℗ 2021 Oehms Classics
Released | August 20, 2021 |
Duration | 1h 11m 00s |
Record Label | Oehms Classics |
Catalogue No. | OC491 |
Genre | Classical (Chamber) |
Rathaus, Tiessen & Arma: Sonatas for Violin & Piano
Judith Ingolfsson, Vladimir Stoupel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata, Op. 14
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1.1
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I. Andantino
Karol Rathaus; Judith Ingolfsson; Vladimir Stoupel |
9:42 | |||
1.2
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II. Intermezzo. Andante
Karol Rathaus; Judith Ingolfsson; Vladimir Stoupel |
6:13 | |||
1.3
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III. Rondo. Allegro ma non troppo
Karol Rathaus; Judith Ingolfsson; Vladimir Stoupel |
8:41 | |||
Duo-Sonata for Violin & Piano, Op. 35
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1.4
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I. Präludium. Allegro non troppo
Heinz Tiessen; Judith Ingolfsson; Vladimir Stoupel |
1:48 | |||
1.5
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II. Andante quasi adagio
Heinz Tiessen; Judith Ingolfsson; Vladimir Stoupel |
6:16 | |||
1.6
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III. Finale. Allegro molto vivace
Heinz Tiessen; Judith Ingolfsson; Vladimir Stoupel |
7:48 | |||
Violin Sonata, Op. 138
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1.7
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I. Lento
Paul Arma; Judith Ingolfsson; Vladimir Stoupel |
15:59 | |||
1.8
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II. Interlude. Sostenuto rubato
Paul Arma; Judith Ingolfsson; Vladimir Stoupel |
3:02 | |||
1.9
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III. Allegro
Paul Arma; Judith Ingolfsson; Vladimir Stoupel |
8:36 | |||
1.10
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IV. Postlude. Sostenuto rubato
Paul Arma; Judith Ingolfsson; Vladimir Stoupel |
2:55 | |||
Digital Booklet
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The accomplished Duo Ingolfsson-Stoupel is dedicated to the performance of rarities by the exiled composers Karol Rathaus, Heinz Tiessen and Paul Arma. Their works, written between 1925 and 1949, reflect the Zeitgeist of Expressionism and the incidents of World War II. The sonatas by Tiessen and Arma are recorded here for the first time. Engaging and imaginative programming is a hallmark of the Duo Ingolfsson-Stoupel. Individually, Judith Ingolfsson and Vladimir Stoupel are seasoned soloists who have won acclaim for their performances across the globe. Together they create connections, tell untold stories, and take audiences on a journey to the heart of chamber music. Their performance of the Sonata for violin and piano by Paul Arma at the Konzerthaus Berlin was hailed as the “sensation of the evening” by Deutschlandfunk “there was an intensity in the performance that no one in the audience could escape.”
96 kHz / 24-bit PCM – Oehms Classics Studio Masters
Tracks 1-10 – 48 kHz / 24-bit PCM
Tracks 1-10 – 48 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.35 -4.39 to -0.26 | -25.76 -28.52 to -23.41 | -21.11 -24.30 to -17.90 | 15 13 to 16 | |
1 | I. Andantino | -1.30 | -27.58 | -23.6 | 14 |
2 | II. Intermezzo. Andante | -4.39 | -28.52 | -24.3 | 14 |
3 | III. Rondo. Allegro ma non troppo | -2.35 | -25.75 | -21.2 | 14 |
4 | I. Präludium. Allegro non troppo | -2.85 | -23.41 | -19.9 | 13 |
5 | II. Andante quasi adagio | -0.27 | -25.69 | -20.3 | 16 |
6 | III. Finale. Allegro molto vivace | -0.66 | -25.25 | -21.7 | 15 |
7 | I. Lento | -0.26 | -25.48 | -17.9 | 15 |
8 | II. Interlude. Sostenuto rubato | -0.27 | -25.83 | -21.0 | 15 |
9 | III. Allegro | -0.84 | -24.98 | -21.1 | 15 |
10 | IV. Postlude. Sostenuto rubato | -0.27 | -25.14 | -20.1 | 15 |