId. Sequence. Liber scriptus
Giuseppe Verdi; Alexandrina Milcheva; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
5:08 | |||
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1.5
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IIe. Sequence. Quid sum miser
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Vienna Radio Symphony Orchestra; Leif Segerstam |
3:42 | |||
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1.6
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IIf. Sequence. Rex tremendae
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
4:21 | |||
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1.7
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IIg. Sequence. Recordare
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Vienna Radio Symphony Orchestra; Leif Segerstam |
4:10 | |||
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1.8
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IIh. Sequence. Ingemisco
Giuseppe Verdi; Alberto Cupido; Vienna Radio Symphony Orchestra; Leif Segerstam |
3:19 | |||
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1.9
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IIi. Sequence. Confutatis
Giuseppe Verdi; Nicola Ghiuselev; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
5:37 | |||
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1.10
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IIj. Sequence. Lacrimosa
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
6:11 | |||
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2.1
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IIIa. Offertory. Domine Jesu Christe
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Orchestra; Leif Segerstam |
4:20 | |||
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2.2
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IIIb. Offertory. Hostias
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Orchestra; Leif Segerstam |
5:33 | |||
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2.3
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IV. Sanctus
Giuseppe Verdi; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
2:54 | |||
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2.4
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V. Agnus Dei
Giuseppe Verdi; Júlia Várady; Alexandrina Milcheva; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
5:34 | |||
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2.5
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VI. Communion. Lux aeterna
Giuseppe Verdi; Alexandrina Milcheva; Alberto Cupido; Nicola Ghiuselev; Vienna Radio Symphony Orchestra; Leif Segerstam |
6:39 | |||
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2.6
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VIIa. Libera me - Dies irae - Requiem aeternam
Giuseppe Verdi; Júlia Várady; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
8:09 | |||
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2.7
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VIIb. Libera me
Giuseppe Verdi; Júlia Várady; Vienna Radio Symphony Chorus; Vienna Radio Symphony Orchestra; Leif Segerstam |
6:17 | |||
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Digital Booklet
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Verdi’s Messa da Requiem – an “opera in ecclesiastical robes”, as conductor Hans von Bülow called it – recorded in October 1980 at Stiftskirche Herzogenburg with Julia Varady, Alexandrina Milcheva, Alberto Cupido, Nicola Ghiuselev, ORF Choir and ORF Vienna Radio Symphony Orchestra under the baton of Leif Segerstam. The Messa da Requiem is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, an Italian poet and novelist whom Verdi admired. The first performance, at the San Marco church in Milan on 22 May 1874, marked the first anniversary of Manzoni's death. The work was at one time referred to as the Manzoni Requiem. Considered too operatic to be performed in a liturgical setting, it is usually given in concert form of around 90 minutes in length. Musicologist David Rosen calls it 'probably the most frequently performed major choral work composed since the compilation of Mozart's Requiem'.
48 kHz / 24-bit PCM – Orfeo Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.18 -11.96 to -0.70 | -28.45 -33.89 to -24.08 | -24.24 -30.00 to -19.40 | 12 11 to 14 | |
| 1.1 | I. Introit - Kyrie | -5.79 | -28.94 | -24.2 | 14 |
| 1.2 | IIa. Sequence. Dies irae | -4.27 | -24.08 | -19.4 | 11 |
| 1.3 | IIb. Sequence. Tuba mirum - IIc. Sequence. Mors stupebit | -6.19 | -27.25 | -21.6 | 12 |
| 1.4 | IId. Sequence. Liber scriptus | -5.08 | -29.27 | -24.8 | 12 |
| 1.5 | IIe. Sequence. Quid sum miser | -2.97 | -26.77 | -22.8 | 13 |
| 1.6 | IIf. Sequence. Rex tremendae | -11.96 | -33.89 | -30.0 | 13 |
| 1.7 | IIg. Sequence. Recordare | -5.18 | -25.17 | -20.8 | 11 |
| 1.8 | IIh. Sequence. Ingemisco | -9.05 | -33.15 | -29.4 | 13 |
| 1.9 | IIi. Sequence. Confutatis | -10.52 | -32.66 | -28.6 | 12 |
| 1.10 | IIj. Sequence. Lacrimosa | -8.25 | -30.61 | -26.8 | 12 |
| 2.1 | IIIa. Offertory. Domine Jesu Christe | -5.87 | -27.35 | -23.3 | 13 |
| 2.2 | IIIb. Offertory. Hostias | -5.97 | -26.89 | -22.6 | 12 |
| 2.3 | IV. Sanctus | -4.06 | -24.97 | -21.2 | 11 |
| 2.4 | V. Agnus Dei | -7.53 | -33.13 | -29.7 | 13 |
| 2.5 | VI. Communion. Lux aeterna | -7.26 | -28.48 | -24.4 | 13 |
| 2.6 | VIIa. Libera me - Dies irae - Requiem aeternam | -0.70 | -25.55 | -20.5 | 12 |
| 2.7 | VIIb. Libera me | -4.36 | -25.53 | -21.9 | 13 |