℗ 2021 Signum Records
Released September 17, 2021
Duration 2h 19m 43s
Record Label Signum Records
Catalogue No. SIGCD692
Genre Classical (Orchestral)
 

Jommelli: Il Vologeso

The Mozartists, Ian Page

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Il Vologeso, Act I  
1.1
Overture
Niccolò Jommelli; The Mozartists; Ian Page
5:50
1.2
Recitativo: “Regina, assai donasti di costanza”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Gemma Summerfield; Tom Verney; Rachel Kelly
3:43
1.3
No. 2, Aria: “Invan minacci, e credi vincer”
Niccolò Jommelli; The Mozartists; Ian Page; Rachel Kelly
6:33
1.4
Recitativo: “Aniceto… Signore”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Tom Verney; Gemma Summerfield
1:40
1.5
No. 3, Aria: “Luci belle, più serene, più tranquille”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
5:08
1.6
Recitativo accompagnato: “Lunge, inutili pianti”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
1:38
1.7
No. 4, Aria: “Se vive il mio bene”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
5:55
1.8
Recitativo: “Efeso è questo”
Niccolò Jommelli; The Mozartists; Ian Page; Jennifer France; Angela Simkin; Stuart Jackson
3:20
1.9
No. 5, Aria: “Tutti di speme al core”
Niccolò Jommelli; The Mozartists; Ian Page; Angela Simkin
5:02
1.10
Recitativo: “Lucio colla sua corte”
Niccolò Jommelli; The Mozartists; Ian Page; Jennifer France
0:22
1.11
No. 6, Aria: “Crede sol che a nuovi ardori”
Niccolò Jommelli; The Mozartists; Ian Page; Jennifer France
6:46
1.12
Recitativo: “Fan fede, o Berenice”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
0:34
1.13
No. 7a, Sinfonia
Niccolò Jommelli; The Mozartists; Ian Page
0:45
1.14
Recitativo accompagnato: “Che miro!”
Niccolò Jommelli; The Mozartists; Ian Page; Rachel Kelly; Stuart Jackson; Gemma Summerfield
1:49
1.15
Recitativo: “Flavio, tradita io sono”
Niccolò Jommelli; The Mozartists; Ian Page; Angela Simkin; Jennifer France; Rachel Kelly; Gemma Summerfield; Stuart Jackson
1:59
1.16
No. 7, Quartetto: “Quel silenzio... Quel sospiro”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Angela Simkin; Rachel Kelly; Stuart Jackson
5:41
Il Vologeso, Act II  
1.17
Recitativo: “Il tuo cenno è compito”
Niccolò Jommelli; The Mozartists; Ian Page; Tom Verney; Stuart Jackson
0:37
1.18
No. 8, Aria: “So ben comprenderti”
Niccolò Jommelli; The Mozartists; Ian Page; Tom Verney
5:55
1.19
Recitativo: “Che si chiede da me?”
Niccolò Jommelli; The Mozartists; Ian Page; Richard Kelly; Stuart Jackson
3:16
1.20
No. 9, Aria: “Sei tra’ ceppi, e insulti ancor?”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
3:40
Il Vologeso, Act II Recitativo Vologeso... Mio ben  
1.21
Recitativo: “Vologeso… Mio ben”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Rachel Kelly
1:19
Il Vologeso, Act II  
1.22
No. 10, Aria: “Cara, deh serbami”
Niccolò Jommelli; The Mozartists; Ian Page; Rachel Kelly
5:58
1.23
Recitativo: “A Cesare n’andrò”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Tom Verney; Stuart Jackson
1:13
1.24
Recitativo accompagnato: “Io sì vicino il colpo non credea”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Stuart Jackson
1:49
1.25
No. 11, Aria: “Tu chiedi il mio core”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
4:07
1.26
Recitativo: “Seguila; ed il suo core”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Tom Verney
0:22
1.27
Recitativo accompagnato: “De’ miei desiri ormai”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
2:51
1.28
No. 12, Cavatina: “Che faro?... Privarmi io deggio”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
2:13
1.29
Recitativo: “E Aniceto parlò?”
Niccolò Jommelli; The Mozartists; Ian Page; Jennifer France; Angela Simkin
1:22
1.30
Recitativo: “Dunque, Augusto, concedi”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Stuart Jackson; Rachel Kelly
1:25
1.31
Recitativo accompagnato: “Perfido, ah taci”
Niccolò Jommelli; The Mozartists; Ian Page; Angela Simkin; Stuart Jackson
1:04
1.32
No. 14, Aria: “Partirò, se vuoi così”
Niccolò Jommelli; The Mozartists; Ian Page; Angela Simkin
3:52
1.33
Recitativo: “Partì… Respiro”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Gemma Summerfield
1:43
1.34
Recitativo accompagnato: “Vieni a svellerlo dunque a me dal petto”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Stuart Jackson; Rachel Kelly
1:40
1.35
No. 15, Terzetto: “Se fida m’adora, penando si mora”
Niccolò Jommelli; The Mozartists; Ian Page; Rachel Kelly; Gemma Summerfield; Stuart Jackson
5:16
Il Vologeso, Act III  
1.36
Recitativo: “Augusta… E ben, Flavio, che rechi?”
Niccolò Jommelli; The Mozartists; Ian Page; Jennifer France; Angela Simkin; Stuart Jackson
2:35
1.37
No. 16, Aria: “Uscir vorrei d’affanno”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson
5:12
1.38
No. 17a, Recitativo accompagnato: “Udiste, affetti miei?”
Niccolò Jommelli; The Mozartists; Ian Page; Angela Simkin
2:27
1.39
Recitativo: “Vologeso, che pensi?”
Niccolò Jommelli; The Mozartists; Ian Page; Rachel Kelly; Jennifer France
1:52
1.40
Recitativo: “Signor, come imponesti Berenice verrà”
Niccolò Jommelli; The Mozartists; Ian Page; Tom Verney; Stuart Jackson
0:33
1.41
Recitativo accompagnato: “Berenice, ove sei?”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
5:02
1.42
No. 19, Aria: “Ombra, che pallida”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Gemma Summerfield
3:08
1.43
Recitativo: “Troppo il dolor l’affanna”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield; Tom Verney
0:40
1.44
Marcia e recitativo accompagnato: “Ma che ascolto!”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
3:00
1.45
No. 20, Arioso: “Su quel caro volto esangue”
Niccolò Jommelli; The Mozartists; Ian Page; Gemma Summerfield
1:16
1.46
No. 21, Sinfonia e recitativo: “Mira i doni quai sono”
Niccolò Jommelli; The Mozartists; Ian Page
4:19
1.47
No. 22 Finale: ”Al mare invitano”
Niccolò Jommelli; The Mozartists; Ian Page; Stuart Jackson; Rachel Kelly; Gemma Summerfield; Angela Simkin; Jennifer France; Tom Verney
3:12
The Mozartists continue their MOZART 250 project of staging operas by Mozart and his contemporaries with their recording of the UK premiére of Niccolò Jommelli’s "Il Vologeso", first performed over 250 years ago on 11 February 1766 for the Stuttgart court in Ludwigsburg. For this eagerly awaited performance The Mozartists assembled a superb young cast, headed by the Irish mezzo-soprano Rachel Kelly, a graduate of the Royal Opera’s Jette Parker Young Artist Programme, tenor Stuart Jackson, a former Mozartists Associate Artist, and soprano Gemma Lois Summerfield, winner of the 2015 Kathleen Ferrier Award. Jommelli was born just north of Naples in 1714 (the same year as Gluck) and died there in 1774. Largely forgotten now, he was one of the most celebrated composers of his day, and during a career which spanned thirty-seven years he wrote some eighty operas as well as a great number of sacred works. He was seen as an important and progressive composer in combining the vocal melodiousness and lyricism of Italian opera with more elaborate and dramatically charged elements of French opera. Set in Ephesus, on the western extremes of the Parthian Empire, in c.164 AD, Il Vologeso centres on Berenice, a woman who becomes caught between two men – the victorious Roman general Lucio Vero, and Vologeso, King of the Parthians (thought dead, but recently returned after his defeat battle). The Mozartists, under the dynamic leadership of conductor and artistic director Ian Page, are leading exponents of the music of Mozart and his contemporaries. Originally called Classical Opera, the company was founded in 1997, and has received widespread international acclaim for its stylish and virtuosic period-instrument orchestra, its imaginative and innovative programming, and its ability to nurture and develop world-class young artists.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.53
-12.49 to -0.50
-28.13
-33.25 to -22.62
-24.23
-29.50 to -18.40
14
8 to 17
1
Overture
-7.69-27.99-24.013
2
Recitativo: “Regina, assai donasti di costanza”
-6.23-29.65-26.016
3
No. 2, Aria: “Invan minacci, e credi vincer”
-4.75-25.30-21.613
4
Recitativo: “Aniceto… Signore”
-8.55-33.25-29.516
5
No. 3, Aria: “Luci belle, più serene, più tranquille”
-10.41-30.74-26.912
6
Recitativo accompagnato: “Lunge, inutili pianti”
-2.79-28.65-24.615
7
No. 4, Aria: “Se vive il mio bene”
-3.28-26.01-22.614
8
Recitativo: “Efeso è questo”
-7.63-31.45-27.616
9
No. 5, Aria: “Tutti di speme al core”
-3.80-27.53-24.015
10
Recitativo: “Lucio colla sua corte”
-11.11-30.51-26.611
11
No. 6, Aria: “Crede sol che a nuovi ardori”
-0.51-26.08-22.416
12
Recitativo: “Fan fede, o Berenice”
-6.63-26.71-23.28
13
No. 7a, Sinfonia
-8.82-25.73-22.611
14
Recitativo accompagnato: “Che miro!”
-7.16-27.76-24.014
15
Recitativo: “Flavio, tradita io sono”
-7.84-30.61-26.415
16
No. 7, Quartetto: “Quel silenzio... Quel sospiro”
-2.05-24.90-20.915
17
Recitativo: “Il tuo cenno è compito”
-12.49-32.74-29.512
18
No. 8, Aria: “So ben comprenderti”
-5.46-28.76-25.515
19
Recitativo: “Che si chiede da me?”
-7.45-30.73-26.415
20
No. 9, Aria: “Sei tra’ ceppi, e insulti ancor?”
-1.92-23.11-18.713
21
Recitativo: “Vologeso… Mio ben”
-6.80-28.41-24.614
22
No. 10, Aria: “Cara, deh serbami”
-4.40-26.27-22.514
23
Recitativo: “A Cesare n’andrò”
-3.95-27.74-24.314
24
Recitativo accompagnato: “Io sì vicino il colpo non credea”
-0.53-25.23-21.014
25
No. 11, Aria: “Tu chiedi il mio core”
-1.31-22.62-18.413
26
Recitativo: “Seguila; ed il suo core”
-10.80-31.71-27.514
27
Recitativo accompagnato: “De’ miei desiri ormai”
-5.28-31.30-27.216
28
No. 12, Cavatina: “Che faro?... Privarmi io deggio”
-5.34-27.30-22.313
29
Recitativo: “E Aniceto parlò?”
-3.92-29.40-25.715
30
Recitativo: “Dunque, Augusto, concedi”
-8.44-29.83-25.914
31
Recitativo accompagnato: “Perfido, ah taci”
-2.85-27.26-23.513
32
No. 14, Aria: “Partirò, se vuoi così”
-2.82-25.86-22.415
33
Recitativo: “Partì… Respiro”
-8.59-30.35-26.615
34
Recitativo accompagnato: “Vieni a svellerlo dunque a me dal petto”
-4.41-27.58-23.513
35
No. 15, Terzetto: “Se fida m’adora, penando si mora”
-2.34-25.17-20.815
36
Recitativo: “Augusta… E ben, Flavio, che rechi?”
-7.22-30.70-26.714
37
No. 16, Aria: “Uscir vorrei d’affanno”
-2.96-24.08-19.613
38
No. 17a, Recitativo accompagnato: “Udiste, affetti miei?”
-6.91-29.16-24.914
39
Recitativo: “Vologeso, che pensi?”
-5.64-27.59-23.514
40
Recitativo: “Signor, come imponesti Berenice verrà”
-11.11-32.95-29.212
41
Recitativo accompagnato: “Berenice, ove sei?”
-4.34-28.99-25.316
42
No. 19, Aria: “Ombra, che pallida”
-0.50-26.91-23.017
43
Recitativo: “Troppo il dolor l’affanna”
-3.85-27.99-23.513
44
Marcia e recitativo accompagnato: “Ma che ascolto!”
-3.87-29.13-25.716
45
No. 20, Arioso: “Su quel caro volto esangue”
-9.15-29.40-26.012
46
No. 21, Sinfonia e recitativo: “Mira i doni quai sono”
-3.96-27.61-23.315
47
No. 22 Finale: ”Al mare invitano”
-2.10-23.40-18.713

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