℗ 2021 Delphian Records
Released | September 24, 2021 |
Duration | 58m 19s |
Record Label | Delphian Records |
Catalogue No. | DCD34260DIGI |
Genre | Classical (Baroque) |
Adriatic Voyage: Seventeenth-Century Music from Venice to Dalmatia
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Ave Maria a 6 voci
Francesco Usper; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
4:17 | |||
1.2
|
Sonata a 4
Gabriele Usper; The Illyria Consort; Bojan Čičić; Gawain Glenton |
4:01 | |||
1.3
|
En dilectus meus
Gabriello Puliti; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
3:30 | |||
1.4
|
Donna ingrata
Gabriello Puliti; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
2:15 | |||
1.5
|
Bone Jesu
Vinko Jelić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
3:13 | |||
1.6
|
Ricercar 3
Vinko Jelić; The Illyria Consort; Bojan Čičić |
2:34 | |||
1.7
|
Exultate Deo
Vinko Jelić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
3:05 | |||
1.8
|
Ave Maria
Julije Skjavetić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
4:17 | |||
1.9
|
I superbi colossi
Bartolomeo Sorte; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
3:43 | |||
1.10
|
Panis angelicus
Ivan Lukačić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
2:22 | |||
1.11
|
Quam pulchra es
Ivan Lukačić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
7:27 | |||
1.12
|
Sicut cedrus
Ivan Lukačić; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
2:47 | |||
1.13
|
Surge propera
Tomaso Cecchino; The Marian Consort; The Illyria Consort; Rory McCleery; Bojan Čičić |
2:26 | |||
1.14
|
Sonata 6
Tomaso Cecchino; The Illyria Consort; Bojan Čičić; Gawain Glenton |
1:49 | |||
1.15
|
Sonata 7
Tomaso Cecchino; The Illyria Consort; Bojan Čičić; Gawain Glenton |
1:59 | |||
1.16
|
Sonata 8
Tomaso Cecchino; The Illyria Consort; Bojan Čičić; Gawain Glenton |
2:14 | |||
1.17
|
Al vivo sol
Tomaso Cecchino; The Marian Consort; Rory McCleery; Bojan Čičić; The Illyria consort |
1:52 | |||
1.18
|
Battaglia per sonar e cantar a 8
Francesco Usper; The Marian Consort; Rory McCleery; The Illyria Consort; Bojan Čičić |
4:28 |
In March 1575, a party led by the Venetian diplomat Giacomo Soranzo set out on a mission to Constantinople. They sailed down the Istrian coast, along the length of present-day Croatia, and on to the Bay of Kotor. Much of the land they passed was the territory of the Serenissima – inhabited by both Italians and Slavs, and of strategic importance since it was exposed to constant Turkish threats from the Balkan hinterland.
Two of Delphian’s most admired ensembles join forces for this imaginative programme of sacred and secular music by composers working along the Dalmatian coast in the decades after Soranzo’s expedition. It was a time in which constant movement of people and trade of goods created linguistic and cultural cross-currents, in contrast to the sharp distinctions encouraged in later centuries by the emergence of modern nation states. Much of this music would have been regarded as Venetian, but the journey points up intriguing differences between the composers and pieces presented, many of them in premiere recordings, while violinist and director Bojan Čičić’s interactions with cornettist Gawain Glenton – and the rich ornamentation contributed by all the musicians here – bring the period back to vivid, unforgettable life.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.27 -10.53 to -0.60 | -23.71 -29.20 to -19.73 | -20.52 -25.70 to -16.80 | 12 11 to 14 | |
1 | Ave Maria a 6 voci | -2.33 | -20.60 | -17.4 | 11 |
2 | Sonata a 4 | -6.88 | -23.87 | -21.0 | 11 |
3 | En dilectus meus | -4.65 | -22.31 | -19.1 | 11 |
4 | Donna ingrata | -5.80 | -27.47 | -24.3 | 13 |
5 | Bone Jesu | -3.68 | -24.08 | -21.0 | 12 |
6 | Ricercar 3 | -10.53 | -26.60 | -23.8 | 11 |
7 | Exultate Deo | -3.36 | -23.30 | -19.9 | 14 |
8 | Ave Maria | -4.35 | -23.67 | -20.4 | 12 |
9 | I superbi colossi | -1.02 | -21.86 | -18.5 | 13 |
10 | Panis angelicus | -2.24 | -22.49 | -19.3 | 12 |
11 | Quam pulchra es | -0.81 | -23.70 | -20.8 | 14 |
12 | Sicut cedrus | -1.09 | -22.11 | -18.8 | 12 |
13 | Surge propera | -2.99 | -22.12 | -18.9 | 11 |
14 | Sonata 6 | -9.09 | -29.20 | -25.7 | 12 |
15 | Sonata 7 | -5.84 | -23.64 | -20.5 | 11 |
16 | Sonata 8 | -5.87 | -23.48 | -20.4 | 11 |
17 | Al vivo sol | -5.72 | -26.53 | -22.8 | 13 |
18 | Battaglia per sonar e cantar a 8 | -0.60 | -19.73 | -16.8 | 12 |