℗ 2021 BR-Klassik
Released | September 10, 2021 |
Duration | 59m 24s |
Record Label | BR-Klassik |
Catalogue No. | 900335 |
Genre | Vocal (Sacred) |
Arvo Pärt: Choral & Orchestral Works
Munich Radio Orchestra, Ivan Repušić, Stanko Madić, Chor des Bayerischen Rundfunks, Florian Benfer
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Fratres
Munich Radio Orchestra; Ivan Repušić |
10:21 | |||
1.2
|
Silouan's Song
Munich Radio Orchestra; Ivan Repušić |
5:03 | |||
1.3
|
La sindone
Munich Radio Orchestra; Stanko Madić; Ivan Repušić |
6:54 | |||
1.4
|
Summa
Munich Radio Orchestra; Ivan Repušić |
5:06 | |||
1.5
|
Für Lennart in memoriam
Munich Radio Orchestra; Ivan Repušić |
6:56 | |||
Stabat mater
|
|||||
1.6
|
Amen. Stabat mater dolorosa
Munich Radio Orchestra; Chor des Bayerischen Rundfunks; Ivan Repušić |
7:29 | |||
1.7
|
Quis est homo
Munich Radio Orchestra; Chor des Bayerischen Rundfunks; Ivan Repušić |
4:59 | |||
1.8
|
Sancta mater
Munich Radio Orchestra; Chor des Bayerischen Rundfunks; Ivan Repušić |
4:25 | |||
1.9
|
Fac me plagis
Munich Radio Orchestra; Chor des Bayerischen Rundfunks; Ivan Repušić |
8:11 | |||
Digital Booklet
|
After Te Deum (900511), Arvo Part – Live (900319) and Miserere (900527), Stabat Mater is already the fourth album to emerge from the close artistic collaboration between the composer and the Bavarian Radio Chorus, and to be recently released by BR-KLASSIK. - In addition to the impressive Stabat Mater, this newly-released album offers some of the works that are key to the composer's stylistic development, and rarely appear in the concert repertoire or as recordings. Despite or perhaps precisely because of the radical reduction of its means of expression, Pärt's music demands the greatest care in its performance from those playing, and is masterfully realized in this recording by the Bavarian Radio Chorus and the Münchner Rundfunkorchester under the conductor Ivan Repušic. Like almost no other contemporary composer, the Estonian Arvo Pärt (born 1935) has succeeded in bringing sacred music back to the attention of a larger audience, even outside the church service. Because of its meditative character and its return to the simplest basic musical forms, his music gives us an insight into key spiritual moments. To this end, even before his emigration from the Soviet Union, Pärt invented what he referred to as the "tintinnabuli style" (Latin for “little bells”) of composing. In 1977 he delivered one of the first significant examples of this style with the first version of FRATRES (Brothers), which still has no fixed and prescribed instrumentation. In its ascetic austerity and almost liturgical solemnity, the work is reminiscent of a communal prayer or a spiritual act.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.37 -5.75 to -0.50 | -22.75 -27.99 to -19.48 | -17.63 -24.30 to -13.30 | 12 11 to 13 | |
1 | Fratres | -0.51 | -22.88 | -19.0 | 13 |
2 | Silouan's Song | -0.51 | -22.08 | -16.8 | 12 |
3 | La sindone | -0.50 | -21.66 | -13.3 | 12 |
4 | Summa | -1.84 | -23.94 | -21.1 | 13 |
5 | Für Lennart in memoriam | -1.45 | -19.48 | -15.6 | 11 |
6 | Amen. Stabat mater dolorosa | -0.51 | -22.74 | -16.2 | 13 |
7 | Quis est homo | -5.75 | -27.99 | -24.3 | 13 |
8 | Sancta mater | -0.76 | -21.23 | -17.4 | 12 |
9 | Fac me plagis | -0.51 | -22.72 | -15.0 | 13 |