℗ 2014 Deutsche Grammophon GmbH, Berlin
| Released | 2014 |
| Duration | 1h 08m 32s |
| Record Label | Universal Music Group |
| Genre | Classical |
El Maestro Farinelli
Concerto Köln, Pablo Heras-Casado
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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La festa cinese
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1.1
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Overture
Nicola Conforto; Concerto Köln; Pablo Heras-Casado |
4:00 | |||
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Carlo il calvo
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1.2
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Overture
Nicola Porpora; Concerto Köln; Pablo Heras-Casado |
4:27 | |||
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Sinfonia Op.5, No. 6
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1.3
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Allegro
Johann Adolf Hasse; Concerto Köln; Pablo Heras-Casado |
4:08 | |||
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1.4
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Andante sempre
Johann Adolf Hasse; Concerto Köln; Pablo Heras-Casado |
1:54 | |||
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1.5
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Allegro
Johann Adolf Hasse; Concerto Köln; Pablo Heras-Casado |
3:24 | |||
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Vendado amor es, no ciego (Zarzuela)
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1.6
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Tempestad grande
José de Nebra; Bejun Mehta; Concerto Köln; Pablo Heras-Casado |
2:50 | |||
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Sinfonia In E Minor "Fandango" Wq 178
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1.7
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Allegro assai
Carl Philipp Emanuel Bach; Concerto Köln; Pablo Heras-Casado |
4:03 | |||
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1.8
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Andante moderato
Carl Philipp Emanuel Bach; Concerto Köln; Pablo Heras-Casado |
3:34 | |||
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1.9
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Allegro
Carl Philipp Emanuel Bach; Concerto Köln; Pablo Heras-Casado |
3:25 | |||
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1.10
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Baile de las máscaras
Francesco Corradini; Concerto Köln; Pablo Heras-Casado |
5:02 | |||
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La dicha en la desgracia y vida
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1.11
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Overture
Juan Marcolini; Concerto Köln; Pablo Heras-Casado |
3:35 | |||
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Polifemo
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1.12
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Alto Giove, è tua grazia
Nicola Porpora; Bejun Mehta; Concerto Köln; Pablo Heras-Casado |
8:31 | |||
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1.13
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Seguidilla From "Amar y ser amado y la divina Philotea"
José de Nebra; Concerto Köln; Pablo Heras-Casado |
1:29 | |||
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1.14
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Seguidilla From "Para obsequio a la deydad, nunca es culto la crueldad, y Iphigenia en Tracia"
José de Nebra; Concerto Köln; Pablo Heras-Casado |
0:54 | |||
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1.15
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Seguidilla From "Vendado es amor, no es ciego"
José de Nebra; Concerto Köln; Pablo Heras-Casado |
1:13 | |||
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1.16
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Canción From "Viento es la dicha de amor"
José de Nebra; Concerto Köln; Pablo Heras-Casado |
1:08 | |||
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1.17
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Seguidilla From "Donde hay violencia no hay culpa" (1)
José de Nebra; Concerto Köln; Pablo Heras-Casado |
2:39 | |||
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1.18
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Seguidilla From "Donde hay violencia no hay culpa" (2)
José de Nebra; Concerto Köln; Pablo Heras-Casado |
0:58 | |||
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1.19
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Periodical Overture
Niccolò Jommelli; Concerto Köln; Pablo Heras-Casado |
5:49 | |||
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Armida
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1.20
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Overture
Tommaso Traetta; Concerto Köln; Pablo Heras-Casado |
5:29 | |||
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Digital Booklet
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"... dispatched with a flourish by Bejun Mehta, always a voice worth hearing."
- The Times
This 2014 album highlights music associated with Farinelli, a celebrated 18th century castrato, one of the most well-known opera singers of all time and court musician to the kings of Spain. Spanish conductor Pablo Heras-Casado returns to his core repertoire and musical heritage as he leads the Concerto Köln and countertenor Bejun Mehta in vocal and instrumental Baroque repertoire. El Maestro Farinelli features eight world premiere recordings.
96 kHz / 24-bit PCM – Universal Music Group Studio Masters
A production in cooperation with Deutschlandfunk Executive Producer: Angelika Meissner Producer: Sid McLauchlan Recording Engineer (Tonmeister): Markus Heiland Project Coordinator: Anna-Lena Rodewald Research and performance material: Olivier Fourés Recorded and mastered by Tritonus Musikproduktion GmbH Recordings: Cologne, Probenstudio Stolberger Straße, 7–8/2013; Cologne, Deutschlandfunk Kammermusiksaal, 1/2014 (6, 12)
A production in cooperation with Deutschlandfunk Executive Producer: Angelika Meissner Producer: Sid McLauchlan Recording Engineer (Tonmeister): Markus Heiland Project Coordinator: Anna-Lena Rodewald Research and performance material: Olivier Fourés Recorded and mastered by Tritonus Musikproduktion GmbH Recordings: Cologne, Probenstudio Stolberger Straße, 7–8/2013; Cologne, Deutschlandfunk Kammermusiksaal, 1/2014 (6, 12)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.64 -12.20 to 0.00 | -24.58 -31.44 to -20.79 | -21.18 -28.30 to -17.40 | 14 12 to 17 | |
| 1 | Overture | -0.05 | -22.42 | -18.8 | 15 |
| 2 | Overture | -0.05 | -20.79 | -17.4 | 14 |
| 3 | Allegro | -3.53 | -23.20 | -20.3 | 13 |
| 4 | Andante sempre | -12.20 | -31.44 | -28.3 | 12 |
| 5 | Allegro | -4.60 | -23.32 | -20.0 | 13 |
| 6 | Tempestad grande | -0.05 | -20.82 | -17.4 | 15 |
| 7 | Allegro assai | -0.54 | -22.10 | -18.2 | 13 |
| 8 | Andante moderato | -9.60 | -29.77 | -26.0 | 12 |
| 9 | Allegro | -5.42 | -26.09 | -22.5 | 15 |
| 10 | Baile de las máscaras | 0.00 | -21.34 | -17.7 | 14 |
| 11 | Overture | -0.02 | -22.55 | -18.0 | 13 |
| 12 | Alto Giove, è tua grazia | -6.17 | -28.26 | -24.9 | 14 |
| 13 | Seguidilla From "Amar y ser amado y la divina Philotea" | -2.00 | -24.55 | -21.5 | 16 |
| 14 | Seguidilla From "Para obsequio a la deydad, nunca es culto la crueldad, y Iphigenia en Tracia" | -7.25 | -25.50 | -22.6 | 12 |
| 15 | Seguidilla From "Vendado es amor, no es ciego" | -6.65 | -25.38 | -22.5 | 13 |
| 16 | Canción From "Viento es la dicha de amor" | -1.28 | -21.67 | -19.3 | 14 |
| 17 | Seguidilla From "Donde hay violencia no hay culpa" (1) | -8.64 | -28.98 | -25.7 | 13 |
| 18 | Seguidilla From "Donde hay violencia no hay culpa" (2) | -0.11 | -24.84 | -21.3 | 17 |
| 19 | Periodical Overture | -2.01 | -24.05 | -20.4 | 14 |
| 20 | Overture | -2.67 | -24.53 | -20.8 | 14 |