℗ 2021 Solo Musica
Released | August 20, 2021 |
Duration | 58m 36s |
Record Label | Solo Musica |
Catalogue No. | SM379 |
Genre | Classical (Chamber) |
Poèmes for Violoncello & Piano
Eva-Maria May, Klaus Kämper
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Le travail du peintre, FP 161 (Arr. for Cello & Piano)
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1.1
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No. 1, Pablo Picasso
Francis Poulenc; Eva-Maria May; Klaus Kämper |
2:19 | |||
1.2
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No. 2, Marc Chagall
Francis Poulenc; Eva-Maria May; Klaus Kämper |
1:14 | |||
1.3
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No. 3, Georges Braque
Francis Poulenc; Eva-Maria May; Klaus Kämper |
1:35 | |||
1.4
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No. 4, Juan Gris
Francis Poulenc; Eva-Maria May; Klaus Kämper |
2:00 | |||
1.5
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No. 5, Paul Klee
Francis Poulenc; Eva-Maria May; Klaus Kämper |
0:54 | |||
1.6
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No. 6, Joan Miró
Francis Poulenc; Eva-Maria May; Klaus Kämper |
1:55 | |||
1.7
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No. 7, Jacques Villon
Francis Poulenc; Eva-Maria May; Klaus Kämper |
2:21 | |||
Cello Sonata, FP 143
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1.8
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II. Cavatine
Francis Poulenc; Eva-Maria May; Klaus Kämper |
6:56 | |||
1.9
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Sérénade pour petit orchestre (Arr. M. Gendron for Piano & Cello)
Jean Françaix; Eva-Maria May; Klaus Kämper |
2:44 | |||
Les demoiselles de la nuit
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1.10
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Nocturne (Arr. M. Gendron for Piano & Cello)
Jean Françaix; Eva-Maria May; Klaus Kämper |
2:39 | |||
7 Frühe Lieder
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1.11
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No. 3, Die Nachtigall (Arr. for Cello & Piano)
Alban Berg; Eva-Maria May; Klaus Kämper |
2:29 | |||
Chansons gaillardes, FP 42
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1.12
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No. 8, Sérénade (Arr. M. Gendron for Piano & Cello)
Francis Poulenc; Eva-Maria May; Klaus Kämper |
2:09 | |||
14 Romances, Op. 34
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1.13
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No. 14, Vocalise (Arr. for Cello & Piano)
Sergei Rachmaninoff; Eva-Maria May; Klaus Kämper |
6:23 | |||
5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano)
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1.14
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No. 1, Der Engel
Richard Wagner; Eva-Maria May; Klaus Kämper |
3:13 | |||
1.15
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No. 2, Stehe still!
Richard Wagner; Eva-Maria May; Klaus Kämper |
4:10 | |||
1.16
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No. 3, Im Treibhaus
Richard Wagner; Eva-Maria May; Klaus Kämper |
4:09 | |||
1.17
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No. 4, Schmerzen
Richard Wagner; Eva-Maria May; Klaus Kämper |
2:22 | |||
1.18
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No. 5, Träume
Richard Wagner; Eva-Maria May; Klaus Kämper |
3:58 | |||
Cello Sonata No. 2 in F Major, Op. 99
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1.19
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IV. Allegro molto
Johannes Brahms; Eva-Maria May; Klaus Kämper |
5:06 | |||
Digital Booklet
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Poèmes are wayfarers crossing borders between language and music. What had mostly been called Lied/Song before, has often been seen as poems in the past 200 years: Richard Wagner gave his Wesendonck-Liedern the titel Five Poems for Female Voice and Piano and Francis Poulenc composed around 30 Poèmes to be sung and accompanied musically. Just as with Lied, which also exists without words (Mendelssohn-Bartholdy), a Poème does not necessarily have to be based on a text. Alexander Scriabin, for example, composed 20 Poèmes for piano solo at the beginning of the last century. Francis Poulenc, the Janus-headed French composer, is difficult to grasp – it is impossible to peg a label on him. Yet, he has always remained stylistically faithful in his adherence to tonality, the empasis on melodic elements, the refined simplicity of texture and his effort for clarity and comprehensibilty true to his motto: „There is also room for new music , that does not mind applying the chords of other people.“
44.1 kHz / 24-bit PCM – Solo Musica Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.49 -6.64 to -0.45 | -23.07 -27.37 to -19.18 | -19.70 -24.50 to -15.90 | 14 12 to 15 | |
1 | No. 1, Pablo Picasso | -0.47 | -19.74 | -16.6 | 13 |
2 | No. 2, Marc Chagall | -0.46 | -21.29 | -17.8 | 14 |
3 | No. 3, Georges Braque | -0.45 | -22.42 | -19.2 | 14 |
4 | No. 4, Juan Gris | -1.42 | -23.17 | -19.5 | 13 |
5 | No. 5, Paul Klee | -0.45 | -19.18 | -15.9 | 12 |
6 | No. 6, Joan Miró | -0.71 | -21.84 | -17.8 | 12 |
7 | No. 7, Jacques Villon | -0.46 | -20.05 | -16.3 | 13 |
8 | II. Cavatine | -0.46 | -23.60 | -19.6 | 14 |
9 | Sérénade pour petit orchestre (Arr. M. Gendron for Piano & Cello) | -5.50 | -27.26 | -24.1 | 14 |
10 | Nocturne (Arr. M. Gendron for Piano & Cello) | -6.64 | -27.37 | -24.5 | 13 |
11 | No. 3, Die Nachtigall (Arr. for Cello & Piano) | -1.23 | -24.62 | -21.5 | 15 |
12 | No. 8, Sérénade (Arr. M. Gendron for Piano & Cello) | -2.31 | -22.91 | -19.9 | 14 |
13 | No. 14, Vocalise (Arr. for Cello & Piano) | -1.61 | -24.11 | -20.9 | 14 |
14 | No. 1, Der Engel | -2.73 | -25.67 | -22.7 | 13 |
15 | No. 2, Stehe still! | -1.33 | -23.35 | -19.3 | 14 |
16 | No. 3, Im Treibhaus | -0.46 | -26.23 | -22.6 | 15 |
17 | No. 4, Schmerzen | -0.45 | -20.92 | -17.4 | 12 |
18 | No. 5, Träume | -0.74 | -25.00 | -21.9 | 15 |
19 | IV. Allegro molto | -0.46 | -19.66 | -16.8 | 13 |