℗ 2016 Naxos
| Released | October 14, 2016 |
| Duration | 1h 08m 15s |
| Record Label | Naxos |
| Catalogue No. | 8.573525 |
| Genre | Classical (Chamber Music) |
Erwin Schulhoff: Chamber Music: String Sextet - Violin Sonata No. 2 - Duo - Cinq Études de jazz
Spectrum Concerts Berlin
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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String Sextet, Op. 45
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1.1
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I. Allegro risoluto
Erwin Schulhoff; Spectrum Concerts Berlin |
5:40 | |||
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1.2
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II. Tranquillo. Andante
Erwin Schulhoff; Spectrum Concerts Berlin |
6:30 | |||
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1.3
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III. Burlesca. Allegro molto con spirito
Erwin Schulhoff; Spectrum Concerts Berlin |
3:33 | |||
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1.4
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IV. Molto adagio
Erwin Schulhoff; Spectrum Concerts Berlin |
6:40 | |||
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Violin Sonata No. 2
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1.5
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I. Allegro impetuoso
Erwin Schulhoff; Boris Brovtsyn; Eldar Nebolsin |
6:24 | |||
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1.6
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II. Andante
Erwin Schulhoff; Boris Brovtsyn; Eldar Nebolsin |
4:08 | |||
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1.7
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III. Burlesca Allegretto
Erwin Schulhoff; Boris Brovtsyn; Eldar Nebolsin |
2:18 | |||
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1.8
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IV. Finale. Allegro risoluto
Erwin Schulhoff; Boris Brovtsyn; Eldar Nebolsin |
3:31 | |||
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Duo for Violin & Cello
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1.9
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I. Moderato
Erwin Schulhoff; Valeriy Sokolov; Jens Peter Maintz |
5:21 | |||
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1.10
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II. Zingaresca
Erwin Schulhoff; Valeriy Sokolov; Jens Peter Maintz |
3:15 | |||
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1.11
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III. Andantino
Erwin Schulhoff; Valeriy Sokolov; Jens Peter Maintz |
4:12 | |||
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1.12
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IV. Moderato
Erwin Schulhoff; Valeriy Sokolov; Jens Peter Maintz |
3:36 | |||
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5 Études de jazz
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1.13
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No. 1. Charleston (for Zez Confrey)
Erwin Schulhoff; Eldar Nebolsin |
1:30 | |||
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1.14
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No. 2. Blues (for Paul Whiteman)
Erwin Schulhoff; Eldar Nebolsin |
3:45 | |||
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1.15
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No. 3. Chanson (for Robert Stolz)
Erwin Schulhoff; Eldar Nebolsin |
3:14 | |||
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1.16
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No. 4. Tango (for Eduard Künnecke)
Erwin Schulhoff; Eldar Nebolsin |
2:04 | |||
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1.17
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No. 5. Toccata sur le Shimmy Kitten on the Keys de Zez Confrey (for Alfred Baresel)
Erwin Schulhoff; Eldar Nebolsin |
2:34 | |||
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Digital Booklet
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The increasingly popular music of Prague-born prodigy Erwin Schulhoff moved through successive creative phases and, on this recording, Spectrum Concerts Berlin focuses on pieces written between 1924 and 1927. The Cinq Études de jazz explores the "rhythmic intoxication" he described in a letter to Alban Berg, while the Duo for Violin and Cello and the Violin Sonata No. 2 offer striking parallels to similar works by Bartók, Kodály and Debussy. The String Sextet contains violent contrasts and almost Cubist montage and played a key role in Schulhoff’s artistic development.
48 kHz / 24-bit PCM – Naxos Studio Masters
A co-production with Deutschlandradio Kultur Recorded at the Kammermusiksaal, Philharmonie, Berlin, Germany, January 4 - 6, 2016 Producer and editor: Jens Schünemann Co-producer: Stefan Lang Engineer: Henri Thaon Recording technician: Annerose Unger Publishers: Schott Music International (tracks 1 - 4); Universal Edition (tracks 5 - 17) Booklet notes: Habakuk Traber Cover: Septet for Erwin Schulhoff (2004) by Alan Magee
A co-production with Deutschlandradio Kultur Recorded at the Kammermusiksaal, Philharmonie, Berlin, Germany, January 4 - 6, 2016 Producer and editor: Jens Schünemann Co-producer: Stefan Lang Engineer: Henri Thaon Recording technician: Annerose Unger Publishers: Schott Music International (tracks 1 - 4); Universal Edition (tracks 5 - 17) Booklet notes: Habakuk Traber Cover: Septet for Erwin Schulhoff (2004) by Alan Magee
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.83 -9.46 to -0.42 | -25.43 -31.61 to -20.91 | -21.49 -27.90 to -17.50 | 14 13 to 17 | |
| 1 | I. Allegro risoluto | -0.91 | -23.55 | -19.3 | 14 |
| 2 | II. Tranquillo. Andante | -4.40 | -31.51 | -26.2 | 17 |
| 3 | III. Burlesca. Allegro molto con spirito | -1.48 | -22.85 | -19.3 | 14 |
| 4 | IV. Molto adagio | -2.42 | -27.87 | -21.6 | 15 |
| 5 | I. Allegro impetuoso | -1.98 | -24.36 | -20.7 | 15 |
| 6 | II. Andante | -4.12 | -26.64 | -23.3 | 14 |
| 7 | III. Burlesca Allegretto | -1.36 | -25.29 | -21.3 | 14 |
| 8 | IV. Finale. Allegro risoluto | -0.47 | -23.46 | -20.1 | 14 |
| 9 | I. Moderato | -3.44 | -27.54 | -22.7 | 15 |
| 10 | II. Zingaresca | -2.90 | -23.73 | -20.6 | 14 |
| 11 | III. Andantino | -9.46 | -31.61 | -27.9 | 13 |
| 12 | IV. Moderato | -2.16 | -24.09 | -20.4 | 14 |
| 13 | No. 1. Charleston (for Zez Confrey) | -0.42 | -20.91 | -17.5 | 13 |
| 14 | No. 2. Blues (for Paul Whiteman) | -4.45 | -25.93 | -22.7 | 13 |
| 15 | No. 3. Chanson (for Robert Stolz) | -5.22 | -26.84 | -23.0 | 14 |
| 16 | No. 4. Tango (for Eduard Künnecke) | -1.21 | -23.44 | -19.5 | 13 |
| 17 | No. 5. Toccata sur le Shimmy Kitten on the Keys de Zez Confrey (for Alfred Baresel) | -1.63 | -22.64 | -19.2 | 13 |