℗ 2021 Challenge Classics
Released | September 24, 2021 |
Duration | 1h 37m 38s |
Record Label | Challenge Classics |
Catalogue No. | CC72859 |
Genre | Classical |
Aria mit verschiedenen Veränderungen, BWV 988 ‘Goldberg Variations’
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1.1
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Aria
Johann Sebastian Bach; Hannes Minnaar |
4:26 | |||
1.2
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Variatio 1. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:58 | |||
1.3
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Variatio 2. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:38 | |||
1.4
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Variatio 3. Canone all’Unisono. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:56 | |||
1.5
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Variatio 4. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:03 | |||
1.6
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Variatio 5. a 1 ô vero 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:32 | |||
1.7
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Variatio 6. Canone alla Seconda. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:08 | |||
1.8
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Variatio 7. a 1 ô 2 vero 2 Clav. Al tempo di Giga
Johann Sebastian Bach; Hannes Minnaar |
1:42 | |||
1.9
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Variatio 8. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:36 | |||
1.10
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Variatio 9. Canone alla Terza. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:04 | |||
1.11
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Variatio 10. Fugetta. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:32 | |||
1.12
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Variatio 11. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:08 | |||
1.13
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Variatio 12. Canone alla Quarta. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:46 | |||
1.14
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Variatio 13. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
5:00 | |||
1.15
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Variatio 14. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:11 | |||
1.16
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Variatio 15. Canone alla Quinta. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
4:38 | |||
1.17
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Variatio 16. Ouverture. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:49 | |||
1.18
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Variatio 17. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:50 | |||
1.19
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Variatio 18. Canone alla Sexta. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:44 | |||
1.20
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Variatio 19. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:32 | |||
1.21
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Variatio 20. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:47 | |||
1.22
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Variatio 21. Canone alla Settima. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:50 | |||
1.23
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Variatio 22. a 1 Clav. Alla breve
Johann Sebastian Bach; Hannes Minnaar |
1:33 | |||
1.24
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Variatio 23. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:01 | |||
1.25
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Variatio 24. Canone all’Ottava. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
3:11 | |||
1.26
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Variatio 25. a 2 Clav. Adagio
Johann Sebastian Bach; Hannes Minnaar |
9:11 | |||
1.27
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Variatio 26. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:01 | |||
1.28
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Variatio 27. Canone alla Nona. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
1:37 | |||
1.29
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Variatio 28. a 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:21 | |||
1.30
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Variatio 29. a 1 ô vero 2 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:12 | |||
1.31
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Variatio 30. Quodlibet. a 1 Clav.
Johann Sebastian Bach; Hannes Minnaar |
2:11 | |||
1.32
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Aria da capo
Johann Sebastian Bach; Hannes Minnaar |
4:32 | |||
Gedanken zu Bach Ach wie flüchtig, ach wie nichtig A.D. 2020
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2.1
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I. Lontano
Daan Manneke; Hannes Minnaar |
3:09 | |||
2.2
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II. Toccata primo
Daan Manneke; Hannes Minnaar |
1:12 | |||
2.3
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III. Aria/Ayre (Ach wie flüchtig, ach wie nichtig/Flow my tears)
Daan Manneke; Hannes Minnaar |
2:48 | |||
2.4
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IV. Intermezzo sospeso
Daan Manneke; Hannes Minnaar |
0:49 | |||
2.5
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V. Evocazione BWV 854 (Berceuse)
Daan Manneke; Hannes Minnaar |
1:03 | |||
2.6
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VI. Toccata secundo
Daan Manneke; Hannes Minnaar |
2:25 | |||
2.7
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Aria (from BWV 988)
Daan Manneke; Hannes Minnaar |
4:32 |
Challenge Classics is proud to present a new account of Goldberg Variations by critically acclaimed young pianist Hannes Minnaar. His rendition of Goldbergs sums up all the features of a ‘contemporary’ interpretation at the highest degree:
- Transparent, detailed, and crystal-clear phrasing: each and all notes are discernible.
- A supreme – but not artificial nor mannered – control and care of tone and sound: touch, colour and timbre are all fruit of a clearly deep insight and work.
- A smooth flow of the discourse: a solid overall concept of the work structure and a plain, simple (never emphasized) ‘singing’ of the melodic line. (Even when he takes a very slow tempo – as in the famous Variation no. 25, about 30% slower than usual – he always sustains the melody, that means it is not the tempo that makes the melody living, but the capacity to make it flow, to ‘connect’ sounds and silences).
- These Goldbergs are not told as a narrative: it is not a dramatic tale, but the architectural structure is well visible. It is not a story, it is a three-dimensional visual art work.
- Northern Star gave Minnaar the sound that perfectly matches his concept of the work. The rest is made by the unique Chris Maene piano.
A ‘Goldberg’ for the 21st Century.
44.1 kHz / 24-bit PCM – Challenge Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.32 -12.35 to -1.10 | -25.85 -36.22 to -19.19 | -22.88 -30.60 to -15.80 | 12 10 to 15 | |
1.1 | Aria | -11.80 | -30.61 | -27.7 | 12 |
1.2 | Variatio 1. a 1 Clav. | -5.35 | -23.26 | -20.7 | 11 |
1.3 | Variatio 2. a 1 Clav. | -7.23 | -25.67 | -23.0 | 11 |
1.4 | Variatio 3. Canone all’Unisono. a 1 Clav. | -7.86 | -25.09 | -22.3 | 11 |
1.5 | Variatio 4. a 1 Clav. | -3.47 | -20.22 | -17.5 | 11 |
1.6 | Variatio 5. a 1 ô vero 2 Clav. | -7.07 | -23.82 | -21.2 | 12 |
1.7 | Variatio 6. Canone alla Seconda. a 1 Clav. | -7.66 | -24.45 | -21.8 | 11 |
1.8 | Variatio 7. a 1 ô 2 vero 2 Clav. Al tempo di Giga | -8.50 | -26.70 | -23.7 | 13 |
1.9 | Variatio 8. a 2 Clav. | -9.61 | -25.49 | -22.9 | 11 |
1.10 | Variatio 9. Canone alla Terza. a 1 Clav. | -10.62 | -28.40 | -25.7 | 12 |
1.11 | Variatio 10. Fugetta. a 1 Clav. | -5.94 | -23.41 | -20.6 | 12 |
1.12 | Variatio 11. a 2 Clav. | -8.12 | -25.52 | -22.9 | 12 |
1.13 | Variatio 12. Canone alla Quarta. a 1 Clav. | -5.10 | -23.80 | -21.2 | 10 |
1.14 | Variatio 13. a 2 Clav. | -12.29 | -30.34 | -27.5 | 12 |
1.15 | Variatio 14. a 2 Clav. | -4.68 | -22.91 | -20.2 | 12 |
1.16 | Variatio 15. Canone alla Quinta. a 1 Clav. | -12.35 | -30.62 | -27.7 | 12 |
1.17 | Variatio 16. Ouverture. a 1 Clav. | -4.61 | -22.90 | -20.3 | 13 |
1.18 | Variatio 17. a 2 Clav. | -5.57 | -23.61 | -21.0 | 11 |
1.19 | Variatio 18. Canone alla Sexta. a 1 Clav. | -10.98 | -28.80 | -25.9 | 11 |
1.20 | Variatio 19. a 1 Clav. | -9.53 | -27.09 | -24.6 | 12 |
1.21 | Variatio 20. a 2 Clav. | -5.88 | -23.19 | -20.6 | 11 |
1.22 | Variatio 21. Canone alla Settima. a 1 Clav. | -8.38 | -25.78 | -23.1 | 11 |
1.23 | Variatio 22. a 1 Clav. Alla breve | -6.05 | -23.72 | -21.0 | 11 |
1.24 | Variatio 23. a 2 Clav. | -1.65 | -23.04 | -20.4 | 14 |
1.25 | Variatio 24. Canone all’Ottava. a 1 Clav. | -8.13 | -26.20 | -23.4 | 12 |
1.26 | Variatio 25. a 2 Clav. Adagio | -10.11 | -32.48 | -29.2 | 14 |
1.27 | Variatio 26. a 2 Clav. | -4.13 | -21.16 | -18.6 | 11 |
1.28 | Variatio 27. Canone alla Nona. a 2 Clav. | -6.48 | -22.95 | -20.5 | 11 |
1.29 | Variatio 28. a 2 Clav. | -2.93 | -20.97 | -18.4 | 11 |
1.30 | Variatio 29. a 1 ô vero 2 Clav. | -4.61 | -20.40 | -17.7 | 11 |
1.31 | Variatio 30. Quodlibet. a 1 Clav. | -7.30 | -24.91 | -22.0 | 11 |
1.32 | Aria da capo | -11.69 | -31.95 | -29.0 | 12 |
2.1 | I. Lontano | -9.53 | -36.22 | -30.6 | 15 |
2.2 | II. Toccata primo | -1.10 | -19.19 | -15.8 | 11 |
2.3 | III. Aria/Ayre (Ach wie flüchtig, ach wie nichtig/Flow my tears) | -10.00 | -30.74 | -27.8 | 13 |
2.4 | IV. Intermezzo sospeso | -8.09 | -31.61 | -25.1 | 14 |
2.5 | V. Evocazione BWV 854 (Berceuse) | -8.42 | -26.41 | -23.3 | 10 |
2.6 | VI. Toccata secundo | -1.10 | -22.49 | -18.5 | 12 |
2.7 | Aria (from BWV 988) | -11.68 | -31.96 | -29.0 | 12 |